Art by Medium: Aquatint

'Henley-bridge, Oxon' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author and engraver who published several series of aqua...

Etching and Aquatint made on zinc plate on Magnani-Pescia paper 310 gr/m2, paper size 75cm x 55cm, work size 55cm x 40.5 cm. Excellent condition, slight signs of use, no defects. Gra...

Artist: John Baldessari Title: Two Figures (One with Shadow) Year: 1986 Medium: Etching with aquatint on Rives B.F.K paper Sheet: 20 1/2 x 20 inches (52.07 x 50.8 cm) Edition: 35; si...

Dining Room with Horse Painting Aquatint on Hahnemuhle Copperplate paper, 2008 Signed in pencil and numbered lower left Published by the Print Club of Cleveland, Publication No.88, 2...

Y se le quema la casa is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching on paper. The etching is part of the Third Edit...

Wonderful mezzotint and etching on China paper applied. The inscription reads: "Le matin/ J. J. Tissot Sc. et ex. 1886". Titled, signed and dated on plate on the lower margin, below ...

Francisco Toledo Venados (Deer), circa 1975-1985 Color etching and aquatint Plate: 8 13/16 x 11 11/16 inches Sheet: 15 x 20 7/16 inches Edition A/P (Artist Proof) This limited editi...

numbered and signed lower margin S&S Cat. no. 2007.01 edition 6/30 Published by Simmelink/Sukimoto Editions, Kingston, New York Associated with the Minimalist art movement of the 1...

Cotoneaster is a multi-plate color etching by David Smith-Harrison, depicting a flowering cotoneaster tree set before an architectural façade rendered with classical precision. The c...

This artwork "Untitled II" c.1970 in an original color aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and numbered 128/135 in penci...

Incantation from Le Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Aquatint on Arches, signed in the plate Image Size: 12 x 8 inches Size: 17 x 12.5 in. (4...

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

Georges BRAQUE Still Life with Glass and Pipe, 1959 Original etching with aquatint Printed signature in the plate Numbered / 350 On vellum 30 x ...

Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...

Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...

Medium: Silkscreen Year: 2025 Image Size: 21.25 x 15.75 inches Edition Size: 30 Lavinia by Stephen Lawlor is a contemplative figurative color silkscreen featuring a solitary female...

Artist: Max Papart Title: Five Dancers Year: Circa 1980 Medium: Aquatint Etching with Carborundum, signed and numbered in pencil Edition: 3/25 Image Size: 34 x 34 inches Paper Size: ...

Artist: Jack Sonenberg, American/Canadian (1925 - ) Title: Dimensions 1 Year: 1970 Medium: Etching with Aquatint with String Collage, signed and numbered in pencil Edition: 50 Image ...

Terry Winters Models for Synthetic Pictures, 1994 Intaglio with aquatint on Gampi laid down on Lana Gravure paper 19 3/8 x 22 1/4 inches Edition of 35

'German Deer Shooting, Winter' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Fiel...

Marc Chagall Fables : The Rat and the Elephant, 1952 Original etching Printed signature in the plate On Montval vellum 39 x 30 cm (c. 15.5 x 12 in) With COA of the gallery and photo...

Sparire means "to disappear" in Italian. This large-scale, dreamlike print spans almost ten feet. Enzo Cucchi Sparire II, 1988 Color etching, aquatint and silkscreen 30 1/2 × 118 in...

Richard Haas Manhattan View, Governor's Island (Szoke 87, 89), 1999 Aquatint & Photo Etching in Colors on Arches Cover Paper with full margins Pencil signed from the limited edit...

George Segal (American, 1924-2000) Walter from the series Portraits Printed by Vigna Antoniniana Stamperia d'Arte, Rome, Italy Published by Stamperia d'Arte 2RC, Rome, Italy Hand sig...

