Art by Medium: Ink

Retro 1960s photograph featuring an abstract shot of scientific apparatus in a chemistry lab. This listing is for a limited edition archival print. Wh...

Beautiful China Ink drawing by Marcel Gromaire, 1962. Contemporary wooden frame included. Excelle conditions.

Incredible 1969 photograph of one of the world's greatest rock bands, Led Zeppelin. This photograph was taken by Jay Thompson during a memorable photoshoot at LA's Chateau Marmont. G...

This black and white action shot features Arnold Palmer playing golf, taking a swing as the crowd looks on. Arnold Palmer was an American professional golfer who is generally regar...

Myril Adler "Moonscape" c.1960s Intaglio etching collage, ink on paper 3"x6" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, Russia (n...

"From John to John" - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Rendered in a semi-abstracted style, depicting John F. Kennedy, Jr. saluting his father. Titled, numbered, dated, and signed along the bottom edge: "From John to John litho #46/50 Jan 64 Eugene Hawkins, Legend #412" Presented in a new black mat. Mat size: 20"H x 16"W Image size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist...

"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...

Vivid drawing of elephant with orange and green background by artist Irmgard von Reppert, circa 1960. Original artwork on paper displayed on a ...

Surrealist proto-Afropunk drawing by African-American artist, Roland Ayers (1932-2014). Hesitation Blues, 1968. Ink on paper, sheet measures 13 x 23 inches; 14 x 18 inches in archival pH-neutral matting. Signed and dated lower right. Excellent condition with no damage or restoration. Provenance: Sheila Ayers-Whitelaw Exhibition History: Roland Ayers: Calligraphy of Dreams, Woodmere Art Museum, 07/10/2021 - 10/24/2021 Artist and art educator, Roland Ayers was born on July 2, 1932, the only child of Alice and Lorenzo Ayers, and grew up in the Germantown district of Philadelphia. Ayers served in the US Army (stationed in Germany) before studying at the Philadelphia College of Art (currently University of the Arts). He graduated with a BFA in Art Education, 1954. He traveled Europe 1966-67, spending time in Amsterdam and Greece in particular. During this period, he drifted away from painting to focus on linear figurative drawings of a surreal nature. His return home inaugurated the artist’s most prolific and inspired period (1968-1975). Shorty before his second major trip abroad in 1971-72 to West Africa, Ayers began to focus on African themes, and African American figures populated his work almost exclusively. In spite of Ayers’ travel and exploration of the world, he gravitated back to his beloved Germantown, a place he endowed with mythological qualities in his work and literature. His auto-biographical writing focuses on the importance of place during his childhood. Ayers’ journals meticulously document the ethnic and cultural make-up of Germantown, and tell a compelling story of class marginalization that brought together poor families despite racial differences. The distinctive look and design of Germantown inform Ayers’ visual vocabulary. It is a setting with distinctive Gothic Revival architecture and haunting natural beauty. These characteristics are translated and recur in the artist’s imagery. During his childhood, one of the only books in the Ayers household was an illustrated Bible. The images within had a profound effect on the themes and subjects that would appear in his adult work. Figures in an Ayers’ drawing often seem trapped in a narrative of loss and redemption. Powerful women loom large in the drawings: they suggest the female role models his journals record in early life. The drawings can sometimes convey a strong sense of conflict, and at other times, harmony. Nature and architecture seem to have an antagonistic relationship that is, ironically, symbiotic. A critical turning point in the artist’s career came in 1971 when he was included in the extremely controversial Whitney Museum show, Contemporary Black Artists in America. The exhibition gave Ayers an international audience and served as a calling card for introductions he would soon make in Europe. Ayers is a particularly compelling figure in a period when black artists struggled with the idea of authenticity. A questioned often asked was “Is your work too black, or not black enough?” Abstractionists were considered by some peers to be sell-outs, frauds or worse. Figurative* work was accused of being either sentimental or politically radical depending on the critical source. Ayers made the choice early on to be a figurative artist, but considered his work devoid of political content. Organizations such as Chicago’ s Afri-Cobra in the late 1960‘s asserted that the only true black art of any relevance must depict the black man and woman...

Paul McCartney (Beatles) Taking A Birthday Picture Of Ringo Starr. The Beatles were an English rock band formed in Liverpool in 1960. The core lineup of the band comprised John Lenn...

Black and white film still of actor and driver Steve Mqueen in "The Great Escape". This listing is for a limited edition archival print. What's included: - Limited Edition Archival...

