Art by Medium: Aquatint

Etching and aquatint on vélin Magnani Pescia paper. Paper size: 22.625 x 39.625 inches. Inscription: Hand signed and numbered, 32/78, as issued. Notes: Published by Multiples, Inc., ...

Etching and aquatint on vélin Magnani Pescia paper. Paper size: 22.75 x 40 inches. Inscription: Hand signed and numbered, 14/78, as issued. Notes: Published by Multiples, Inc., New Y...

Signed etching with aquatint, 2008, signed, titled, dated in pencil and numbered from the edition of 60, on BFK Rives paper, printed by Thumbprint Editions, London, with full margins...

For Gene Swenon (State II) is an aquatint etching on paper, 22.75 x 39.75 inches, signed 'Rosenquist' and dated 1978 lower right; numbered 67/78 and titled lower left. From the edit...

Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

Medium: etching and aquatint Edition of 250 Year: 2014 Image Size: 9 x 12 inches Signed, titled and numbered by the artist. Inspired by a scene of seven Canadian Geese in Lake Padde...

This piece titled "La Mer VE 4/8" is a variable edition piece by Kate VanVliet and is made from two-plate intaglio with drypoint, aquatint, and soft ground on Rives BFK. This piece i...

Thomas Nozkowski Untitled #2, 2008 Color etching with aquatint on Hahnemühle paper Signed and numbered 5/35 in graphite on the back. Die cut window flap on the back of the frame reve...

Hillside landscape with fence and wildflowers. A scene from the hills west of San Joaquin Valley, California.. Signed, titled and numbered from the edition of 120.. Born in Berkeley...

This original etching and aquatint is hand signed in pencil by the artist "Thiebaud", at the lower right margin. It is dated ‘65’ [1965] next to the signature. It is also hand numbe...

Alexandre Arrechea´s work remains caught in an endless uphill climb towards a new representational framework. The pieces he produces serve as a warning of our own limits and how pret...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching Image size: cm 39.5 x 29.5, sheet cm 53 x 39 ...

numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...

'St. Mark's Church on the Bowery', aquatint with etching, edition not stated but small, 1932. Signed in pencil. Signed in the plate lower left and titled in the plate lower right. A superb, atmospheric impression, on cream wove paper, with full margins (1 1/8 to 2 inches), in excellent condition. Matted to museum standards, unframed. Image size 9 3/4 x 7 3/8 inches (248 x 187 mm); sheet size 13 1/8 x 10 inches (333 x 254 mm). Impressions of this work are held in the collections of the Princeton University Art Museum and the Five College Museums. ABOUT THE ARTIST Born in Vienna, Leon Dolice left a secure position in the family business to pursue his artistic interests. He began his art education in his teens and early twenties when he traveled through Europe to study the works of the Old Masters. He immigrated to America in 1920 and made his home in Manhattan. As a printmaker, he chose as his subjects the architecture, back streets, dock scenes, and other aspects of New York City life that were being overtaken by the modern world. In 1950, learning of the coming demolition of the Third Avenue El, Dolice created a series of Third Avenue and other New York City landmarks that were threatened with extinction. His images from that period provide a record of a New York that has passed into history. During his lifetime, Dolice exhibited throughout Europe and the United States. Retrospectives of his work include a one-man show of his graphic work at Tribeca Gallery, New York; the traveling exhibition ‘Vintage New York’ with the New Rochelle Council on the Arts; and the Hofstra Museum, Hempstead. Dolice's works are in the permanent collections of the Museum of the City of New York, the National Gallery of Art, the New York Historical Society, Georgetown University, the Philadelphia Print Club, and the New York Public Library, as well as private and corporate collections. ABOUT ST. MARKS CHURCH St. Mark's Church in-the-Bowery is a parish of the Episcopal Church located at 131 East 10th Street, at the intersection of Stuyvesant Street and Second Avenue in the East Village neighborhood of Manhattan in New York City. The property has been the site of continuous Christian worship since the mid-17th century, making it New York City's oldest site of continuous religious practice. The structure is the second-oldest church building in Manhattan. In 1651, Petrus Stuyvesant, Director General of New Netherland, purchased land for a bowery or farm from the Dutch West India Company and, by 1660, built a family chapel at the present-day site of St. Mark's Church. Stuyvesant died in 1672 and was interred in a vault under the chapel. Stuyvesant's great-grandson, Petrus "Peter" Stuyvesant, sold the chapel property to the Episcopal Church for $1 in 1793, stipulating that a new chapel be erected to serve Bowery Village, the community which had coalesced around the Stuyvesant family chapel. In 1795, the cornerstone of the present-day St. Mark's Church was laid, and the fieldstone Georgian-style church, built by the architect and mason John McComb Jr., was completed and consecrated on May 9, 1799.[4] Alexander Hamilton provided legal aid in incorporating St. Mark's Church as the first Episcopal parish independent of Trinity Church in New York City. By 1807, the church had as many as two hundred worshipers at its summer services, with 70 during the winter. While the 19th century saw St. Mark's Church grow through its many construction projects, the 20th century was marked by community service and cultural expansion. Today, the rectory houses the Neighborhood Preservation Center, the Greenwich Village Society for Historic Preservation, and the Historic Districts Council, as well as other preservation and community organizations such as the Poetry Project, the Millennium Film Workshop, and the Danspace Project. St Mark's has supported an active artistic community since the 19th century. In 1919, poet Kahlil Gibran was appointed a member of the St. Mark's Arts Committee, and the next year, the two prominent Indian statues, "Aspiration" and "Inspiration" by sculptor Solon Borglum...

Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing. From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...

Medium: etching and aquatint Image size: 18 × 11.875 Edition: 10 Year: 2021 Abstracted image with references totopographical maps or satellite imagery. Rosalyn Richards has been a ...

Medium: etching and aquatint Image size: 10 × 8 Edition: 10 Year: 2022 Abstracted image of particles in motion. Rosalyn Richards has been a member of the Bucknell University art fa...

Signed, titled and numbered by the artist. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography...

Juan Sebastian Barbera (Mexico, 1964) 'Sin título VI', 2004 silkscreen on paper 22.1 x 30 in. (56 x 76 cm.) Edition of 10 ID: BAR-306 Unframed

Artist: Pablo Picasso Title: Le Grenouille (The Frog), from Buffon's l'Histoire Naturelle Medium: Original etching with sugar-lift aquatint and drypoint on Vidalon paper with Vollard...

Fille au Pigeon by Georges Manzana Pissarro (1871-1961) Etching & aquatint 36 x 13.8 cm (14 ⅛ x 5 ⅛ inches) Signed lower left Provenance Private Collection, London Exhibition Fort ...

A very good impression of this color aquatint on white wove paper. Signed, dated and numbered 428/500 in pencil. Published by Librairie du Musee d'art Modern, Paris.

London: Thomas McLean, 1825. Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...

Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...

Stanley Boxer Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979 Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper Edition 16/20 Pencil sign...

Salvador DALI (1904-1989) Don Quichotte / Don Quixote : the Fight (En route pour la bataille), 1980 Original etching with aquatint Signed in pencil Numbered / 125 On Arches vellum ...

"Kobe" is an original contemporary wall-hanging artwork by Sean 9 Lugo, known artistically for his murals and street art . The two bear faced basketball players wearing Lakers jersey...

London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...

Salvador DALI (1904-1989) Don Quichotte / Don Quixote : the Legacy, (L'Héritage), 1980 Original etching with aquatint Signed in pencil Numbered / 125 On Arches vellum 76 x 56.5 cm...

Medium: Aquatint, Drypoint, Etching Year: 2017 Image Size: 7.9 x 5.25 inches Edition Size: 75 Beautiful impressionist image a japanese woman in traditional Kimono. Lawlor's early e...

Dame Elisabeth Jean Frink CH DBE RA (British, 1930 – 1993) The Prologue from the Canterbury Tales aquatint signed, numbered and inscribed ‘40/50…. The Prologue…. Frink’ (below the pl...

This artwork titled "Chemin de Halage" c.1930 is a color etching with aquatint on Wove paper by French artist Ferdinand Jean Luigini, 1870-1943. It is hand signed and titled in penci...

Juan Valladares (Peru, b. 1938) "Divinite de l'Enfance" (épreuve d'artiste), Abstract Etching/Aquatint signed and titled in Pencil, Late 20th Century, 1977 Colors: Black, Brown, Gre...

Signed, titled and numbered in pencil by the artist. Edition of 10. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physic...

'Finland Bear Hunting' Colour aquatint by Mathew Dubourg (1786-1838) after Manschirch. From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English painter, illustrato...

Leipzig: Zeitschrift für Bildende Kunst, 1904 Etching with aquatint printed in brownish black ink on cream laid paper, 9 3/8 x 7 inches (237 x 176 mm), full margins. In good conditio...

Aquatint on vélin cuve de Rives paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Feuilles éparses, 1965. Published and printed by Louis ...

Perspex form, vacuum formed acrylic and spray painted black, 1970, signed and dated verso, from the edition of 106, although an edition of 750 was planned it was not fully executed, published by xartcollection, Zurich, 59 x 59 x 9.8 cm. (23.2 x 23.2 x 3.9 in.) In 1970 British-Pop artist Richard Hamilton was invited to produce an edition of 750 small-scale multiples of the Guggenheim. The intention was to produce vacuum-form reliefs in Perspex and offset the costs of expensive molds by creating a large edition. In the end, the project proved more technically difficult than anticipated. Of the three colours (black, white and chrome), only a total of 271 were realised, 117 in white. The xartcollection was created in 1968 in Zurich, Switzerland by Sandro Bocola...

Image dimensions: 25 x 43.5 cm. Une Aile is a beutiful etching and aquatint on paper, realized in 1962 by the French burin master Louis-René Berge. Signed and dated in pecil on the...

Color aquatint on Arches paper. Signed in lower right corner. Inscribed "EA" in lower left corner. Artists proof aside from the edition of 100. Printed and published by Lacourier...

Marc Chagall Fables : Bulls and a Frog , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of the gallery a...

20JU3G-2020 (Abstract print) Aquatinte on BFK Rives paper - Unframed. Edition of 19. Image size: 69.3 x 49.6 cm / 27.3 x 19.5 in Paper size: 88 x 67.2 cm / 34.6 x 26.5 in Clément'...

Ischia Gardens is an artwork realized in 1977 by the artist Eduard Bargheer.  Hand-signed, dated on the lower right margin. Numbered by the artist in pencil on the lower left margi...

Image dimensions: 22 x 16 cm. This artwork by Henry Moore is hand signed, numbered and dated. This original aquatint is from an edition of 100 prints. This wonderful etching represents the famous bronze sculpture, Glenkiln Cross. This original graphic work is in excellent conditions. Passepartout included : 50 x 35 cm Reference: Cramer, 188. Henry Moore is best known for his semi-abstract monumental bronze sculptures. He is also famous for depicting Londoners during the Blitz during WWII, his series of drawings and graphic works on paper. His original prints represent abstractions of the human figure, typically reclining figures. Prints are the most affordable and reasonably priced artworks...

Original aquatint etching by the well know French/Americwn artist, Etienne Ret. Signed by the artist in pencil lower right margin. Titled “Muse Chsmpetre” lower center margin in p...

Victor Pasmore CH CBE (British, 1908 – 1998) When the lute is broken, 1974 Signed and numbered and dated ‘53/60 (lower left) VP 74 (lower right) Etching with aquatint 28.1/8 x 26.1/8...

A sspectacular view from above of the buildings and traffic a large city. Werger's mezzotint prints are masterful at capturing a mood, and suggesting a story for the viewer to comple...

Aquatint in colours, 1972, on Guarro paper, signed and inscribed in pencil aside from the edition of 75, published by Editorial Gustavo Gili, Barcelona, 75.7 x 100.5 cm. (29.8 x 39.6...

La Poursuite by Orovida Pissarro (1893-1968) Etching with aquatint 17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches) Signed and dated lower right Orovida 1917 Inscribed lower left Final State Trial proof no. 1 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

Richard Tuttle Metal Shoes 4, 2010 Aquatint, hand stencling, copper plate embossment 11 3/4 x 12 ed. 30 Framed

Madame Carmencita, Plate 9 From: Cirque de l'etoile filante (Circus of the Shooting Star), 1934-1936 (published 1938) Signed with the artist's initials and dated, lower right of plat...

Robert Cottingham's Rolling Stock series is a significant part of his artistic portfolio, focusing on railroad imagery. The series features hand-colored etchings, collographs, and mo...

Ed Ruscha, Billy Al Bengston, Ed Ruscha and Billy Al Bengston Zapata-Tiempo, hand signed by both Ed Ruscha and Billy Al Bengston, 1988 (Engberg & P. 168), 1988 Color etching and aqua...

Signed, titled and numbered by the artist. A view of ocotillo cactus, based on a view near Clark Dry Lake, Anza Borrego Desert State Park, California. Born in Berkeley, California,...

This piece titled "I'll Be Your Mirror" is a limited edition piece by Kate VanVliet and is made from intaglio with soft ground, sugarlift, aquatint and spit bite on Rives BFK. This p...

Medium: Etching with aquatint on chine colle Signed, titled, numbered in pencil Image Size: 8.5 x 6.75 inches Edition Size: 10 Rosalyn Richards has been a member of the Bucknell Un...

Eduardo Chillida (Spain, 1924-2002) 'Estampa V', 1998 It belongs to the folder "La indetenible quietud" that includes 6 etchings by Eduardo Chillida and 32 poems by Clara Janés. aqua...

Hand signed numbered by the artist. Image size 7.5 x 8.25 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 150. All reasonable offers will ...