Unknown

English school, circa 1784 'Mr and Mrs Rogers', pastel on paper, a pair

1784

B. C. Leeming (British, circa 1901) A Portrait of John Ruskin Ink Signed and dated ' B C Leeming 01’ (lower left) 13 x 10.1/4 in. (33 x 26 cm.). Provenance: Collection of James S D...

Giovanni Boldini (Italian, 1842-1931) Etude de femme au ruban noir Signed with atelier stamp (lower left), further inscribed, signed and dated by Emilia Boldini (the artist’s wife) `no 77 le_ atelier Boldini. Emilia Boldini Carbona 1931’ (on the reverse) Black crayon on paper 11.7/8 x 8.7/8 in. (30 x 22.5 cm.) Emilia’s inscription on the reverse from the year of his death. Giovanni Boldini was an Italian genre and portrait painter who lived and worked in Paris for most of his career. According to Time magazine, he was known as the "Master of Swish" because of his flowing style, exemplified by the confident strokes in this fine example. Boldini was born in Ferrara, the son of a painter of religious subjects, and in 1862 went to Florence for six years to study and pursue painting. He only infrequently attended classes at the Academy of Fine Arts, but in Florence, met other realist painters known as the Macchiaioli, who were Italian precursors to Impressionism. Their influence is seen in Boldini's landscapes which show his spontaneous response to nature, although it is for his portraits that he became best known. Moving to London, Boldini attained success as a portraitist, painting notable members of society including Lady Holland and the Duchess of Westminster...

Pastel on paper Image size: 13 x 17 1/2 inches (33 x 44.5 cm) Mounted and framed This original pastel drawing by Thomas Frye is a half-length portrait of a man dressed in a turban. This drawing is the original sketch for one of the heads depicted in Frye's collection 'Twelve Mezzotint Prints' of 1760 and it can be assumed that this pastel work was created earlier of this same year. Two versions of the print, created from this original work, are currently held in the collection of the National Portrait Gallery and the Metropolitan Museum of Art. Frye's evocative figures, although presumably based on living models, exceed the conventions of portraiture, and also function as character studies. The man shown here - dressed in the fashionable 'Turkish' manner - turns with parted lips as if poised to speak, while raising the elegant fingers in one hand in a rhetorical gesture. His long eyelashes and smoothly rendered wrinkles and dimples are hallmarks of Frye's refined style. The Artist Thomas Frye (c. 1710 – 3 April 1762) was an Anglo-Irish artist, best known for his portraits in oil and pastel, including some miniatures and his early mezzotint engravings. He was also the patentee of the Bow porcelain factory, London, and claimed in his epitaph to be "the inventor and first manufacturer of porcelain in England," though his rivals at the Chelsea porcelain factory seem to have preceded him in bringing wares to market. The Bow porcelain works did not long survive Frye's death; their final auctions took place in May 1764. Frye was born at Edenderry, County Offaly, Ireland, in 1710; in his youth he went to London to practice as an artist. His earliest works are a pair of pastel portraits of boys...

19th century silhouette of a female , framed and glazed and in good condition with only minor signs of age as to be expected. 2nd image with flash to show highlights etc.. Apologie...