Art by Medium: Lithograph

Il Tondo. Original color lithograph, 1984. Edition of 160 signed and numbered impressions on Arches paper. Valerio Adami is an Italian artist knows for his Nouvelle Figuration moveme...

JOAN MIRÓ 1893-1983 Montroig 1893-1983 Mallorca (Spanish) Title: The Nobles at the Trapdoor II, from: Series for King Ubu Les Nobles à la Trappe II, from: Suites pour Ubu Roi, 1966...

Untitled RTP is a 2009 lithograph by Guy Dill. Guy Dill beautifully captures the flowing motion of abstract objects in his prints, paintings, and sculpture. Untitled RTP is signed by...

Color lithograph with pochoir, Edition25 Susan Hall lived and worked for many years in New York City before returning to her childhood home in Point Reyes Station, California. She depicts moments suspended in the mysterious light of this place of marshland, wave-broken coast line and tawny, rolling hills. In Susan's latest prints Solitary Oak and As the Moon Rises...

Bright orange leaps up like flames, or swaying grass, over which hovers a large-eyed bee sketched in black and orange. Over the fire-red in neat handwriting Ron Padgett...

This lithograph is part of my private collection. It is limited in edition artist signed lower right and is in very good condition. Walter Becker was a German artist. Another impress...

Sun and Pyramids, 1973 Lithograph in colors 29.5 x 43.5 inches Signed and numbered in pencil, edition of 150 copies Unframed Alexander Calder was born in Philadelphia (United State...

This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition of his prints at the Maison de La pensée Française, Paris in 1955. This poster is based on an original lithograph from 1896 entitled "The Seated Clowness...

Joan Miro Miro Abstract Lithograph Artist: Joan Miro Plate III from “Miro Lithographs I” Medium: Lithograph on Rives vellum Year: 1972 Image Size: 10" x ...

Agent X Brittany Brooks Year: 2019 Medium: Offset Lithograph Signed Edition: 125 30 x 30 inches 76 x 76 cm

This original vintage poster was created in 1920 by renowned poster artist, Leonetto Cappiello. It is printed in an oversize format with English text using stone lithography. The fin...

Hand signed and numbered lithograph Momen has made a small collection of lithographs in full colours, for these under painting of his large f...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

Alexander Calder Spiral, 1970 Hand-signed Lithograph 25.5 x 19.5 22/75

Offset lithography on paper 2019 Hand signed and dated In very great condition Sheet size: 61,0 x 46,5 cm Motif size: 55,6 x 42,5 cm

Color offset lithograph - created on the occasion of the tennis tournament 1998 monogrammed in print In great condition

Charming colour plate by Cecil Aldin (1870-1935) depicting an English foxhunt across hill 'n dale Print Sz: 5 1/2"H x 11 3/4"W Frame Sz: 14"H x 20"W

A print by Alexander Calder. "Black Pyramids" is a geometrical abstract print, color lithograph on wove paper in a palette or reds, blacks, and yellows by Post-War artist Alexander C...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Ernest Bertram I Hear They Want More Bovril (1903) Lithograph 117 x 79 cm An original poster advertising Bovril. The darkly funny poster...

Milton Glaser Temple University Music Festival, 1975: Vintage original 1970s Milton Glaser poster designed by Milton Glaser on the occasion of the Temple University Music Festival. A classic Milton Glaser poster & design featuring a surreal-like swan, superimposed on an enigmatic profile. Offset lithograph poster in colors. 24 x 35 inches. Very good overall vintage condition with the exception of perhaps some minor signs of handling. Milton Glaser printed signature lower right; from an edition of unknown. Commissioned by Mobil. Literature: Milton Glaser Posters, Glaser, pg. 193. Legendary graphic designer, illustrator, and art director Milton Glaser created some of the most recognizable iconography in America today —including the iconic I ♥ N Y logo —and countless posters and ad campaigns. Glaser changed the face of commercial art in the 1960s and ’70s, breaking with the conventions of modernism and drawing inspiration from a wide variety of art-historical and pop-cultural sources, from Art Nouveau to comic illustration...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French velin art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales, with the face of his friend Vuillard, who had died two years earlier. He finished his last painting, The Almond Tree in Blossom, a week before his death in his cottage on La Route de Serra Capoue near Le Cannet, on the French Riviera, in 1947. The Museum of Modern Art in New York City organized a posthumous retrospective of Bonnard's work in 1948, although originally it was meant to be a celebration of the artist's 80th birthday. Bonnard particularly used the model of Japanese art in a series...

