Vincenzo Bizzarri

Escape Preparation- Illustration by Vincenzo Bizzarri -2015

2015

This work entitled "Without inspiration" is a table of the graphic novel published in 2016 by Kleiner Flug in Italy "Benvenuto Cellini". The work was done by Vincenzo Bizzarri in 201...

This work entitled "We're almost there" is a table of the graphic novel published in 2016 by Kleiner Flug in Italy "Benvenuto Cellini". The work was done by Vincenzo Bizzarri in 2015...

This work entitled "The summoned devil" is a table of the graphic novel published in 2016 by Kleiner Flug in Italy "Benvenuto Cellini". The work was done by Vincenzo Bizzarri in 2015...

This work entitled "Stone throwing" is a test table belonging to the comic published in 2022 by Sarbacane in France and by BD in Italy "The besieged". The work was done by Vincenzo B...

Ink on paper

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Robbie Cornelissen’s limited palette emphasises the stark sombre nature of his metaphysical drawings, The Undertow is his sixth solo exhibition at Art Mûr. At the centre of the exhibition hovers Terra Nova, a dark and desolate world parallel to our own. Robbie Cornelissen’s drawings, such as The Space of Absence and Thriller, seem to pull from the stop motion’s frames. Other images, made especially for The Undertow isolate key fragments; the cloud, mounds and timeless dwellings, Cornelissen’s signature technical interest. In addition to his methodical approach, Cornelissen uses the written word, scrawling and erasing terms repeatedly, in English, French, and German, these fastidious markings and exact translations leave a trace and a glitch on paper and screen. Much of his existing work includes words and phrases like “tribunal,” “myself when I am real” and “the need to disappear.” Do they identify what forms, systems and sentiments that are, or could be present? Or do they warn of what is to come? Suspended in the atmosphere of a planetary body, Cornelissen’s clouds extend down to the surface, looming over Earth and Terra Nova. But are they harmless clouds, or associated with nuclear explosions? And is that the ash, dust, pollution and detritus of these invented places, the remnants of an unsustainable society, a dream factory? Or the promise of life anew? In weather forecasting, or aeromancy, the presence of clouds can promise darkness and gloom, but they can also bring cleansing. The ominous aura of the grid, an applied system and structure used by many, including draughtsmen, architects, urban planners, designers and artists to organise and sometimes classify information, is a recurring element in his work. The grid can be observed from a distant bird’s eye view, or close up, allowing Cornelissen’s large format drawings...

Chacoal on paper 18” H x 20” W Nicolas V. Sanchez received his BFA from Kendall College of Art and Design in Grand Rapids, MI and his MFA from the New York Academy of Art. While at...

Medium: Pen and Ink on Paper. Variations executed with brush and ink on paper. Signature: Signed Lower Left Two final versions on 20.00" x 15.00" illustration board, some are matted. Images measure to 11.00" x 9.00" and 9.00" x 7.00". Drawings by George Wachsteter (1911-2004) for National Geographic Magazine commemorating the May 29, 1953 summiting of Mount Everest by Sir Edmund Hillary...