Black and white portrait of painter Salvador Dali standing with a cane in hand in front of one of his paintings. Salvador Dali was a Spanish surrealist artist renowned for his techn...

"The Little One" - Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). A young child is kneeling, facing away ...

Muhammad Ali (Cassius Clay) was an American professional boxer, activist, and philanthropist. He is widely regarded as one of the most significant and celebrated sports figures of th...

This Christmas Card by Andreina Pagnani is a wishing card (C.P.S. s.l.n.d.) to the Countess Anna Laetitia Pecci Blunt. Rome, December 23rd 1961. 12 x...

Stunning and sexy capture of Sophia Loren in her role for the 1963 film "Yesterday, Today, and Tomorrow". Yesterday, Today and Tomorrow is a 1963 comedy anthology film by Italian di...

Capture of Led Zeppelin sitting on the steps of the Chateau Marmont, captured by celebrity photographer Jay Thompson in 1969. Led Zeppelin was an English rock band formed in London...

Nude is an original china ink drawing realized in 1965. The artwork is hand signed and dated by the artist: V. Santarelli 1965. Includes frame.

This quirky color image features American actress and singer, Raquel Welch. She first won attention for her role in Fantastic Voyage (1966), after which she won a contract with 20th ...

Sophia Loren smiling in shower scene for her role in "Judith", 1966. Judith is a 1966 drama film about a beautiful woman who survived a concentration camp goes to Israel in 1948 to ...

Artistic black and white portrait of Ray Charles playing the organ, awesome shot from above of the legendary musician. Ray Charles was an American singer,...

Vintage 1960s Alexander Calder Lithograph double page part of portfolio "Derriere le Miroir". Published by: Galerie Maeght, Paris, 1966. No. 156. Text on verso. Unsigned from an unknown edition. Presented in black mat with red core. Mat size: 20"H x 24"W. Image size: 15"H x 22"W. American artist Alexander Calder changed the course of modern art by developing an innovative method of sculpting, bending, and twisting wire to create three-dimensional “drawings in space.” Resonating with the Futurists and Constructivists, as well as the language of early nonobjective painting, Calder’s mobiles (a term coined by Marcel Duchamp in 1931 to describe his work) consist of abstract shapes made of industrial materials––often poetic and gracefully formed and at times boldly colored––that hang in an uncanny, perfect balance. His complex assemblage Cirque Calder (1926–31), which allowed for the artist’s manipulation of its various characters presented before an audience, predated Performance Art by some 40 years. Later in his career, Calder devoted himself to making outdoor monumental sculptures...

"Leonard Bernstein" - Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Leonard Bernstein is raising both ha...

Christo Monuments and Projects, 1968 Rare Limited Edition Lithograph and offset lithograph Hand signed, dated and numbered 5/100 by Christo on the lower left front Published by the ICA, University of Pennsylvania, Philadelphia, PA 23.25 x 18.5 inches Unframed This hand signed and numbered offset lithograph is one of the more elusive and desirable early Christo exhibition invitations, published on the occasion of his groundbreaking exhibition at the ICA in Philadelphia, when Christo was only 33 - and hand signed and numbered by Christo on the front, making it a true collectors' item. "...By mid-September 1968, Christo's attention focused on Monuments and Projects, his one-man exhibition opening October 4 at the University of Pennsylvania's Institute of Contemporary Art. It included earlier work and four on-site projects: 1,240 Oil Barrels Mastaba, Two Tons of Wrapped Hay, Two Wrapped Trees, and Seven Wrapped Women. Suzanne Delehanty, the assistant of ICA director Stephen Prokopoff, remembered: "I had to round up fifteen hundred-plus oil barrels, the equivalent of five freight cars full. They were to construct a truncated pyramid in our large fifty-by-fifty-foot gallery. Getting them wasn't easy. It meant disrupting oil companies' operations, since drums are needed at every stage of the delivery cycle. The materials Christo chose engaged this invisible system. Negotiations for loaning barrels were made with various companies by Stephen and Nathaniel Lieb, an ICA board member. I remember that one company wouldn't lend, but insisted on selling their barrels to us; after we returned them, they would give a refund—it was their way of doing a loan receipt. I had to convince the university business office not to worry about the ten- or fifteen-thousand-dollar invoice. We borrowed oil barrels from several companies: some did a straight loan based on an exchange of letters; others used their own system of inventory control. It was fascinating." While the multicolored oil barrels were stacked to form a massive mastaba in the ICA ground-floor entry gallery, two other works, Two Wrapped Trees and Two Tons of Wrapped Hay, took shape on the level above. The installation crew, paid M.F.A. students, alternated between unloading barrels and making forays into the countryside to gather bales of hay. Suzanne Delehanty reflected, "The bales of hay were stacked, creating a bulky structure, covered with tarpaulin and tied with rope." Another ICA work lasted only a few hours. When dinner guests arrived, seven wrapped female nudes awaited them. Each had been placed on a pedestal. Harry Shunk...