Classic equestrian scene Times Present by J.F. Herring, Sr. (1795-1865) depicting three stylish riders in the park Image Sz: 8 3/4"H x 11"W Frame Sz: 13"H x 16"H

Colored lithograph, signed in the lower right and dated '75 in pencil, numbered in the lower left, and presented in a chrome frame.

Original Gladiator Cycles. Artist: Gaston Noury. Stone lithograph that has professional archival linen backing. Size: 36" 49". C. 1889. Stone lithograph. Very good condition; ready to frame. The Gladiator Cycle Company, Clément-Gladiator (from 1896), was a French manufacturer of bicycles. The inside of all of the bicycle rims are done in gold or gold foil. Gold is also used in the flowers around the big ring that reads Gladiator. It doesn’t appear that this early bicycle had any brakes, so she may need that angel resting on her shoulder! Fold marks restored during linen backing, ready to frame. There is some waves at the bottom right, but no paper loss or damage. Antique bicycle posters have been and will be very collectible. This original Gaston Noury original stone lithograph is now challenging to find in any condition. Original linen-backed turn-of-the-century antique vintage bicycle...

Original, horizontal, 1972, 'ICED LOLLY" created by the British artist Michael English. Printed in Harlow England. This nude is melting the form ...

Officially Licensed THE CURE, 2022 Paris tour poster. 18 X 24 Inches.

Robert Rauschenberg at Leo Castelli Gallery 1986: Vintage original Robert Rauschenberg exhibition poster published by Castelli Graphics in conjunction with the exhibition, Robert Rauschenberg: Tibetan Keys and Locks, May 21-June 18, 1986 at Leo Castelli New York. A unique vintage Rauschenberg collectible featuring the artist's signature collage style. Well-sized and suitable for framing. Off-set lithograph 1986. 20 x 29.75 inches. Double-quattro fold-lines as originally issued; minor edge wear to one fold-line; otherwise very good condition (no rips, tears, stains, etc.) Scarce form an edition of unknown; unsigned. First edition, 1st printing; postmarked 1986 on the verso. Artist biography: Robert Rauschenberg’s enthusiasm for popular culture and, with his contemporary Jasper Johns, his rejection of the angst and seriousness of the Abstract Expressionists led him to search for a new way of painting. A prolific innovator of techniques and mediums, he used unconventional art materials ranging from dirt and house paint to umbrellas and car tires. In the early 1950s, Rauschenberg was already gaining a reputation as a true art world rebel rouser...

Vendredi - Plate 10 from the 12 plate Portfolio, 1959 Published by Denise Rene, Paris Lithograph in colors on heavy paper 20 x 26 inches Signed, dated and numbered in ink, edition of...

Original color lithograph, 1984. Edition of 100 signed and numbered impressions on Arches paper. Published in Paris by Galerie Maeght-Lelong. Valerio Adami is an Italian artist knows...

Original: I summon you to the comradeship, Woodrow Wilson vintage poster from 1918, issued by the Red Cross. The poster has been archivally mounted on...

Signed proof print by French artist Glaude Gaveau (b. 1940), a painter specializing in nudes and still life compositions.

Artist: Peter Max (1937) Title: Vase of Flowers XI Year: 2001 Edition: 451/500, plus proofs Medium: Lithograph on archival paper Size: 11 x 9 inches Condition: Excellent Inscription:...

Artist: Guy Bardone Medium: Original Lithograph, Signed, 1967 Dimensions: 29.8 x 21.5 in, 75.7 x 54.6 cm

Artist: (after) Jasper Johns (American, 1930-) Title: "Painting with Two Balls I" Series: Facsimile Catalogue of Jasper Johns Prints *Issued unsign...

Menorah is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. ...

Jean-Jacques Waltz (1873 - 1951), également connu sous le nom d'Oncle Hansi, ou simplement "Hansi" ("petit Jean") était un artiste français d'origine alsacienne. Il était un fervent...

Artist: Nicolas De Stael Medium: Original Lithographic Poster, 1957 Dimensions: 25.2 x 18.5 in / 64 x 47 cm Classic poster paper - Perfect Condition A+ Th...

Beautiful poster produced around 1940 to boost the image of the national police force: young, modern and sporty. Moto - France Young Modern Sports

Original World War One: Go Over With U.S. Marines. E-E-E-YAH-YIP. This charging leather neck holds his Springfield high. The cropped design was influenced by candid photography, ...

Alone from Ecce Homo is an original offset and lithograph, realized by George Grosz. The artwork is the plate n. 67 from the porfolio Ecce Homo published between 1922/1923, edition ...

Original vintage skiing and winter sport travel poster - Winter in Austria / Vinter i Osterrike - featuring a stunning Art Deco design depicting a lady in a stylish blue ski suit and...