This artwork titled "Crying Mask with Unicorn" c.1975 is an original color etching with aquatint on wove paper by American surrealist artist Michael Bowen, 1937-2009. It is hand signed in pencil by the artist. The plate mark (image) size is 21.85 x 17.5 inches, sheet size is 30 x 20.75 inches. It is in excellent condition, has never been framed. About the subject: Nowhere is the intertwining of metaphysical, biographic and social narratives more evident than in the Café Life series painted in the 1980’s. Though the “series” was done in the 80’s, the pieces really revive the spirit of the Beat café scene, which began in the mid-1950’s and which was so instrumental to the particular spiritual and social vibe of the counter culture. And his Café Life observations continue over his artist life with scenes, such as the ones here, from Los Angles, Bolinas, Mexico and Italy. About the artist: Michael Bowen (December 8, 1937 – March 7, 2009) was an American fine artist known as one of the co-founders of the late 20th and 21st century Visionary art movements. His works include paintings on canvas and paper, 92 intaglio etchings based on Jungian psychology, assemblage, bronze sculpture, collage, and handmade art books. An icon of the American Beat Generation and the 1960s counterculture, Bowen is also known for his role in inspiring and organizing the first Human Be-In in San Francisco. Chronicled in books and periodicals reflecting on the turbulent 1960s, Bowen's historical impact on both the literary and visual art worlds is well documented. He remains influential among avant-garde art circles around the world. He started his art career at age 17, when he joined the American installation artist Ed Kienholz in his Los Angeles studio. There he met and joined with other influential Beat Generation artists including Wallace Berman, John Altoon, and Dennis Hopper. Bowen participated in the construction of the Ferus Gallery and Now Gallery created by Ed Kienholz and curated by Walter Hopps. Bowen attended the Chouinard Art Institute for several years during his formative artistic experiences in Los Angeles. In the late 50s and early 60s, Bowen continued his spiritual training and research. He investigated and practiced a variety of occult topics, Eastern philosophies, and mysticism, and his artwork reflected these themes. Bowen is often referred to as a mystic artist. As a lifelong student of the Bhagavad-Gita, Bowen's entire career has emulated the spiritual warrior archetype of Arjuna, fighting for the Bill of Rights of the United States Constitution. Michael Bowen moved to San Francisco in the late 1950s, and along with fellow artist comrades Arthur Monroe...

This refined 1930 aquatint by Jules Pascin, titled Salomé dansant devant le roi Hérode, offers a poetic and dream-like interpretation of the biblical scene of Salome before King Hero...

portrait of a young woman admiring her small bonsai tree. Intaglio with Chine Colle print signed, titled and numbered by the artist While the images have some resemblance to traditi...

"Z is for zoo, with a lion, monkey, rhinoceros and giraffe illustrating the letter "Z", from Kelvin Mann's alphabet. All letters are available, and the full set of 27 etchings in fol...

This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer. This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image. "The Pool of Bethesda...

'Shooting the Wolves in Winter' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...

In Juana, Stephen Lawlor presents a solitary female figure set against a deep, atmospheric ground. The face is intentionally obscured, allowing gesture, posture, and costume to carry...

This artwork titled "Quai aux Fleurs" 1922 in an original soft ground etching with aquatint on paper by noted Czech artist Tavik Frantisek Simon, 1877-...

Susan Hall Hand signed and numbered Aquatint Etching This piece has a Memphis Milano sort of vibe to it. Susan Hall lives and works in Point Reyes Station, California, a town in the heart of the Point Reyes National Seashore. This pristine wilderness area is dominated by a mosaic of bays and ocean, rolling grass lands and forests. It is inhabited by a diversity of wildlife, including over 450 species of birds, mountains lions, deer, bobcats, foxes, and elk. Ms. Hall who is a native of this area returned after spending twenty years in New York City. In her book, “Painting Point Reyes”, Hall says, “Point Reyes is the center of my painting life. Point Reyes has been my life and when I haven’t lived here, it has been an underground stream that spoke to me in dreams and visions.” While living and painting in New York City, Ms. Hall exhibited her work widely in museums and galleries. Among them are the Whitney Museum of Art; San Francisco Museum of Art; Nancy Hoffman Gallery, Trabia MacAfee Gallery, Phyllis Kind Gallery, Chicago; Ovsey Gallery, Los Angeles. In addition, her work has been featured in group exhibitions throughout the United States and abroad, including in 2020 Bud Shark's Ink: The California Crew at BMoCA, Boulder Museum of Contemporary Art Colorado USA representing the panoply of aesthetics, cultural backgrounds, viewpoints, and talent held within the bounty of art “made in California.” This remarkable grouping of artists, Brad Brown, Enrique Chagoya, Roy De Forest, Amy Ellingson, Susan Hall, Don Ed Hardy, Mildred Howard, Robert Hudson, Hung Liu, Kara Maria, Rex Ray, Alison Saar, Italo Scanga, and William T. Wiley. Women to the Fore, Hudson River Museum Yonkers 2021 A group of women artists working in oil painting and drawing, lithograph prints and photograph, collage and sculpture. Many icons of feminist art history. Judy Chicago, Judy Giera, Marisol, and Shanequa Benitez, Ann McCoy...