Impactful abstract serigraph using vivid colors of green and orange to accentuate a bold black by artist Reverdy, circa 1970. Signed lower right, n...

Steve McQueen, The King of Cool,was an American actor who, developed at the height of the Vietnam War-era counterculture, made him a top box-office draw of the 1960s and 1970s. In 19...

This is the original character study art for the very first Fillmore East concert Poster by David Edward Byrd in 1968, it is featured on page 74 of the new coffee table book "Poster Child, The Psychedelic Art and Technicolor Life of David Edward Byrd". The poster was for a concert at the Fillmore East featuring, Traffic, Blue Cheer and Buttery. An image of the finished poster is shown in this listing just for reference to the figures. David Edward Byrd created some of the most important and memorable Classic Theatre and Rock and Roll images from the 1960s and 70s. David created ALL of the Art for Bill Graham’s Fillmore East, including their Program covers and Rock posters, the art for Jimi Hendrix’s first Fillmore East appearance, The Rolling Stones 1969 World Tour art, The Who’s Performance of Tommy at the New York Metropolitan Opera House and The Fillmore, and The Grateful Dead Swell Dance Concert to name only a few. He also created the poster art for the original location of the 1969 Woodstock music festival . His memorable images were also used for classic Broadway shows like Godspell, Follies and Jesus Christ Superstar to mention only a few. A new coffee table book titled "Poster Child, The Psychedelic Art & Technicolor Life of David Edward Byrd" features his classic Rock and Roll art and Broadway art...

This stunning black and white studio portrait features Peter O'Toole smoking a cigarette, back turned. Peter O'Toole was a British stage and film actor of Irish descent. He attended...

Mary Baumeister Studio Leftover Fetich, 1953, 1967 Unique Mixed Media 3-D Assemblage Ink Signed, dated, titled, annotated "Edition Original" and numbered 52/75. Shadow box frame Incl...

This stunning black and white portrait features Natalie Wood posed with balloons for her role in "Inside Daisy Clover". Natalie Wood was an American-Russian actress. She began her c...

Artist: Jose Luis Cuevas, Mexican (1934 - 2017) Title: Political Demagogy III Year: 1968 Medium: Pen and Ink on Paper, signed Size: 11 in. x 14 in. (27.94 cm x 35.56 cm) Frame; 20 ...

Study for “David and Goliath” Graphite and black ink on paper 8.5 x 11 inches (21.6 x 27.9 cm) This work is offered by ClampArt in New York City.

Retro 1960s photograph featuring a terrific shot of circus acrobats on horses. This listing is for a limited edition archival print. What's included: - Limited Edition Archival Pr...

Little Theater is a fascinating drawing in China ink made by the Spanish Surrealist artist Jorge Castillo (1933), dated around 1960. The paper is glued on the four corners on a card...

Pablo Picasso pictured holding up funny mask to his face. This listing is for a limited edition archival print. What's included: - Limited Edition Archival Print - Numbered Certifi...

Awesome black and white capture of Martin Luther King Jr. giving a speech at the podium. Martin Luther King Jr. was an American Baptist minister and activist who became the most vi...

Herbert Ferber Untitled, 1968 Unique Ink and color wash on paper Hand signed and dated by the artist on the front Framed with original Knoedler Gallery label (under the respected dir...

Lovely capture of actress Raquel Welch reclining on a hammock in a white bikini. Racquel Welch is an American actress and singer. She first won attention for her role in Fantastic V...

Captured by photographer Grant Harper Reid, the concert took place on September 5, 1969, in Harlem on 139th Street between 5th. Ave. & Lenox Ave. ...

"And Search for Peace" - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Rendered in a semi-abstracted style, a young, black boy holds out his arm for a dove, the symbol of peace to land. Titled, numbered, dated, and signed along the bottom edge: "and search for peace litho #22/50 Jan 64 Eugene Hawkins, Legend #412" Presented in a new black mat. Mat size: 18"H x 14"W Image size: 11"H x 8.75"W Eugene Hawkins (American, b. 1933) is a BIPOC artist...

