Sylvia Spicuzza

"Red Blossoms, Black Leaves, " Gouache on Paper signed by Sylvia Spicuzza

circa 1950s

"Family Portrait" is an original gouache and pencil piece on paper by Thomas Smith. The artist uses pure, unmixed color in flat planes, shading only on the faces of the figures, which makes them stand out from the rest of the image. The three figures sit in a triangular formation. The tallest figure looms over the other two with a dark black cloak...

In this painting, Sylvia Spicuzza demonstrates her skill as an illustration artist, representing the Milwaukee character Billie the Brownie with a growing spring of a tree. An illustration like this could grace the pages of a children's book or illustrated magazine, or as an advertisement for Schuster’s Department Store. Watercolor, gouache and graphite on paper 8 x 5.75 inches, artwork 14 x 12 inches, frame Stamped with artist signature, below image, lower left. Presented in a new custom frame with a gold-finish neoclassical wood moulding, archival matting and mounting materials; and UV glass to inhibit fading. Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff Elementary School in Shorewood, WI. During this time Sylvia produced a magnificent body of work that was undiscovered until her death. Sylvia's work is rich, diverse and fascinating collection of drawings, watercolors and prints from the 1920's to the 1990's. Her style ranges from early figurative drawings to regionalism, Art Deco, lyrical abstractions of every conceivable subject (both real and imagined), as well as figurative paintings that reflect the work of Picasso, Kandinsky and Max Ernst in the 1930's and 1940's. Biomorphic and organic, Modernist images are presented with Sylvia Spicuzza's own unique sense of style, humor and fantasy. Billie the Brownie was a multi-media star of Christmas in Milwaukee from the 1920s to the 1950s. Years earlier, the writer and artist Palmer Cox...

"Winter Wonderland (Snowman, Pine Tree, Rabbit)" is a gouache and collage on paper bag signed by Sylvia Spicuzza. A winter scene showing a happy snowman that was created with arms up in the air and a top hat upon his head. In the foreground sits a bunny looking at the snow man...

"Les Artistes du Cirque" is an original painting in ink, watercolor, and gouache on paper by leading Fauvist artist Kees Van Dongen, signed in the lower right. In the piece, two circus performers stand against against a wall. On the left, a pale woman in a blue leotard with red flowers on the shoulder stands with her arms crossed, looking out at the viewer. The painter fills in her tights with delicate white brushstrokes, lending them an almost iridescent appearance. Her strawberry blond hair is piled on top of her hair according to the fashion of the period. On the right, an African man stands in a vivid orange toga, looking somewhere off to the left. His feet are clad in bright white shoes...

'New Orleans Streetscape" is an original watercolor painting by William Collins. It features a view of a street in New Orleans,. Tall houses with large...

"Regal Lilies in a Vase" is an original gouache painting by the artist Alicia Czechowski. It is signed in the lower right. 14 3/4" x 15 3/4" art 23 1/4" x 24 3/4" frame Alicia Cze...

Original watercolor, gouache and graphite abstract on archival paper by the well known non-objective artist., Lloyd Raymond Ney.. Signed and dated lower left, 1962. Condition is very good. Strong, vibrant colors. The artwork was mounted by the artist onto Nelson show card board. Presently unframed. Provenance: A Pennsylvania estate. Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe. In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris. After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...

Here for your consideration is a well executed original watercolor and gouache abstract on archival paper by the New Hope, Pennsylvania artist, Lloyd Ney. Ney was considered to be a non-objective artist. Appears to be an abstract face. Signed and dated lower center 1962. Strong, vibrant colors. Condition is very good. Presently unframed. The artwork was mounted by the artist onto Nelson show card board. Provenance: A Pennsylvania estate. Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe. In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris. After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...

Original watercolor, gouache and ink abstract on archival paper by the well known New Hope, Pennsylvania artist, Lloyd Raymond Ney. Signed and dated lower left, 1961. Condition is very good. Strong, vibrant colors. Presently unframed. The artwork was mounted by the artist onto Nelson show card board. Provenance: A Pennsylvania estate.. Lloyd Raymond Ney was an American non-objective artist. Known as Bill Ney, he was born in Friedenburg, Pennsylvania March 8th, 1893, the son of William W. Ney and Sadie Maidenford. He studied at the Pennsylvania Museum School of Industrial Art and at the Pennsylvania Academy of Fine Arts in Philadelphia. In 1918 he won a Cresson Fellowship to study in Europe. In the 1920's Ney traveled to France where he studied and painted in Paris among the vital European modernist community. He lived at the Hotel de Versailles, 60 Boulevard Montparnasse. During this period Ney created his major work, "The Drinkers," Later, the artist wrote extensively about the process of developing this work and the transforming experience of integrating the Modernist ideal he had witnessed in Paris. After returning to the United States, Ney settled in New Hope, PA, an established art community between New York and Philadelphia. Unlike more New Hope artists who followed impressionism in the early 20th century, Ney embraced a more expressive contemporary style including non-objective works. He was among a group of artist known as the "Independents," who challenged the traditional subject matter of regional artists. They formed a new exhibition group. Ney was part of the "New Hope Modernist...

Very well executed original oil pastel on archival paper by the American artist, Tom Rickers. San Francisco school. Abstract with Signed and dated lower right 1977. Condition is ex...

Lydia Viscardi is best known for her representational mixed media collages that combine highly detailed realistic painted and drawn imagery with flat shapes cut out from patterned pa...

Lydia Viscardi is best known for her representational mixed media collages that combine highly detailed realistic painted and drawn imagery with flat shapes cut out from patterned pa...