Medieval Drawings and Watercolor Paintings

Indian miniature showing Krishna, cows and the gopis (girls) Watercolour on paper, c mid 20th century Size Mounted: 33 x 22 cm Image Size: 24.2 x 13.4 cm Signed bottom right with a...

'Cain et Abel' Circle of Franois Devosge (1732-1811) French pencil drawing with watercolour wash on paper size: 12.25 x 9 inches private collection, France The painting is in overall...

Paula Valenzuela Underworld, 2025 Alcohol ink and watercolor ink on Yupo paper 14 x 11 inches This one-of-a-kind work on paper comes unframed. External, visible frame and glass in s...

"Some far away speech" is an original ink and watercolor work on paper by Brian Spolans. The piece ships framed as pictured and measures 20.5in x 28.5in. Alternative custom framing...

The painting and the preparatory drawing are offered together. Provenance Private collection, Germany, Trier, c. 1980- 2013 Saint John the Baptist Brown ink and wash over red chalk on oatmeal paper 31 x 20.5 cm Inscribed: „Ferrau Fenzonio da Faenza invt. esque … imp. da Fran. Villamena …“. bears the collector's mark of Henry Scipio Reitlinger (1882-1950; Lugt 2274a) on a tiny label glued to the verso On the reverse is a partial drawing of a Pieta, pricked for transfer. Provenance New York, Doyle, 14. October 2015, No. 6 The painting and the preparatory drawing resemble the composition of an engraving after Ferraù Fenzoni by Francesco Villamena. Drawing, engraving and painting are almost identical, except for minor differences. Even the measurements nearly correspond: painting (32 x 25,5 cm), drawing (30 x 20,5 cm), engraving (31,1 x 23,5 cm). Dr. Guiseppe Scavizzi confirmed the attribution of the present panting to Fenzoni and he dates it to c. 1590. The inscription on the drawing reads “Ferrau Fenzonio da Faenza invt. esque. . . imp. da Fran: Villamena . . .”. The engraving’s inscription also lists place and date “Ferra Fensionius inventor/F. Villamoena sculpsit Rome/Aspectu fruitur… antra puer/cum Privilegio… 1613”. Interestingly, the engraving is not mirrored as it is in most printing processes. Painting, drawing and engraving are not reversed but the same. It is remarkable to note that there are further paintings by Fenzoni which were engraved in the same order and not reverted. They also show strong parallels regarding the compositions and the measurements (see for example “Deposition of Christ” ). Ferraù Fenzoni was an Italian painter mainly active in Todi. He is also called Il Faenzone after his birthplace (Faenza). He apprenticed in Rome during the papacy of Gregory XIII and contributed to numerous fresco cycles under pope Sixtus V, such as the Loggia della Benedizioni in the Lateran Palace, the frescoes on the walls and vaults of the Scala Santa of the adjacent Basilica of San Giovanni in Laterano, and the decoration in the Sistine library. His expressive canvases straddle the styles of Mannerism and Baroque. In 1594, he moved to Todi. A “Last Judgement” by him is housed in the cathedral of Todi. He returned to Faenza in 1599, where he decorated chapels in the cathedral from 1612 to 1616. In 1622, he completed a “Deposition”, now in the local Pinacoteca. In 1640, Fenzoni was named “cavaliere dello speron d’oro” by Cardinal Colonna and, on 25th April 1634, he was nominated vicar and “castellano of Granarolo”. Fenzoni‘s style is characterized by a mixture of the Mannerism of the Northern Netherlands and the Italian Baroque. Saint John the Baptist, Old Master, 17th Century, By Fenzoni, Religious Scene, Rome Art...

Provenance: -Galerie Louise Leiris, Paris (stock number 09874, photo number 30356 according to the label on the back) -Finarte auction Milan, March 9, 1971, lot 81 Purchased by the f...

Ink and watercolor on fibrous Japon paper laid down to period cream laid paper, 6 x 7 1/2 inches (155 x 190 mm). Minor toning and some insect damage on the mount, painting itself rem...

Early 20th century watercolour of a gentleman on horseback with other riders in the background apparently signed or titled 'Count A de Monthaus'. Signed or titled bottom left. Presented in fine period gilt frame under glass. The artist has captured a moment of pause, the gentlemen rider in his fine clothes and bowler hat regarding his surroundings as his fellow riders continue the chase behind him, possibly a 'point to point'. Monthaus has captured the stance of the standing horse as well as the movement of the other horses. He has used white to give light and definition to the costume of the rider and the background. A lovely atmospheric and dynamic watercolour very much of its period and in the spirit of equine portraiture made famous by the likes of Sir Alfred Munnings. Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

"Swim is a hand-painted acrylic painting on high-quality 300g paper by artist Ryan Rivadeneyra. The hand-drawn render is reminiscent and inspired by the word art that Ed Ruscha produ...

Ink and wash in black ink with pen in black ink on watermarked C & I Honig cream laid paper, 14 7/8 x 12 1/4 inches (378 x 311 mm), the full sheet. In very good condition with some m...

WPA Post Office Mural Study American Scene Regionalism Social Realism Louise Emerson Ronnebeck (1901 - 1980) Oil Riggers, Mural Study Image: 6 1/2 x 37 inches Watercolor and egg tem...

Giardino di Rose, 2022 Ink on Toned Paper with Frame, 12.25 x 15.25 inches Transporting the viewer to Florence’s sun-lit rose garden, Justas Varpucanskis...