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Louis Gallait
Louis Gallait (1810-1887) Study of a young girl in prayer, drawing

circa 1850

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  • France circa 1820, Portrait of a gentleman, black chalk and pastel drawing
    Located in Paris, FR
    France circa 1820 Portrait of a gentleman Black chalk and pastel on paper 12 x 10 cm In its original mount, modern oak frame : 25 x 22.5 cm
    Category

    1820s Romantic Portrait Drawings and Watercolors

    Materials

    Chalk, Pastel

  • Eugène Devéria (1805-1865) The Children of the painter Drawing
    By Eugene Deveria
    Located in Paris, FR
    Eugène Devéria (1805-1865) The children of the painter Portrait in an oval, study for a portrait Black pencil on paper 23 x 19 cm Stamp of the worksh...
    Category

    1840s Romantic Portrait Drawings and Watercolors

    Materials

    Pencil

  • Pierre-Georges Jeanniot (1848–1934), Henri Rochefort for a duel, drawing
    By Pierre Georges Jeanniot
    Located in Paris, FR
    Pierre-Georges Jeanniot (1848–1934) Portrait of Henri Rochefort ready for a duel, Pencil on paper Signed and titled lower left 28 x 21 cm In good condition : the left and right borders irregularly cut In a modern cardboard mount : 45.5 x 35 cm Henri Rochefort, whose complete name was Victor Henri de Rochefort-Luçay , was born in Paris on January 31 , 1831, he died in Aix-les-Bains on 1 st July 1913. He was a french journalist , playwright and politician A great polemicist in the pages of his newspapers ( La Lanterne , La Marseillaise , L'Intransigeant), he defended radical and even extremist political options (anticlerical , nationalist , favorable to the Commune , Boulangist , socialist and anti-Dreyfusard ) which earned him the nickname of "The man with twenty duels and thirty trials », And convictions, in particular in the prison of Noumea from which, unique fact, he managed to escape in 1874. Pierre-Georges Jeanniot (1848–1934) was a Swiss-French Impressionist painter, designer, watercolorist, and engraver who was born in Geneva, Switzerland, and died in France. His work often depicts the modern life in Paris. He started out pursuing a military career, as an infantry officer (1866–1881). He was a lieutenant with the Twenty-third Infantry from 1868 to 1870. He fought in the Franco-Prussian War, was wounded at Rezonville, and was awarded the Légion d'Honneur. He subsequently served with the Ninety-fourth Infantry and the Seventy-third Infantry. At the time he left the army he held the rank of major, with the Chasseurs à Pieds. He never ceased drawing. He was known for the first time in 1872 at the art exhibition Salon de Paris, where he presented a watercolor painting called Intérieur de forêt. The next year he presented the painting Le Vernan à Nass-sous-Sainte-Anne. From then on he was a regular contributor to the Salon de Paris, where he presented new works with views of Toulouse, Paris, Troyes, the edges of the Seine, and some portraits. In 1881, after the army offered him the rank of commandant, he resigned to devote himself exclusively to painting. He took up residence in Paris. His works from this period represent mainly scenes of military life that allowed him to forge a reputation. Jeanniot established himself permanently in 1882 and obtained his first award the following year (medal third class of the Salon de Paris) with his les Flanqueurs (1883, Musée du Luxembourg). In 1886, La ligne de feu, souvenirs de la bataille de Rezonville, remembering the Battle of Mars-La-Tour (Museum of Pau), assured his notoriety. From then on, he started to show a certain artistic independence. He then mostly portrayed Parisian women during the "Belle Epoque", women in bathing suits...
    Category

    1870s Romantic Portrait Drawings and Watercolors

    Materials

    Carbon Pencil

  • Achille Devéria (1800-1857) A young woman seen in profile, original drawing
    Located in Paris, FR
    Achille Devéria (1800-1857) A young woman seen in profile Black Chalk on paper with cut edges Bears the stamp of the Achille Deveria Estate Sale of 1...
    Category

    1840s Romantic Portrait Drawings and Watercolors

    Materials

    Carbon Pencil

  • Alexandre Bida (1813-1895) A Young Woman in profile, Signed drawing
    Located in Paris, FR
    Alexandre Bida (1813-1895) A Young Woman in Profile Signed with the monogram lower right Pencil on grey-blue paper 17.7 x 11.5 cm Framed : 36.5 x 27 cm This drawing shows Bida's tec...
    Category

    1880s Romantic Portrait Drawings and Watercolors

    Materials

    Pencil

  • Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile, signed drawing
    Located in Paris, FR
    Jules-Eugène Lenepveu (1819-1898) Portrait of a man in profile signed on the lower right Pencil and heightenings of white gouache on paper 19.5 x 13 cm Framed : 29 x 22.7 cm Jules-Eugène Lenepveu is of course particularly well known for his large-scale paintings, such as the one on the ceiling of the Paris Opera, but his work here is much more delicate and intimate. We recognise the artist's mastery of talent, but the play of textures, with its highlights of white that enliven and illuminate the model's face, is also very subtle. There's a particularly charming sense of life and impression of light. Jules-Eugène Lenepveu was born in Angers on 12 December 1819, on the site of the street that now bears his name, into a family of small shopkeepers. The painter showed a deep attachment to his family throughout his life through his correspondence and the many portraits of his relatives. He entered the drawing school in Angers in 1833, where he was a pupil of Jean-Michel Mercier. There he rubbed shoulders with the sculptor Ferdinand Taluet. He arrived in Paris in 1837 and entered the Beaux-Arts, where he was officially admitted to François-Édouard Picot's studio in 1838. He exhibited his work "L'Idylle" at the Salon of 1843 and, that same year, left for his first visit to Italy. He was awarded the Second Prix de Rome in 1843 for "Cincinnatus recevant les députés du Sénat" (Cincinnatus receiving the deputies of the Senate), then the First Prize in 1847 for "La Mort de Vitellius" (The Death of Vitellius). A resident at the Villa Médicis from 1848, he was surrounded by painters Alexandre Cabanel, Léon Benouville, Gustave Boulanger, Félix Barrias...
    Category

    1860s Romantic Portrait Drawings and Watercolors

    Materials

    Gouache, Pencil

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