Rudolf Ausleger

Rudolf Ausleger Drawing "Dame mit Hut" ( Lady with Hat )

ca. 1924

Watercolor, gouache on paper, 1947. Signed and dated left in the top. Framed. Dimensions: 19.49 x 14.57 in ( 49,5 x 37 cm ), Framed: 23.15 x 18.62 in ( 58,8 x 47,3 cm ) Erhard Klepper ( 1906-1980 ) He was a German painter, draftsman, print maker...

Watercolor, gouache on paper, 1948. Signed and dated left in the top. Framed. Dimensions: 14.96 x 11.81 in ( 38 x 30 cm ), framed: 19.09 x 15.67 in ( 48,5 x 39,8 cm ) Erhard Klepper...

Carbon drawing, 1912 by Lesser Ury ( 1861-1931 ). Signed and dated lower left: L.Ury 1912. The drawing will be included in the forthcoming catalogue raisonné. Dimensions: 20.08 x 12...

Carbon drawing on Paper. Estate stamp verso. Under glas framed. Dimensions: 12,6 x 20.47 in ( 32 x 52 cm ), Framed 19.69 x 27.36 in ( 50 x 69,5 cm ) Alexander Koester...

Belgian artist Miette Braive(1916-2000), was classically trained in Belgium, before moving to Paris to pursue her art career as first a student and then a contemporary of the French ...

D'après Renoir by Georges Manzana Pissarro (1871-1961) Pencil on paper 19.5 x 25.8 cm (7 ⁵/₈ x 10 ¹/₈ inches) Titled and signed lower right This work is accompanied by a certificate...

A stylized cat named Babette is depicted licking her paw. It is rendered in black and white, which bears the influence of Asian art in its simplicity of line, use of wash, and bleedi...

Jairo, 2016 by Celso Castro-Daza Watercolor and ink on archival paper Image size: 53 H in. x 36 in. W Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, and others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...