Théophile Alexandre Steinlen

Theophile Alexandre Steinlen (1859-1923) Two studies of a woman, drawing

circa 1890

Georges Scott (1873-1943) Portrait of Jules Lagorio 1893, signed, dated and annotated on the right : "A monsieur Jules Lagorio, Souvenir de notre excursion à l'Estaque 12 mai 1893" Pencil on paper 24 x 22 cm In fair condition : an horizontal crease in the middle of the shhet, stains ans other creases, trace of the mount (see photographs please) In its original vintage framing : 33 x 30 cm If not in perfect condition, this intimate portrait by the young artist is really intersting and charming. The mention of it as a souvenir of an excursion to l'Estaque is interesting too. L'Estaque, near Marseille was a famous place for painters of the time such as Cezanne, Braque and Renoir who painted there the sea and shores. The young Georges Scott wanted to keep the souvenir of the excursion with his friend, but we have to think of the place by the gaze of the model contemplating it. Georges Scott, or Scott de Plagnolle (his full name wasGeorges Bertin Scott de Plagnolle ), was born on June 10 1873 in Paris, he was a painter and illustrator. He studied at the Alsatian School in Paris, where he drew a lot: “I have always drawn […]. My father was a painter and illustrator. I was born in a workshop ”. Fatherless in 1884, he studied at the Beaux-Arts, then was one of the pupils of Édouard Detaille, he was a member of French artists outside the competition in 1897. Painter and illustrator, he worked for various periodicals, including Cocorico and L'Illustration where his first drawing was published on March 19, 1892 (“La catastrophe d'Anderlues”). In 1911, the Minister of War Adolphe Messimy asked Scott and Detaille for studies to renovate the uniforms of the French Army: if their projects were not adopted, some were published in newspapers such as L'Illustration in March 1912 he covered as a war correspondent for the newspaper the First Balkan War, with the Bulgarian Army. He returned to Thrace inJuly 1913 for the Second Balkan War, but with the Greek Army, meeting King Constantine. In September 1913, on the occasion of the King of Greece...

Jules Monge (1855-1934) French soldiers, six different watercolors in a same mount Each one signed (4 on lower right, 2 on lower left) Each one 9.5 x 14...

French School late 19th century, A woman in a deckchair, pencil on paper 21 x 31.5 cm In a modern frame : 36 x 47 cm This is a very sensitive and interesting drawing. Typical of Im...

Jules Cheret (1836-1932) Two studies of a woman, 1921 charcoal on grey paper signed and dated 24 10 (19)21 on the bottom right 39.5 x 24 cm A varnish stain in the lower middle of t...

Georges Antoine Rochegrosse (1859-1938) A man sitted, Study for the decoration of the Salle des fêtes (Ballroom) of the Exposition Internationale, Paris 1900 Pencil and charcoal on thin yellow paper 29.5 x 20 cm In acceptable condition : Tears and creases as visible on the photographs. In a modern frame : 46 x 36.5 cm Annotations on the back of the mount (now under the modern frame) that identifiy this drawing as a preparatory study for the decoration of the Salle des fêtes (Ballroom) of the 1900 Paris Exposition Internationale. It's also indicated that Henri Bataille...

Jules Cheret (1836-1932) Three studies of women charcoal on paper signed on the bottom left 39 x 24.5 cm This drawing of studies was part of the artist's workshop as so it bears the...

Mark Bradley Schwartz's (US based) "N.Z." is an original, handmade charcoal drawing that depicts the monochromatic portrait of a woman with long...

This original illustration, titled "Cops at Ease in the Muster Room of a Station," accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist.

Irene Hölzer-Weineck was born in Prague in 1888 and later worked as a painter primarily in Vienna. After artistic training with the Czech painter Vojtech Hynais, Hölzer-Weineck studi...

Sean Keating (Irish 1889-1977) "Self Portrait" c. 1950s Charcoal on Paper Signed Lower Right Framed Size: approx 20 x 16 inches A noted portrait and figure painter, influenced by both Romanticism and Realism, Sean Keating was an Irish nationalist painter who executed several iconic images of the Irish Civil war era, and of the ensuing period of industrialization. One of the great exemplars of representational painting in Ireland, Keating was an intellectual artist in that he set out to depict the birth and development of the Republic of Ireland, and his pictures are deliberately idealized even heroic. However, he held very conservative views about art - verging on the academic style - and was a committed defender of traditional Irish painting, considering much modern art to be bogus. Born in Limerick, Sean Keating studied drawing at the Limerick Technical School before winning a scholarship, arranged for him by William Orpen, to study fine art painting at the Metropolitan School of Art in Dublin. In 1914 he won the Taylor Scholarship and the following year exhibited three paintings at the Royal Hibernian Academy. Over the next period of years he spent time on the Aran Islands off County Galway, and then in London. He returned to Ireland in 1916 and painted the war of independence and the subsequent civil war. Works he completed at this time include the painting: Men of the South (1921) depicting a group of IRA men about to stage a military ambush, and An Allegory (c. 1922) which features a cluster of figures representing the fractures in the young Irish state. Meantime, in 1919, Keating was appointed an assistant teacher at the Dublin Metropolitan School of Art. Then in 1921, he staged his first one-man show at The Hall, Leinster Street. In 1923, he was elected to the Royal Hibernian Academy. In a Dublin exhibition of Irish art held in 1924, Keating was awarded the gold medal for his picture Homage to Hugh Lane - now hanging in the Hugh Lane Gallery. In the late 1920s, Keating was commissioned to record the building of the hydro-electric power generator at Ardnacrusha, near Limerick. He painted a number of paintings of this scheme. Not unlike the Soviet Realism School of painting, these paintings sought to promote the construction work as an achievement of heroic proportions. Keating's works began to attract interest abroad. He exhibited at the Royal Academy in London and, in 1930, he held a one-man show at the Hackett Gallery, New York. In 1931 Keating's one-person exhibition was staged at the Victor Waddington Galleries, Dublin. In 1934 he was made professor of the National College of Art in Dublin, and Professor of Painting, three years later. His 1937 exhibition at the Victor Waddington Galleries attracted considerable interest. In 1939, he was asked to paint a wall-painting for the Irish pavilion at the New York World Fair and duly created a huge mural of fifty-four panels. He was President of the Royal Hibernian Academy from 1949 to 1962, exhibiting nearly 300 works during the period. In 1963, a retrospective exhibition was staged at the Municipal Gallery of Modern Art, which was opened by Irish President de Valera...

"Performance I & II" are thoughtful and dynamic charcoal drawings on paper by Patsy McArthur. They are monotone, black and white, and show a woman wearing a fashionable striped skirt...

"Hula Study" is an energetic and unique charcoal on paper by Patsy McArthur showing a female figure dancing with a hula hoop. It is created using charcoal and pastel on pale pink Mur...