Bernard Dunstan

Bernard Dunstan RA RWA (1920-2017) - Framed Pastel, Resting in the Sheets

Mid-20th Century

A sensitive early 20th-century life study by the artist Raymond Moisset (1906-1994). The artist has employed gestural, confident lines and shading to depict the subject. Signed verso...

Well presented in a distress-effect wood frame. Signed and dated. On paper.

Sleeping Woman II Jan De Ruth, Czech (1922–1991) Date: circa 1970 Pastel on Paper, signed Size: 9 in. x 16 in. (22.86 cm x 40.64 cm) Frame Size: 16.5 x 27 inches

Charcoal on paper, signed lower left Image size: 15 3/4 x 21 inches (40 x 53.5 cm) Contemporary frame James Stroudley Stroudley was born in London on 17 June 1906, the son of James Stroudley, showcard and ticket writer. He studied at Clapham School of Art (1923-27) and then at the Royal College of Art (1927-30), where his teachers included Alan Gwynne-Jones and William Rothenstein. As a recipient of the first Abbey Scholarship he was able to spend three years in Italy from 1930, where he absorbed the influences of Giotto and Piero della Francesca, and produced one of the last wholly satisfying decorative cycles by a Rome Scholar of the period. From 1934, he exhibited at the Royal Society of British Artists, and was elected to its membership in the following year. From the Second World War – in which he worked with the Camouflage Unit – Stroudley taught at St Martin’s School of Art and was a visiting lecturer at the Royal Academy Schools. Though he continued to live in London, his later work, exhibited at the Royal Academy from 1955, indicated regular painting trips to Kent and Sussex coasts. However, much of his later work was abstract. In 1971, his former student, Peter Coker, paid homage to Stroudley by including his work in the exhibition ‘Pupil & Masters’, held at Westgate House, Long Melford, Suffolk. Stroudley married three times, and his wives included the fashion artist to the Sun newspaper...