Signed and dated, lower right Provenance: Atelier of the artist

Great black and white capture of the glamorous Audrey Hepburn posed leaning on a small table, dripping in jewels and beauty. British actress and humanitarian Audrey Hepburn is rega...

This refined oil painting was realized by Samuel Joel "Zero" Mostel- the three time Tony Award winning American actor, comedian, and singer- who was equally talented as a painter in ...

Stanley Boxer Bathers, 1967 Mixed Media watercolor & ink wash drawing Hand signed by the artist on lower right hand corner on the front 8 1/2 × 11 1/4 inches Unframed This is a uniqu...

This comical portrait of Louis Armstrong features the musician in a chef's hat, cooking spaghetti with a quirky expression.Louis Armstrong was an American trumpeter, composer, singer...

Signed lower right, 'Beth Ames Swartz' (American, born 1936) and dated 1967. Primarily working in the idioms of abstraction and semi-abstraction, Beth's paintings and mixed-media works are commonly informed by philosophical and spiritual concepts shared by people of different cultural worldviews, and incorporate both symbols and words in the vocabulary of their visual language. Her art practice has been guided by aesthetic philosophies including Wassily Kandinsky’s Concerning the Spiritual in Art and Robert Smithson’s Spiral Jetty, and inspired by various religious and philosophical systems including Native American Healing practices, Buddhism, Jewish Mysticism, and Christianity in order to facilitate communication with viewers on both the conscious and unconscious level. Swartz synthesizes these spiritual traditions in her work with the purpose of revealing the commonality between them. Beth was born in New York City and grew up in Manhattan, and by her mid-teens was studying at the Art Students League in New York in the late 1940s. Her education continued at The High School of Music & Art in New York City, and Cornell University in Ithaca, New York, where she graduated in 1957 with a Bachelor of Science degree, followed by a Master of Arts degree in 1959 from New York University. Beth Ames Swartz exhibited nationwide including at over seventy solo exhibitions including a solo show at The Jewish Museum in New York. In addition, she participated in three major traveling museum exhibitions and her work is held in the permanent collections of numerous major museums including the National Museum of American Art at the Smithsonian. She received the Governor's Individual Artist Award in 2001 in Arizona, and a retrospective of her work was mounted in 2002 at The Phoenix Art Museum, with a monograph about her work co-published by The Phoenix Art Museum and Hudson Hills Press. Swartz explores systems of knowledge by translating philosophical concepts into aesthetic visual experiences. Fellowships, Awards, Grants and Honors: New York, NY - 2003 Veteran Feminists of America, Medal of Honor Phoenix, AZ - 2001 Recipient, Governor's Arts Award, the highest honor in Arizona for one individual who may be a visual or performing artist or a writer. Snowmass Village, CO - 2000 Anderson Ranch, Artist in Residence Phoenix, AZ - 1994 Founder, Culture Care , an international, non-profit organization sponsoring The Sacred Souls Project, to identify, support and honor individuals who demonstrate positive human societal values New York, NY - 1994 Awarded Flow Fund grant for discretionary philanthropic use for non-personal benefit New York, NY - 1994 Panelist, College Art Association, Art, Earth and Medicine: A Healing Approach New York, NY - 1993 Panelist, The Sacred in the Arts Conference New York, NY - 1992 Speaker, MedArts Conference, Research Study on A Moving Point of Balance Stinson Beach, CA - 1991 Speaker, Symposium, Art as a Healing Force New Harmony, IN - 1990 Keynote Speaker, Art and Healing Conference Phoenix, AZ - 1988 Co-Founder, International Friends of Transformative Art (IFTA), an international, non-profit organization for positive global change Payson, AZ - 1988, '87 Project Coordinator, Rim Institute, Transformative Artist's Conference and Workshop Phoenix, AZ - 1985 Governor's Award, Outstanding Women of Arizona - Women Who Create Sun Valley, ID - 1980 Sun Valley Center for the Arts & Humanities, Artist in Residence, The Awesome Space: The Inner and Outer Landscape Hawaii National Park, HI - 1979 Volcano Art Center, Artist in Residence Phoenix, AZ - 1978, '77 Named Master Teacher by State Department of Public Instruction Phoenix, AZ - 1978, '77 Educational Grant for Inquiry Into Fire, Arizona Commission on Arts and Humanities Selected Bibliography and Reference: Davenport’s Art Reference Guide, 2007/8 Edition, p.2468; Arizona/Women '75 (exhibition catalogue). Tucson, AZ: Tucson Art Museum, 1975; Baigell, Matthew. "Art and Spirit: Kabbalah and Jewish-American Artists." Tikkun vol. 14, no.4, (July-August 1999): 59-61 (illus. in b&w of Shen Qi Series: the Cabalistic Scheme of the Four Worlds #5); Beth Ames Swartz, Inquiry Into Fire (exhibition catalog). Scottsdale, AZ: Scottsdale Center for the Arts, 1978. Introduction by Melinda Wortz; Beth Ames Swartz, 1982-1988: A Moving Point of Balance (exhibition catalog). Scottsdale, AZ: A Moving Point of Balance, Inc., 1988. Introduction by John Perreault; Biennial 1979 (exhibition catalog). Phoenix: Phoenix Art Museum, March 9-April 8, 1979, 35-37, 64 (illus. in color Sedona, #23; illus. in b&w, Torah Scroll, #5); Body and Soul: Contemporary Art and Healing (exhibition catalog). Lincoln, MA: DeCordova Museum and Sculpture Park, 1994. Introduction by Rachel Rosenfeld Lafo, Nicholas Capasso, and Sara Rehm Roberts; Cembalest, Robin. "The Ecological Art Explosion." ARTnews vol. 90, no. 6 (summer 1991): 96-105; The First Western States Biennial Exhibition (exhibition catalog). Denver: Western States Art Foundation, 1979. Introduction by Joshua C. Taylor (with illus. in color of Torah Scroll #4); Gablik, Suzi. The Reenchantment of Art. Thames and Hudson: New York, 1991, 155-57; Gadon, Elinor W. The Once and Future Goddess: A Symbol for Our Time. New York: Harper and Row, 1989, 245-46; 248; Henderson, Barbara. "Beth Ames Swartz," A Magazine of Fine Arts vol. 2, no. 15 (April 1976): 34-41; Israel Revisited: Beth Ames Swartz (exhibition catalog). Scottsdale, AZ: Beth Ames Swartz, 1981: 40 pp. Introduction by Harry Rand...

