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UnknownFine Native American Mother With Child Watercolor by D. Collins C.1970s1972
1972
About the Item
Fine Native American Mother With Child Watercolor by D. Collins C.1970s
Monogrammed / Initialed lower right corner
Watercolor dimensions 20.5" wide x 25.5" high
The frame measures 28" wide x 34" high
Good vintage condition
- Creation Year:1972
- Dimensions:Height: 34 in (86.36 cm)Width: 28 in (71.12 cm)Depth: 1 in (2.54 cm)
- Medium:
- Period:
- Condition:Lightly used frame.
- Gallery Location:San Francisco, CA
- Reference Number:1stDibs: LU137828331762
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The Sunbonnet Babies characters were created by illustration Bertha L. Corbett when she was challenged to create a faceless character who nonetheless was engaging and appealing. The characters were a wild hit and appeared in books, comics, and popular collectibles. They also became a popular motif in quilting. Few of Corbett's original drawings for the babies are known to survive, making this a rare offering.
From: Wikipedia
Sunbonnet Babies are characters created by commercial artist Bertha Corbett Melcher (1872–1950). Sunbonnet Babies featured two girls in pastel colored dresses with their faces covered by sunbonnets. Sunbonnet Babies appeared in books, illustrations and advertisements between the years of 1900 and 1930. Sunbonnet Babies were later used as a popular quilting pattern also known as Sunbonnet Sue.[1] Melcher created a male version of the Sunbonnet Babies, named the 'Overall Boys' in 1905.[2][3]
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Bertha L. Corbett Melcher
Sunbonnet Babies were created by Bertha Corbett Melcher (1872–1950).[4] Melcher was born in Denver and moved with her family to Minneapolis in the 1880s. Melcher attended art school in Minneapolis with plans to become a commercial artist.[5] She may have also studied with Howard Pyle.[6] By the 1920s, Melcher had moved to Topanga, California.[7][4]
Melcher started drawing the Sunbonnet Babies in 1897. The origin of the signature style of the faces being covered by sunbonnets is contested by different members of Melcher's family and by Melcher herself. In an interview, Melcher's brother said their mother suggested Bertha avoid the difficulty of drawing faces by covering them with sunbonnets.[4] Melcher herself said that covering faces allowed her to communicate with body position.[4] Melcher has also said that the design came about in "answer to a friend’s challenge to convey emotion without a face."[2]
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