ARTIST : Mily POSSOZ TITLE : Young girl with ? MEDIUM : Etching and aquatint SIGNATURE : Handsigned LIMITED : 75 copies PAPER : BFK Rives vellum SIZE : 15 x 11" INFORMATIONS : Bear...

Artist: Johnny Friedlaender, German (1912 - 1992) Title: Counterpoints I Year: 1977 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 73/95 Image: 22.5 x 30 inche...

Putu by Al Held, American (1928–2005) Date: 1988 Aquatint Etching, signed, numbered and dated in pencil verso Edition of 16/25 Image Size: 35.5 x 44.5 inches Size: 41 in. x 53.5 in. ...

Etching and aquatint, 1995 Edition : XVII/XX Publisher : Les Bibliophiles de l'automobile Club de France Printer : Atelier Lacourière et Frélaut (Paris) Catalog : [Agerup 386, p. 207...

Traveling away from his normal area of the Pacific Northwest, McMillan shows his ability to capture the essence of landscapes far afield. This print of the gondolas of Venice and the...

Landscapes and seascapes are a specialty for McMillan, but capturing the night-time lights of the Grand Canal in Venice is an unusual subject for this artist who usually specializes ...

Marc Chagall Fables : The Wolf and The Lamb, 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 c...

Ian Fleming Title: Symbol 2 - Eternal Woman Medium: Etching and Aquatint on paper Year: 1977 Size: 19 x 22 inches (48.26 x 55.88 cm) Edition: 50 Signed, numbered, dated and inscribed by hand COA provided Framed in a simple silver metal frame Ref.: Peacock Archive, 1988. Aberdeen Archives, Gallery & Museum, Scotland Ref.: 924802-861 ----------------------- Ian Fleming (1906, Glasgow - 1994, Aberdeen, Scotland) Fleming was born in Glasgow and studied at the Glasgow School of Art. He began printmaking at art school, and Glasgow Art Gallery bought two of his prints while he was still a student. In 1928, Fleming made his first engraving while working with Charles Murray, and he soon became a highly-skilled engraver. While lecturing at the Art School from 1931, Fleming met William Wilson, the Edinburgh-based printmaker and stained glass artist. They became friends, and their work was mutually influential. He also taught Robert Colquhoun...

The single letter "O", illustrated by an Owl, from Kelvin Mann's bestiary animal alphabet. The full set of 26 etchings in folio box is available for $3500. Animals, real and imagined...

John McNulty, Irish/American (1949 - ) - Sailing Away, Year: 1984, Medium: Aquatint Etching, signed and titled in pencil, Edition: 250, Image Size: 21...

Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil. Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate. When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...

Artist: Jacques Villon, After Henri Rousseau, French (1844 - 1910), French (1875 - 1963) Title: La Chasse au Tigre Year: 1924 Medium: Etching with Aquatint, signed and dated in th...

Jacqueline Levy Morelle, Belgian (1921 - 1986) - Dance African, Year: 1969, Medium: Etching and Aquatint on BFK Rives, signed, dated, titled and numbered in pencil, Edition: 9/12, Im...

This artwork "Seascape" c.1965 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXVII/LXXV in pencil by the a...

In Descent, Rosalyn Richards explores gravity, structure, and dissolution through a spare yet complex abstract composition. Layered etching and aquatint form a suspended, funnel-like...

An exceptional original color aquatint etching by renowned American printmaker George Elbert Burr (1859–1939), depicting the iconic peaks of Longs Peak and Mount Meeker in Colorado's...

'Russian Winter Fishery' Colour aquatint by Mathew Dubourg (1786-1838) after John Augustus Atkinson (1775 – after 1830). From Samuel Howitt's 'Foreign ...

Grisha Bruskin, Russian (1945 - ) - Anghel, Portfolio: Lexica, Year: 1992, Medium: Etching with Aquatint, signed, titled, numbered and dated in pencil, Edition: 22/24, Image Size...

Artist: Kaiko Moti – Indian/French (1921-1989-) Title: Champs de Lavande (Fields of Lavender) Year: 1979 Medium: Color Aquatint on Arches paper Sight size: 17.25 x 22.5 inches. She...