Image of Death is an original drawing in china ink and pastel on paper, realized by Russian scenographer Eugène Berman, Image Dimension: 39 x 29.5 cm Monogrammed at the bottom: E.B...

Awesome capture of Steve McQueen loading a rifle for his role in "The Great Escape", circa 1963. Steve McQueen nicknamed the "King of Cool", was an American actor. His antihero persona, emphasized during the height of the counterculture of the 1960s, made him a top box-office draw during the 1960s and 1970s. McQueen received an Academy Award nomination for his role in The Sand Pebbles. His other popular films include The Cincinnati Kid, Love With the Proper Stranger...

Shot of Led Zeppelin standing in a group, shot under a staircase during the Chateau Marmont set with Jay Thompson. Widely considered one of the most successful, innovative, and inf...

The Dalai Lama is a title given to spiritual leaders of the Tibetan people. They are part of the Gelug or "Yellow Hat" school of Tibetan Buddhism, the newest of the schools of Tibeta...

Warm and lively watercolor and ink painting of a small group of people on the fringes of a small Italian village, circa 1970. Artist unknown. Original artwork on paper displayed on ...

Signed lower right, "Julio Castillo" and painted circa 1960. A substantial, mid-century figural watercolor showing a boy playing the flute and a girl watching...

Vintage French lithograph of a large abstract bird in flight over a small gathering of onlookers below by artist Paul Guiramand, 1965. Original a...

Incredible 1969 photograph of one of the world's greatest rock bands, Led Zeppelin. This photograph was taken by Jay Thompson during a memorable photo shoot at LA's Chateau Marmont. ...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3"x6" mahogany wood gallery frame 8.25"x11.25" Estate stamp lower right Myril Adler, was born on September 22, 1...

Retro 1950s-1960s photograph depicting a bustling street scene along a beach. The terrific period of automobiles and the fashion on the streets also dates the photo to the late 50s t...

This black and white vintage photograph features the legendary psychedelic rock band, Led Zeppelin, on their visit to Chateau Marmont photographed by Jay Thompson. Chateau Marmont...

Original ink on paper Hand signed Unique piece Manufacture Nationale des Gobelins