Art by Medium: Metal

'Hotel Il Pellicano' by Slim Aarons The beachside pool at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. This photograph epitomise...

Brilliant color and twisted flames made of layers of precious metals and black acrylic. Burning House is a powerful image, equally impressive as a wearable or a framed art piece. ...

This polished bronze bust is sealed with Glasurit- a car finish that is baked on. It prevents the sculpture from tarnishing or yellowing. All you need to do is dust with a soft cloth. This bust is from a full figure wood sculpture...

Inspired by various facets of his own life story, Salvadoran-American artist J Oscar Molina creates work that seamlessly bridges cultures, industries, and feelings. With a commitment...

Silvana Cenci, internationally renowned explosive sculptor, died October 1, 2000 at her home in Gray. Ms. Cenci, who was born in Florence, Italy, before World War II, married Stuart Church and moved to the U.S. permanently in 1959. She lived in Boston for many years, where she was a founder of the Brookline Art Center and a founding member of Summerthing. She exhibited widely throughout Europe and the U.S., and her work is in many museums and public and private collections. After moving to the States, Ms. Cenci began working with new technologies from the aircraft industry, and with explosives. She moved to Northwood, NH, in the early 60s, and pursued and perfected her revolutionary experimentation with explosive sculpture in stainless steel. A native of Italy, she lived most of her life in America where she became internationally known, primarily for using dynamite to blast images into stainless steel and finishing some pieces with pure gold. The pieces created with dynamite were often utilized by architects. One piece titled “Wheels in Motion” hung in Boston’s South Station. Education and Training Accademia di Belle Arti, Florence, Italy Academie de la Grande Chaumiere, Paris Lewis and Clark College, Portland, Oregon Selected Individual Exhibitions Galleria Numero, Florence, Italy Galleria San Carlo, Naples, Italy Galleria d'Arte Totti, Milan, Italy Galeria Beno, Zurich, Switzerland Nova Gallery, Boston Weeden Gallery, Boston Capricorn Gallery, New York City Roach-Hoffman Gallery, Naples, Florida Bristol Art Museum, Bristol, Rhode Island, retrospective Frank Tanzer Gallery, Boston Symphony Hall, Boston Musica Viva, Cambridge, Massachusetts Los Llanos Gallery, Santa Fe, New Mexico Northern Arizona University, Flagstaff Selected Group Exhibitions "Oregon Artists," Lincoln County Art Center, Lincoln, Oregon "Exhibition of Painting and Sculpture," Henry Art Gallery, Seattle, Washington "West Coast Sculptors," Portland Art Museum, Portland, Oregon "Mostra Nazionale del Bianco e Nero," Museo Civico Castello Urasino, Catania, Italy "New England Art Today," Northwestern University, Boston "New England Sculptors Association," Boston City Hall, Boston "Silvana Cenci and Calvin Libby," Bristol Art Museum, Bristol, Rhode Island "Adele Seronde and Silvana Cenci," Weeden Gallery, Boston "Contemporary Italian Art-Italian Heritage," Boston City Hall, Boston, catalog "Explosion of Form, Color, Imagination: Works by Silvana Cenci Selected Awards First Honorable Mention, "Design in Transit," Massachusetts Bay Transportation Authority Competition, Institute of Contemporary Art, Boston, Massachusetts Research in Creative Art Grant, Blanche E. Colman Foundation, Boston, Massachusetts Statue of Victory, World Culture Prize for Letters, Arts and Sciences, Centro Studi e Ricerche delle Nazioni, Salsomaggiore Terme, Italy Harvard-pedigreed architect Harlow Carpenter built the Bundy in 1962. The venue's first decade was lively with exhibitions that featured a large cast of artists, including Dino Basaldella, Judith Brown, Silvana Cenci, Xavier Corbero...

Seymour Chwast, B. 1931, American, 'Girl on a Buick', Painted Sheet Metal. A label on the reverse reads: "Seymour Chwast, 'Girl on a Buick', Metal Cut-Out, $2,000" Provenance: Bachelier-Cardonsky Gallery, Kent CT Seymour Chwast (born August 18, 1931) is an American graphic designer, illustrator, and type designer. Chwast was born in Bronx, New York, and graduated with a Bachelor of Fine Arts from Cooper Union in 1951. With Milton Glaser, Edward Sorel, and Reynold Ruffins, he founded Push Pin Studios in 1954. Often referred to as "the left-handed designer," Chwast's unique graphic design melded social commentary and a distinctive style of illustration. Today, he continues to work and is principal at The Pushpin Group, Inc. in New York City. In 1979, he was hired by McDonald's to design on the first box for their Happy Meals. He is the font designer of Chwast Buffalo, Fofucha, Loose Caboose NF, and Weedy Beasties NF. He is a member of Alliance Graphique International (AGI). In the pantheon of American (nay, world) illustration, he stands, albeit slightly shorter and a little more rumpled, beside N.C. Wyeth, J. C. Leyendecker, and Normal Rockwell...