A striking limited edition aquatint by the American artist Thomas O'Donohue (1942-2023). Entitled 'The Blue Dragon'. Well presented in a contemporary frame. Signed below plate lines....

Marc Chagall (1887-1985) - Celui qui dit les choses sans rien dire, Planche VI Etching and aquatint from 1976. The edition of 225. Dimensions of sheet: 47 x 35 cm Dimensions in f...

Etching on paper, signed Gaetano Carboni A painter and engraver, Gaetano Carboni was born in 1928 in Ascoli Piceno and, between 1940 and 1950, implemented his first figurative experi...

This artwork titled "Color and Black #3" 1991 is a colors etching with spit bit aquatint on Somerset textured white paper by renown artist Sol (Solomon) Le Witt, 1928-2007. It is and signed and numbered 11/15 in pencil by the artist. Whit the blind stamp of the publisher/printer at the lower right corner. The image size is 22.75 x 22.75 inches, paper sheet is 40.75 x 39.75 inches, Framed size is 43.25 x 42,5 inches. Published by Crown Point Press, San Francisco. Printed by Lawrence Hamin, Lothar Osterburg, Paul Mullowney and Pamela Paulson at Crown Point Press, San Francisco. Referenced and pictured in the artist's catalogue raisonne #1991.07, plate #03. Custom Framed in a wooden black frame, floated on a white backing, with white spacer. It is in excellent condition. About the artist: Known for his modular white cube sculpture, geometric drawings and abstract design paintings including many wall paintings that took teams of people to execute, Sol LeWitt was a major promoter of dominant post World War II Conceptualism and Minimalism. He used geometric shapes and lines to challenge his viewers, and sometimes they seemed logical and other times they seemed to have no basis in either reason or reality. Although he was highly active in New York City, he shied away from any semblance of art celebrity life style and spent much of his later life working from his home and studio in Chester, Connecticut. At the beginning of his career when he was gaining notoriety, conservative critics panned him fiercely. Seeking to get away from the frenetic activity of the New York art scene, he went to Spoleto, Italy in the 1980s and remained there for many years. The influence of Italian culture seemed to lend a new opulent quality to his work, and also the launching of his wall paintings, which he called drawings even though they were done with acrylic paint. "He began making colored flagstone patterns, spiky sculptural blobs and ribbons of color, like streamers on New Year's Eve, often as enormous decorations for buildings around the world. It was if he had devised a latter-day kind of Abstract Expressionism . . ." (Kimmelman) Of his personal modesty it was written: "He tried to suppress all interest in him as opposed to his work; he turned down awards and was camera-shy and reluctant to grant interviews. He particularly disliked the prospect of having his photograph in the newspaper." (Kimmelman) Sol LeWitt was born in Hartford, Connecticut to Russian immigrant parents. His father, a doctor, died when Sol was age six, and he and his mother then went to live with an aunt in New Britain, Connecticut. His mother encouraged his art talent, and enrolled him in classes at the Wadsworth Atheneum. LeWitt's subsequent residence in Chester, after he was a well-known artist, was near the Atheneum, and he became a strong supporter of that institution including the securing of a long time loan to it of a highly prestigious private collection of modern art. LeWitt earned a B.F.A. degree from Syracuse University in 1949, and then was drafted in the Korean War. His special assignment was making posters for the Special Services. From 1955 to 1956, he worked as a graphic designer for architect I.M. Pei, who was beginning his career. He also did pasteups for Seventeen magazine...

Eye, 2000 Howard Hodgkin Etching with aquatint and carborundum printed in colours Extensively hand-coloured in acrylic, on Two Rivers wove paper Signed, dated and numbered from the ...

Signed, titled and numbered from the edition of 120. Alder trees reflect in the waters of Bear Creek in Ashland, Oregon. The first green of spring graces the shore. Born in Berkeley, California, on December 21, 1949, he was raised in a home that had a sweeping view of the San Francisco Bay. This scene kindled his interest in landscape and was one of his earliest drawing subjects. Stephen McMillans etchings and aquatint prints capture the landscapes of California...

Michael Rothenstein (UK, 1908-1993) Edition of 30 Hand signed 15/30 Dimensions: Measures approximately 36" x 22 1/2" This striking limited edition color aquatint etching (I have ...

Unknown/ Unidentified Artist, "Untitled: Male and Female Clowns Dancing", Abstract Figurative Etching numbered and signed in Pencil, 27 x 19.50, Late 20th Century Colors: Black Blue...