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Mary ReillySeashells 5, photorealist black and white graphite drawing2021
2021
About the Item
Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmodulated coats of graphite. From here, Reilly deepens her darker tones and elevates her highlights. At once additive and subtractive, this process allows Reilly to create subtle shifts in shade and incremental gradients that result in myriad tonal effects and explore the full diversity achievable in a gray-scale palette. This technique also lends itself to Reilly’s play with depth and scale. Whether raked views of monumental trees, or tight, jostling arrangements of seashells and leaves, the ease of her transitions belies the intricacy of her compositions.
- Creator:Mary Reilly (1963, American)
- Creation Year:2021
- Dimensions:Height: 6 in (15.24 cm)Width: 8.5 in (21.59 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:Seller: MRE0591stDibs: LU41638918722
Mary Reilly
Mary Reilly - artist statement Graffiti Trees I found all of the images from my Graffiti Tree series within the woods of Alley Pond Park, Queens. Alley Pond Park has one of the "ancient forests of NYC". I photographed graffiti trees in many parks within the five boroughs of NY but the trees in Alley Pond Park were by far the most plentiful and the most interesting, with carvings dating back to the 1930's. What I find interesting about these woods is that the carvings are all so different. Walking through the woods was like a trip back in time. Almost every tree had something carved on it which made me imagine the people from the surrounding neighborhoods walking into the park, whether it be kids drinking, smoking and hanging out, or lovers taking a stroll. I found the faceless initials carved on the trees and what might be the story behind them to be most interesting. There are carvings that are clearly made from kids who were hanging out in groups. Then there were the more romantic carvings. Some are just cute. I tried to pick a few from each category to make a rounded body of work. I guess you can say that the history of the carvings is what inspired me to draw them. -MR 2014
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