Lithograph on paper. Sheet size 19 x 12 inches. Hand signed, dated and numbered by the artist. Edition of 300. Certificate of Authenticity Included. Artwork in Excellent Conditi...

This is from a limited edition portfolio of original lithographs print Fernand Mourlot in Paris in 1958 from work done in collaboration with Bonnard which began in 1928. A mosque with a minaret with an Arab standing at its top, and a bird, I believe a swan, flying by. This is from the rare first edition, No. VII of 20 unbound sets, specially printed for Hans P. Kraus, with Henry de Montherlant inscription to him signed and dated March 3, 1960 These are not individually hand signed or numbered. On BFK Rives French velin art paper Pierre Bonnard (1867 – 1947) was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, (the Naive artists) his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject. Pierre Bonnard was born in Fontenay-aux-Roses, Hauts-de-Seine on 3 October 1867. His mother, Élisabeth Metzdorff, was from Alsace. His father, Eugène Bonnard, was from the Dauphiné, and was a senior official in the French Ministry of War. He had a brother, Charles, and a sister, Andrée, who in 1890 married the composer Claude Terrasse. He received his education in the Lycée Louis-le-Grand and Lycée Charlemagne in Vanves. He showed a talent for drawing and water colors, as well as caricatures. He painted frequently in the gardens of his parent's country home at Grand-Lemps near the Cote Saint-André in the Dauphiné. He also showed a strong interest in literature. He received his baccalaureate in the classics, and, to satisfy his father, between 1886 and 1887 earned his license in law, and began practicing as a lawyer beginning in 1888. While he was studying law, he also attended art classes at the Académie Julian in Paris. At the Académie Julien he met his future friends and fellow artists, Paul Sérusier, Maurice Denis, Gabriel Ibels and Paul Ranson. In 1888 Bonnard was accepted by the École des Beaux-Arts, where he met Édouard Vuillard and Ker Xavier Roussel. He also sold his first commercial work of art, a design for poster for France-Champagne, which helped him convince his family that he could make a living as an artist. He set up his first studio at on rue Lechapelais and began his career as an artist. From 1893 until her death, Bonnard lived with Marthe de Méligny (1869–1942), and she was the model for many of his paintings, including many nude works. Her birth name was Maria Boursin, but she had changed it before she met Bonnard. They married in 1925. In the years before their marriage, Bonnard had love affairs with two other women, who also served as models for some of his paintings, Renée Monchaty (the partner of the American painter Harry Lachmann) and Lucienne Dupuy de Frenelle, the wife of a doctor; it has been suggested that Bonnard may have been the father of Lucienne's second son. Renée Monchaty committed suicide shortly after Bonnard and de Méligny married. In 1891 he met Toulouse-Lautrec and in December 1891 showed his work at the annual exhibition of the Société des Artistes Indépendants. In the same year Bonnard also began an association with La Revue Blanche, for which he and Edouard Vuillard designed frontispiece In March 1891, his work was displayed with the work of the other Nabis at the Le Barc de Boutteville. The style of Japanese graphic arts became an important influence on Bonnard. In 1893 a major exposition of works of Utamaro and Hiroshige was held at the Durand-Rouel Gallery, and the Japanese influence, particularly the use of multiple points of view, and the use of bold geometric patterns in clothing, such as checkered blouses, began to appear in his work. Because of his passion for Japanese art, his nickname among the Nabis became Le Nabi le trés japonard. He devoted an increasing amount of attention to decorative art, designing furniture, fabrics, fans and other objects. He continued to design posters for France-Champagne, which gained him an audience outside the art world. In 1892 he began to produce lithographs, and painted two of his early notable works, Le Corsage a carreaux and La Partie de croquet. He also made a series of illustrations for the music books of his brother-in-law, Claude Terrasse. In 1895 he became an early participant of the movement of Art Nouveau, designing a stained glass window, called Maternity, for Tiffany. In 1895 he had his first individual exposition of paintings, posters and lithographs at the Durand-Ruel Gallery. He also illustrated a novel, Marie, by Peter Nansen, published in series by in La Revue Blanche. The following year he participated in a group exposition of Nabis at the Ambroise Vollard Gallery. In 1899, he took part in another major exposition of works of the Nabis. Throughout the early 20th century, as artistic styles appeared and disappeared with almost dizzying speed, Bonnard kept refining and revising his personal style, and exploring new subjects and media, but keeping the distinct characteristics of his work. Working in his studio at 65 rue de Douai in Paris, he presented paintings at the Salon des Independents in 1900, and also made 109 lithographs for Parallèment, a book of poems by Verlaine. He also took part in an exhibition with the other Nabis at the Bernheim Jeune gallery. He presented nine paintings at the Salon des Independents in 1901. In 1905 he produced a series of nudes and of portraits, and in 1906 had a personal exposition at the Bernheim-Jeune Gallery. In 1908 he illustrated a book of poetry by Octave Mirbeau, and made his first long stay in the South of France, at the home of the painter Manguin in Saint-Tropez. in 1909, and in 1911 began a series of decorative panels, called Méditerranée, for the Russian art patron Ivan Morozov. During the years of the First World War, Bonnard concentrated on nudes and portraits, and in 1916 completed a series of large compositions, including La Pastorale, Méditterranée, La Paradis Terreste and Paysage de Ville. His reputation in the French art establishment was secure; in 1918 he was selected, along with Renoir, as an honorary President of the Association of Young French Artists. In the 1920s, he produced illustrations for a book by Andre Gide (1924) and another by Claude Anet (1923). He showed works at the Autumn Salon in 1923, and in 1924 was honored with a retrospective of sixty-eight of his works at the Galerie Druet. In 1925 he purchased a villa in Cannes. In 1938 his works and Vuillard were featured at an exposition at the Art Institute of Chicago. The outbreak of World War II in September 1939, forced Bonnard to depart Paris for the south of France, where he remained until the end of the war. Under the German occupation, he refused to paint an official portrait of the French collaborationist leader, Marechal Petain, but accepted a commission to paint a religious painting of Saint Francis de Sales...

