Elizabeth Osborne

Hibiscus Bermuda III: botanical watercolor painting w/ pink, orange flowers

1982

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

"In the series “This is a real place!” I was fascinated by how the underside of the pier at Saint Simons Island, GA was like a readymade collage. The way the pilings and rails divide and frame the spaces between them looks artificially imposed on the scene until you notice the way the waves bounce off the pilings and the railings cast shadows on the water. In some iterations, I chose to simplify the structures of the pier and lighten the values so that it would emphasize the detail in the water. Likewise, I omitted a family of starlings and their droppings in favor of highlighting the geometry of the architecture and the colors and patterns of the water. Making paintings in a series allows me to investigate the results of making different decisions about an image. How I crop or stylize it, the manner in which I apply the paint, what gets included or excluded all add shades of meaning to each piece. Additionally, depictions of the same subject in different weather, seasons, times of day, and tides allows me a deeper understanding. I notice more relationships, colors, and details every time I paint the subject. Every painting is a pile of decisions. Playing with removing more and more details to see what is truly important sometimes improves the painting. The fewer elements you include in an image, the more each one means, and the more important it is to get each thing perfect. At times I like to paint every single detail I can find in a scene, and other times I feel like the unadorned components are sufficient to hold each other in a satisfying composition. I often add simplified shapes to my paintings to highlight the presence of absence or to heighten the importance of each area by creating stark visual contrasts. ⁠The physicality of the paint also plays a role. I used highly textured, thickly applied paint to construct the solid structural elements, and luminous layers of thinly glazed paint for the delicate linework and subtle blending of the water." - Brooke Lanier...

This is a minimalist watercolor painting depicting abstracted architectural features (windows & doorway) in red and blue with the landscape and ocean of Rhodes, Greece visible. The watercolor itself measures 9.5"x6.5" and is floated in a double-mat 16.5" x 13" narrow, contemporary wood (maple) frame. Signed, titled, and dated on the back of the watercolor paper. Diego Esposito...

This is an original gouache painting layered over an original archival pigment print of using alternative process photography. Image measures 8" x 12" on 12.5" x 16.5" Hahnemühle German Etching 100% rag paper. Ava Blitz...

Free shipping with code ART2021SHIP through December! This is an original gouache painting layered over an original inkjet print using alternative process photography. Image measures 8" x 8" on 11" x 8.5" paper. Ava Blitz...

This is an original gouache painting layered over an original archival pigment print using alternative process photography. Image measures 18.5" x 9.25" on 20.5" x 12.25" Hahnemühle German Etching 100% rag paper. Ava Blitz...

In Henk Serfontein's recent series of charcoal drawings, Fragile Flora, he continues his investigation into the fragile, the intimate and the ethereal. In his plant portraits he capt...

In Henk Serfontein's recent series of charcoal drawings, Fragile Flora, he continues his investigation into the fragile, the intimate and the ethereal. In his plant portraits he capt...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

Ann Bridges The Woods are Lovely, Dark and Deep Original Still Life Painting Oil based ink Image size: 27 x 27 cm Sheet size: 39 x 39 cm Framed Size: 43 x 43 cm. Sold Framed (Dark Gr...

Skilled and very beautiful watercolor by I. P. Gardner from the 1920s to 1930s. Artist is well known for her watercolors of life in the Middle East during that period. Signed lower l...

'Camellia no.1' original watercolor painted in 2021, a singular camellia flower in pink with hints of yellow with beautiful green foliage from Cleveland-born and educated Gary Bukovn...