D 142 x H 70cm - 42 kg. - 2021/2022 - Circular table vase. Stainless steel sheet laser cutting and then welded in one hole piece basically transparent beacuse of the beutiful reflect...

Arieh Merzer was a prominent Israeli artist and metal worker. Arie Merzer, an artist who worked in hand-hammered copper, was born in Warsaw, Poland in 1905, the scion of a large Has...

Dimensions w/Frame: 10" x 7 1/2" x 1 1/2" A George F. Welch Abstract Copper Enamel Wall Art Plaque Inscribed signature on the lower right of the plaqu...

Original oil and metal foil on board abstract painting by George Cecil Carter (1908-1987) circa 1950s. Signed by the artist in the lower right corner, titled and dated verso. Painted in shades of dark blue, gray, white, orange, and purple. Presented in an original George Nix frame measuring 30 ¾ x 36 ¾ inches. Image size measures 23 ¼ x 29 ¼ inches. About the Artist: Born 1908, Woodward, Oklahoma Died 1987, Canon City, Colorado George Cecil Carter was born in Oklahoma in 1908 and became a noted Colorado abstract expressionist, despite having no formal training. He worked as a coal miner, gold miner, and machinist at Schneebeck’s Industries in Colorado Springs for twenty years During that time, Carter worked on his art and was was mentored by Broadmoor Academy painter, Charles Bunnell. Carter worked out of Colorado Springs and Canon City, Colorado. He exhibited nationally, including Texas and Illinois. Among his contemporaries are Al Wynne, Mary Chenoweth...

A painted metal palm tree or banana with removable leaves. Detailed trunk and leaves and a fabulous white flower. What is it about palm trees, that conjures up the romantic? Perfect ...

There is a certain beauty in imperfection. This is because there is nothing more human than flaws. Our life itself is chaotic and messy, just like this piece: it breaks and twists, c...

This original modern landscape painting titled, Enchanted, is a bold vivid work of contemporary art. The original large-scale digital painting, dye-sublimated onto aluminum by Colora...

Original vintage abstract metalwork sculpture by artist Angelo Di Benedetto (1913-1992). Measures 13 ¼ x 11 ¼ x 7 ½ inches. About the Artist: Born New Jersey 1913 Died Central City, CO 1992 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934. In 1937, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York – his first solo show. Before World War II, Di Benedetto traveled extensively around the United States doing regional paintings. During the war in 1941, Di Benedetto volunteered for a secret mission based in Eritrea, Africa before the Allied invasion. Following Africa, he served as an orientation officer and aerial photographic officer in the District of Columbia. In 1945 he was assigned to a mapping unit at Buckley Airfield in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. He settled in the old mining town of Central City in 1947. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. In 1950, Di Benedetto teamed up with Frank Vavra...

Eternal Recurrence #16 by Natasha Zupan Measure: 73" x 20" x 8" Edition of 10 in collaboration with deiNERI Limited edition prints on Acrylic glass with stand This work is signed and...

Pride” reflects the very individual character of your animal. It shows the proud elegance of his/her velvet paw. The urn is available in ash box sizes of 1, 2 and 4 liter. Our artist Chroessi Schnell has designed a series of urns exclusively for Colonia-Art. The first of these pet urns...

Silver cast metal sculpture of an American buffalo created by American artist Arnold Goldstein. This artwork has the signature inscribed on the belly.

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Empire, Size: 30" x 72" x 4'' inch, 76x...

About the artwork: Artist: Yang Dongying Title: Modern Impressive Super-Flat Sculpture- Beyond the Mountains Date:2019 Material: Aluminium Dimension : ...

About the artwork: Artist: Yang Dongying Title: Modern Impressive Super-Flat Sculpture- Landscape Date:2021 Material: Iron Dimension : 118 x 55 x 23 c...

Artist: Yang Dongying Title: Modern Impressive Super-Flat Sculpture- Series Table on Table No.3 Date:2019 Material: Iron, Copper Pigment Dimension : 38...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Elevate, Size: 29" x 72" x 4'' inch, 7...

This beautiful modern lamp by contemporary artist Susan Woods is both a unique piece of art and a functioning design element. The lamp is made out of con...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Electric, Si...

This beautiful piece of furniture by contemporary artist Susan Woods is a bench made out of bent poplar plywood, with a solid bent steel base. Black Wave i...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2024 Style: Contemporary Art, Subject: Dusk, Size: 29" x 47" x 4'' inch, 74x120x10 ...

Portrait of Giosuè Carducci is an original modern artwork realized by Libero Andreotti in the first half of 20th century. Relief on copper plate. Includes frame. Signature on the ...

The Horse is an original artwork realized by Italian artist Esperia Gava. Enamel on paper Applied on cardboard. Hand-signed on the lower right. Very good conditions. The artwork...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Clockwork, Size: 36" x 54" x 4'' inch, 91x137x10 cm, ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Empire, Size: 30" x 72" x 4'' inch, 76...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 19" x 24" x 4'' inch, 48x61x...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Electric, Size: 32.5" x 50" x 4.5'' inch, 82...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Dusk, Size: 29" x 47" x 4'' inch, 74x120x10 ...

Artist: Karo Martirosyan, Work: Original Artwork, Medium: Glass and Metal Wall Sculpture, Year: 2022 Style: Contemporary Art, Subject: Elevate, Size: 29" x 72" x 4'' inch, 7...

Drowsiness is an original contemporary artwork realized by Andrea Nurcis in 1987. Metal on panel. Hand signed and dated on the back. The painting represents an abstract compositio...

Black decorative sculpture with gold accents by Houston, TX contemporary artist Jude Rosemond. Sculpture is made from concrete, clay, stone with rosewate...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.25 x W 8 x D 6.5 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.75 x W 7 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 12.75 x W 7.5 x D 8.75 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

K.S. Radhakrishnan - Ramp Figure Bronze Sculpture H 13 x W 10 x D 6 inches K.S. Radhakrishnan working with Musui & Maiya, Musui potraits has a hand Rickshaw puller as is still prevalent in few parts of Bengal. The bronze figures are elfin, mischievous, airy, acrobatic, and archaic, delicately balancing on one hand or leg. He renders a sensuous quality to his works by deploying extraordinary body movements of his figures. Radhakrishnan is a distinctive and appealing presence on the modern Indian sculpture scene. He says: “For me bronze works best because it is strong, and brings out the character of my sculptures. Although it takes time, the process also becomes a part of my art form.” Style : K.S Radhakrishnan is one of the most notable among the new generation of sculptors. Like many of his contempories he is a figurative sculptor, but his preference for modelling and bronze casting sets him apart from the rest of them. Recharging age old sculptural processes with a new sensibility, thus is the singular challenge he brings to modern Indian sculpture. And this makes him a modernist - who approaches his work with discernible ambition and considerable aplomb while steering clear of brinkmanship. Radhakrishnan's works often drawn from the emotions and myths of the Hindu gods, such as Shiva, Kali and Radha. His sculptures are often larger than life-sized; placed in the outdoors, they evoke a superhuman atmosphere. Over the years, Radhakrishnan has experienced with alternate sculpting mediums, working in molten bronze, beeswax and Plaster of Paris.The physical process of working with the materials becomes a performance in itself. The sculpture is the product of a tactile engagement with his medium. With celebration of sensuality as one of its running themes, his works is at once both intimate and universal in its appeal. A personal commemorative sculpture, with a scale and presence that holds well in natural settings, his work has found permanent home in a number of public collections all over the world. About the Artist and his work : Born : Born 1956, Kerala. Education : 1979 : B.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal 1981 : M.F.A. in Sculpture, Viswa Bharati University, Santiniketan, West Bengal. Solo exhibitions : 2006 : ’Freehold’ at Museum Gallery, Mumbai ‘Freehold’ at Artalive Gallery, New Delhi 2005 : ’The Ramp’ at Tao Art Gallery, Mumbai ‘Unbearable Lightness of being’ at India International Centre, New Delhi 2004 : ’The Ramp’ at Sridharani Art Gallery, New Delhi ‘The Ramp’ at Bayer ABS Limited Gallery, Vadodara 2000 : ’Musui Maiya’ sponsored by Vadehra Art Gallery, New Delhi 1998 : ’Song of the Road’ – sponsored by International Travel House, ITC, New Delhi ‘Portal’ – Apeejay Lawns, Calcutta, sponsored by Apeejay Surendra, Group, Calcutta 1993 : Centre des Bonds de Marne, LePerreux-Bry sur-Marne, Paris, France. 1987 : Jehangir Art Gallery, Mumbai. Participated Exhibitions : 2007 : ’Darpan’ an exhibition sponsored by Nvya Gallery, New Delhi Travel to Moscow and St. Petersburg, Russia – sponsored by Nvya Gallery. 2006 : Travel to U.S.A, sponsored by Arts India, New York Travel to Russia, sponsored by Art Resource Trust, Mumbai Travel to Morocco, sponsored by Popular Prakashan, Mumbai. 2005 : Travel to Istanbul, Turkey to attend artists workshop Travel to China (Silk Route) sponsored by Uttarayan, Baroda Travel to South Africa organised by Gallery Navya, New Delhi. 2003 : Travel to Cairo and other cities in Egypt to attend an artists workshop Travel to France and Italy sponsored by TMI Foundation France Exhibition titled ‘Can’ curated by Johny M.L Exhibition ‘Only connect’ at India Habitat Centre, New Delhi Exhibition ‘Nayika’ by Ganesha Art...

A large and early sand cast aluminum modernist sculpture of a giraffe by Cuban American artist Manuel Carbonell. Pedestal included. Measures: Height is 73” with base. Carbonell’s early sculptures where sand cast and unique. This is an edition of 1/1. Included is the original sketch of the work. Signed, circa 1967. Provenance: Ted Materna. Materna discovered Carbonell in the early 1960s. He produced Carbonell's gallery catalogs and helped promote him through his public relations firm in NYC. Manuel Carbonell (1918-2011) was regarded as the last of the Cuban Master...

We can imagine a coincidence thousands of years ago, the blink of an eye on cosmic time scales... In the Oort Cloud, an insignificant ball of dust and ice, its path disturbed once ag...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

Lalu Prasad Shaw - Joubana - 27 x 21 x 18 inches (unframed size) Bronze, Edition-5. Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad ...

Portrait of young Garibaldi is mixed colored painting realized by Anonymous artist of the XIX century. Oil on copper. Rare portrait of a young Garibaldi. Includes frame 39 x 3 x 29.

Marcello Fantoni brutalist welded torch cut metal figurines. Signed on base. Metal label reads "Fantoni Firenze Italy Raymor". Italian Mid century ...

Edmondo Cirillo is an Italian sculptor (Born 1931). His art works represent a modern and architectural world vision. His art language is stronge and d...

'Hotel Il Pellicano' by Slim Aarons The beachside pool at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. This photograph epitomise...

Sunil Das - Untitled - 66 x 60 inches (unframed size) Oil, Acrylic & Coins Gold Foil on Canvas Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern...

'Hotel Il Pellicano' by Slim Aarons The beachside pool at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. This photograph epitomise...

K.G. Subramanyan - Untitled - 12 x 12 inches (unframed size) Oil on Enamel plate Inclusive of shipment without frame. Style : K G Subramanyan was one of the leading artists who was part of India’s post-Independence search for identity through art. A writer, scholar, teacher and art historian, K G Subramanyan was prolific in his art, spanning the spectrum of mediums from painting to pottery, weaving, and glass painting. He believed in the value of Indian traditions and incorporated folklore, myth and local techniques and stories into his work. Critic Geeta Kapur has stated that Subramanyan was deeply influenced by popular, modern, classical and indigenous traditions. No matter what the medium, be it handmade paper or acrylic sheet, his artistic practice has integrated fluid traditions so as to create a new lingua franca. The strokes that shape the faces and the little blobs, the vertical and horizontal drama all become like a choreographed symbolism that has a sense of play in line and length. Nothing is in excess, nothing is obnoxious but each stroke forms the finesse of versatile ventures. About the Artist and his work : K.G. Subramanyan (1924-2016) was born in Kerala. Education : He completed his Bachelor’s Degree in Economics from the Presidency College in Chennai. In 1948, he graduated from Kala Bhavan in Santiniketan, where he studied under the tutelage of Benode Behari Mukherjee, Nandalal Bose and Ramkinkar Baij. In 1955, he received a British Council Research Fellowship to the Slade School of Art at the University of London. He was an inspiration to generations of students as a member of the Baroda M S Fine Arts Faculty. His focus there in later years was on terracotta and pottery. Solo Shows : 2014 – The Government Museum & Arts Gallery, Chandigarh. 2014 – Red Earth Gallery, Vadodara. 2018 – Art Musings, Mumbai, KG Subramanyan...

'Hotel Il Pellicano' by Slim Aarons The beachside pool at the Hotel Il Pellicano in Porto Ercole, Tuscany, August 1973. This photograph epitomise...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Measures about 4.25 X 2.25 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not kn...

Measures about 4 X 3.75 inches. Box frame is 17 X 13 inches. Signed by artist verso. From the literature that I have seen I believe the edition size was limited to 10, I do not know ...

Ernest Tino Trova "Black Falling Man with Form" 1996 Bronze Ed. 1/3 Signed, Dated and Numbered Verso approx. 16 x 8.5 x 16 inches Known for his Falling Man series in abstract figura...

Ernest Trova "The Encounter" 1994 Chrome Plated Steel Approx 24 x 26 x 24 inches Edition 1/8 Known for his Falling Man series in abstract figural sculpture, he created hard-edge ima...