Idols is a lithograph on Arches paper realized by Max Ernst in 1972. Belongs to the suite "Judith". Limited edition of 500. Unsigned and unnumbered, as issued. Godd conditions. T...

Original poster of Kees Van Dongen representing Brigitte Bardot, for the exhibition of the painters witnesses of their time. Isis Kischka founded, with the art critic Jean Cassou and...

Artist: Tom Wesselmann Title: Where is My Baby Tonight (from One Cent Life Portfolio) Double lithograph, 2 sheets (printed on separate pages) Year: 1964 Medium: Lithograph Reference #: One Cent Life portfolio, page 72 (verso page 71) & 73 (verso is page 74) Page 71 is a lithograph by Kimber Smith...

“Store Ombra” is an original antique French stone lithograph vintage poster. Size: 24.5" x 33.75" Professional archival linen backing in excellent condition; ready to frame. Printed in Liege, Belgium. Linen-backed original. Lithograph. "Store Ombra" where you can buy anything and everything. It's the best that you will meet! A woman with a unique hat...

A beautiful fashion poster made in 1962 by Pierre Simon 🇫🇷 (1907-1999) a famous French painter, illustrator and draughtsman, known in particul...

Champagne is an offset lithograph, realized by George Grosz. The artwork is the plate n. 77 from the porfolio Ecce Homo published between 1922/1923, edition of Der Malik-Verlag Berl...

A splendid poster designed by J.M Fonteneau to promote the Alcazar, a restaurant located at number 62 rue Mazarine in the 6th arrondissement of Paris. In the 17th century, this plac...

Lithograph, 1974 Handsigned by the artist in pencil and numbered 91/100 Publisher : Maeght (Paris) Printer : Pierre Badey (Paris) Catalog : Mason 133 A lithograph by the Dutch artist...

Pierre Bonnard - Sunset on the Mediterranean Original Lithograph Dimensions: 36 x 54 cm Verve . Revue Artistique et Litteraire. Vol. II, No 8. Printed by Mourlot at the start of Worl...

Separe is an original offset and lithograph realized by George Grosz. The artwork is the plate n.22 from the portfolio Ecce Homo published between 1922/1923, edition of Der Malik-Ve...

Artist: Burhan Dogançay, Turkish/American (1929 - 2013) Title: Walls '70 (14) Year: 1970 Medium: Lithograph, Signed in Pencil Edition: 120, AP Size: 30 in. x 22 in. (76.2 cm x 55.88...

Standing Figure Orange

Tom Everhart "Pop Star" 2006 Original Limited Edition Lithograph on Rives BFK paper Edition Size: 500, plus proofs. Paper Size: 18 x 26.5 inches. Framed Size...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Village Provençal' and inscribed lower left 'Epreuve d'Artiste'. A vibrant Artist's Proof, stone lith...

Paul Jenkins (July 12, 1923 – June 9, 2012) The paintings of Paul Jenkins have come to represent the spirit, vitality, and invention of post World War II American abstraction. Employing an unorthodox approach to paint application, Jenkins is as much identified with the process of controlled paint-pouring and canvas manipulation as with the gem-like veils of transparent and translucent color which have characterized his work since the late 1950s. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions...