Dutch School Drawings and Watercolor Paintings
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Style: Dutch School
Sanguine drawing "Shepherdess on a Donkey" by Nicolaes Berchem
By Nicolaes Berchem
Located in New York, NY
Provenance: Mercedes von Dietrichtein, Buenos Aires. Alexander von Dietrichstein. By descendants Morritz von Diestrichstein.
Nicolaes Pieterszoon Berchem (1 October 1620 – 18 February 1683) was a highly esteemed and prolific Dutch Golden Age painter of pastoral landscapes, populated with mythological or biblical figures, but also of a number of allegories and genre pieces.
He was a member of the second generation of "Dutch Italianate landscape" painters. These were artists who travelled to Italy, or aspired to, in order to soak up the romanticism of the country, bringing home sketchbooks full of drawings of classical ruins and pastoral imagery. His paintings, of which he produced an immense number, (Hofstede de Groot claimed around 850, although many are misattributed), were in great demand, as were his 80 etchings and 500 drawings. His landscapes, painted in the Italian style of idealized rural scenes, with hills, mountains, cliffs and trees in a golden dawn...
Category
17th Century Dutch School Drawings and Watercolor Paintings
Materials
Paper, Chalk
$4,000 Sale Price
68% Off
Dutch Men o War Setting Sale In A Fresh Breeze
By Ludolf Bakhuisen
Located in Brecon, Powys
Ludolf Bakhuizen 1631 - 1708
Dutch Men oWar Setting Sale in a Fresh Breeze
Provenance Christies 1998
Pen and Grey Ink and Grey Wash.
Image 5 x 7.25". Fr...
Category
Early 17th Century Dutch School Drawings and Watercolor Paintings
Materials
Ink
A Pair of 18th cent Dutch Still Life Watercolors Flowers in a Glass Vase 1797
Located in Rancho Santa Fe, CA
Cornelis Johannes de Bruyn (c. 1763- c. 1828)
A lovely pair of 18th century Dutch still life watercolors depicting assorted flowers in a glass vase.
Watercolor on paper
13 5/8 x 9 5/8 inches (34.6 x 24.4 cm) each
Framed: 23 x 18 1/2 inches each
Signed: J.C.J. Bruyn 1797 G
(Please request photos of the actual frame)
Johannes de Bruyn made his debut as a flower and fruit still life painter in the 19th
century in Utrecht. He was a student of the painter G.J. van Hulstyn. In our pair of flower still lifes, Cornelis Johannes de Bruyn has depicted two bouquets of colorful flowers set in a stone niche. They are delicate, highly detailed, realistic pieces painted in the vein of seventeenth century Old Master works. Each bouquet is arranged in a low glass bowl on a small marble pedestal...
Category
1790s Dutch School Drawings and Watercolor Paintings
Materials
Paper, Watercolor
Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch
Located in Greven, DE
Jan van der Heyden (1637 Gorinchem - 1712 Amsterdam), attributed.
Old Master Drawing, Westerkerk Keizersgracht in Amsterdam, 17th century, Dutch
Westerkerk and Keizersgracht in Amsterdam
Backside: later drawn backside with village church of the 18th century
Chalk and pen on paper
23,5 x 18,5 cm
Preliminary drawing for a painting from the creative period c. 1667 - 1670. This painting has been published a few years ago by Peter C. Sutton in the catalogue raisonné of the artist.
Van der Heyden was initially a pupil of a glass painter, but later turned exclusively to architectural painting and went to Amsterdam, where he painted views of churches, castles, palaces, public squares, streets, canals, etc., most of which are richly decorated with staffage. In addition, van der Heyden was also active as an inventor, for example, he developed a street lighting system for Amsterdam by means of oil street lamps, which was in operation from 1669 to 1840. After a stay in London, he painted the London fire of 1666, which he either witnessed himself or had seen the consequences of. Certainly influenced by this, he did much to further the technical and organisational development of the fire brigade from 1669 onwards. His greatest invention was probably the fire hose, which enabled significant improvements in fire-fighting technology and tactics. He also improved the hand-operated fire engines of the time by making them smaller, more mobile and more powerful, and he developed the series connection of several pumps to increase the pressure in order to achieve a greater range for the water jet. In 1690, together with his son, he was the author and illustrator of the Brandspuiten-boek, the first manual for fire fighting.
Johann Lingelbach, Adriaen van de Velde and Eglon van der Neer...
Category
17th Century Dutch School Drawings and Watercolor Paintings
Materials
Paper, Chalk
$1,801 Sale Price
20% Off
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silhouettes made with chalk on vintage collaged music pages
24 x 30 inches unframed, 27.5 x 33.5 inches in natural light wood frame with non-glare plexi
Louise Laplante bridges the past and present with mixed media drawings made with figurative charcoal silhouettes juxtaposed on collaged sheets of vintage paper. Finding beauty in forgotten or discarded sheets of ephemera, Laplante uses it as a guide for playful compositions of stenciled birds in mid-flight, drifting feathers, or taxidermized deer heads in rich pastel. A final burst of wistful linework glides over the pastel forms, accentuating her subject’s movement while adding another layer of texture. In this particular work, the artist using a palette of black, grey and shades of blue and teal to compose a balanced graphic of fluffy clouds extending above a single black bird. In certain segments the stenciled images are delicately brushed over with a thin wisp of chalk which adds a delicate textured effect to the drawing. The drawing is framed with a light wood frame and has non-glare plexi glass galzing.
About the artist:
Interested in blending the old world with the new, mixed media artist Louise Laplante combines her original images with ephemera of the past, enticing a conversation about it’s “relevancy to the present.” Her compositions begin with vintage book pages, personal handwritten letters, sheet music, or instruction from old guides on etiquette or science. While the text itself is weighted with reference to a particular subject, the visual of the typed or handwritten words and printed illustrations establish a unique pattern. These layered backgrounds are superimposed with opaque charcoal drawings that are inspired by the themes read between the lines. Most recently, the artist has opted for larger scale work, combining multiple sheets of vintage paper to expand her unique motifs. Laplante exhibits across the Northeast and has shown with Carrie Haddad for more than ten years.
Artist Statement:
My work connects the texts, and ideas, in the vintage book, music or correspondence pages, with images those words evoke to comment on how the past still resonates, whether we are aware of it or not.
It is informed by my love for old paper, letters, books and images, both as reminders of the past and as bits of pattern, tone, line and shape. The text on them acts as both content and visual device. With each work, I select, arrange and collage these pieces creating both a support and pattern building on it with motifs that are suggested by words on the papers. Although I often start with an agenda I always allow each work to build its own image.
Artist Resume:
Education
MA in Fine Art, State University of New York at Albany, New York
BFA, College of New Rochelle, New Rochelle, New York
Studied, Art Institute of Boston, Boston, Massachusetts
Exhibitions
2019 Mediums of Exchange, Lehman College Art Gallery, Lehman College, CUNY, Bronx, New York
2018 Figures We Fancy, Carrie Haddad Gallery, Hudson, New York
Shelter, A.P.E. Gallery, Northampton, Massachusetts
Material Flow: Rhythm in Collage and Sculpture, Pratt Gallery, Goddard College, Plainfield, Vermont
2017 Abstractions in Black and White, Gallery 175 Pawtucket, Rhode Island
Blanche Ames National, Borderlands, North Easton, Massachusetts
Five Points Biennial, Five Points Gallery, Torrington, Connecticut
A Declaration of Sentiments: Reflections on the Centennial of Women’s Right to Vote in NYS, Athens
Cultural Center, Athens, New York
2016 Winter Exhibit, Carrie Haddad Gallery, Hudson, New York
2015 Boston Biennial 4, Atlantic Gallery, Boston, Massachusetts
Drawing, Carrie Haddad Gallery, Hudson, New York
Taking Root: Caniskek and the Meeting of Two Worlds, Athens Cultural Center, Athens, New York
North Northeast, Brattleboro Museum and Art Center, Brattleboro, Vermont
NBMMA 45th Exhibition, New Britain Museum of American Art, New Britain, Connecticut
2014 New Directions ’14, Barrett Art Center, Poughkeepsie, New York
Connecticut Women Artists – 85th National, Slater Memorial Museum, Norwich, Connecticut
New England Collective V, Galatea Fine Art, Boston, Massachusetts
Boston Biennial 3, Atlantic Works Gallery, Boston, Massachusetts
2013 Storytellers and Conjurers, Carrie Haddad Gallery, Hudson, New York
2012 Works on Paper, Carrie Haddad Gallery, Hudson, New York
Drawing, b.j. spoke gallery, Huntington, New York
Strange Glue, Thompson Gallery, Weston, Massachusetts
Silhouette, A.P.E., Northampton, Massachusetts
The Cadence of Familiarity, Krauss Gallery, Providence, Rhode Island
2011 20th Anniversary Exhibition, Carrie Haddad Gallery, Hudson, New York
Paperworks, Paper City Studios, Holyoke, Massachusetts
Small Works, Towne Gallery, Wheelock College, Boston, Massachusetts
2010 Text/Context, McCoy Gallery, Merrimack College, North Andover, Massachusetts
A Community of Artists, Danforth Museum of Art, Framingham, Massachusetts
Here and Gone: Presence, Absence, Memory and Time, Amy H. Carberry Fine Art Gallery,
Springfield Technical Community College, Springfield, Massachusetts
2009 Dreamscape, Carrie Haddad Gallery, Hudson, New York
2008 Small ’08, Wunderarts Gallery, Amherst, Massachusetts
Interaction: Louise Laplante and Liz Chalfin, Wunderarts Gallery, Amherst Massachusetts
Artists and Books, Art Complex Museum, Duxbury, Massachusetts
One Night, Pivot Gallery, Florence, Massachusetts
2007 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts
Biennial 2007, New Hampshire Art Institute, Manchester, New Hampshire
Salon, Clark Gallery, Lincoln, Massachusetts
2006 Small: 20 Artists X 2 Feet, Wunderarts Gallery, Amherst, Massachusetts
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2004 On Paper, Carrie Haddad Gallery, Hudson, New York
Encaustics, Carrie Haddad Gallery, Hudson, New York
New Acquisitions, University Gallery, University of Massachusetts, Amherst, Massachusetts
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Part of the ring-wall of the Taj Mahal, Agra, India, 1914
Located in Amsterdam, NL
Part of the ring-wall of the Taj Mahal, Agra, India, 1914
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Dutch School drawings and watercolor paintings for sale on 1stDibs.
Find a wide variety of authentic Dutch School drawings and watercolor paintings available for sale on 1stDibs. Works in this style were very popular during the 20th Century, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including and Nicolaes Berchem. Frequently made by artists working with Paper, and Chalk and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Dutch School drawings and watercolor paintings, so small editions measuring 7.29 inches across are also available. Prices for drawings and watercolor paintings made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $767 and tops out at $9,500, while the average work sells for $1,876.