Art by Medium: Mixed Media

The artwork is authenticated by the Emblema heirs and archived - number 2690 - at the Archivio and Museo Emblema (Terzigno - NA), Italy. The artwork is handsigned "Emblema 1978" on t...

DEBORAH T COLTER All Who Wander • acrylic/mixed media panel/canvas 40.00w x 40.00h x 3.00d in $4,800.00

UNTITLED FROM "DOME SERIES" (it is about 10 inches deep) Oil and mixed media assemblage on joined canvas panels over a geodesic dome. (He collaborated wi...

Mixed Media on wood. A kiss and a splash of chanel. About the Artist: Drawing from the diverse cultural and geographic makeup of his Californian roots, Greg Miller explores his relationship with the space he inhabits to communicate a particular urban experience. Working with both paint and collage, he constructs and deconstructs exploring the contradiction, ambiguity, and truth between urban streetscape and history. Miller’s art is clever and cool. His abstracted backgrounds of drips, patterns, and phrases and the peeling back of layers provide a study in the impermanence of the things that surround us. His large-scale paintings and installations aim to make the most fleeting parts of American culture tangible. They grab us nostalgically, rousing us to enjoy the momentary beauty found in the impermanent parts of our lives. There is a fragile heroicness conveyed within the temporary nature of it all, especially within his construction of paper, wood, and natural materials, that gives Miller’s work liveliness and depth. Greg Miller’s work is featured in numerous museum and private collections that have traveled internationally including those organized by the Charles Saatchi Collection and the Frederick R. Weisman...

French designer and graphic artist Stéphane Gautier draws on a unique talent for deciphering symbols and images in his art and transforming them into ...

"Un Rayon de Soleil" Artist: Jean-Claude Gaugy Medium: Mixed media on carved wood panel Size: 30" x 40" Framed

“Song of Autumn” is an abstract painting by Dr. M.A. Bhatti executed in mixed media on canvas; measuring 32 x 42 inches. This dynamic and colorful abstract piece mixed elements of g...

By Local Michigan Metal Artist - Peter Marfai Carved signatures on the piece Additional "Peter Marfei 1998" signature included upon request Dimensions: 48" x 28"

"Abstract Calligraphy" Abstract Painting 71" x 47" inch by Ibrahim Khatab BIO Ibrahim Khatab was born in Cairo 1984, works as a co-teacher in Cairo U...

A designer and graphic artist, both by training and trade, Stéphane Gautier designs interiors that have a strong personality; original concepts that a...

Joseph is a conceptual mixed-media artist born in Paris in 1961. Trained in architecture at EDPI and graphic arts at Sornas, Joseph eventually found his true passion at the prestigio...

Gregory Watin, born in 1976 in France, has been internationally recognized for his urban mixed-media style. His work has been displayed in numerous exhibitions across Europe and the ...

"Oxen" Abstract Painting 59" x 59" inch by Ibrahim Khatab "FIELDS OF HEAVEN" Khatab's recent collection is a natural sequel to and a resounding crystallization of, his previous efforts in "Kemit", which was his initial attempt to revive and reinstate one’s heritage and Pharaonic culture and emphasize its timeless relevance and continuity in modernity. This time he delves into the quintessential theme of enlightenment and the higher self, using the mystical memories...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Andresen’s work focuses on the art of repair; more specifically how such actions have consequences both intended and unintended. Using a variety of materially driven processes the wo...

Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...

Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...

Alberto Letamendi, is an artist from Ordizia (Basque Country) born in 1964. In his work, whether in painting or sculpture, he uses various techniques with a preference for natural ma...

„The Way #5”, mixed media (soil, pearl glue, oil)) on jute, 140 x 150, 2012 Series “The Way” by Marta Pokojowczyk contains mixed media paintings on ...

Gold & Despair is my adaptation of Gustav Klimt’s masterpiece "The Woman In Gold", also known as The Mona Lisa of Austria. Having admired the symbolic art of Klimt since my working days as a fine art restorer at Vienna’s prestigious Conservation Institute (Bundesdenkmalamt) in the 1980’s, I conceived the idea to recreate the jewel of his gilded period with an interpretive lens on the looming darkness of the Holocaust and World War II. As a native of Austria, Salzburg, I have developed an appreciation for Klimt’s art, and Art Nouveau in general. For the last thirty years, I have lived in New York City and worked as a fine art restorer, conservator, and painter as well as in the healing arts. Klimt had executed The Woman in Gold in the span of four years (1903-1907). My own creative process during 2014-2017, reflects my diligent care and thoroughness in rendering the original painting. In 2014, I started with the preparation of the canvas using Klimt’s original size of 54 x 54 inches (167 x 167 cm). For gesso, I used the traditional method of rabbit skin glue and chalk. For the painting, I used oil paints and genuine 23.5 karat gold in various shades, as well as silver leaves, to magnify the brilliant sheen of Klimt’s gold...

This abstract painting was made with mixed media including collage and drawing elements. A nice warm-toned painting with sienna and touches of refreshing blue.

Stikki Peaches Bob Dylan 'Dylan Demon', 2022 Signed by artist Mixed media on reclaimed wood boards and hand painted Tunisian tiles 48 x 48 inches This pie...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich text...

Petra Rös-Nickel’s original paintings merge playful forms, bright colors and architectural compositions in oil and mixed media on canvas. Her contemporary artworks contain rich text...

"Burst" is an original mixed media wall sculpture by J.Margulis. J.Margulis (Caracas, 1970) began his career as an artist through photography while studying Management in his native...

Matching paintings on leather representing a gallant scene and a bucolic scene. Styled frames.

Unique glass spheres are arranged to create a colorful portrait of a young woman. The light reflects off the glass spheres, creating a dynamic interplay. Fashion, haute couture, bra...

Alberto Letamendi uses various techniques and integrates natural materials such as iron dust, stone, wood, and natural pigments. In his eclectic artistic production, the common threa...

"Voracious Love" is a unique kinetic mixed media artwork on panel by a world-renowned French contemporary artist, Patrick Rubinstein. He is famous for his diverse style representing ...

"Richblood" is a unique abstract wall sculpture made from PMMA sheets, Aluminum Composite, UV inks ,acrylic paint. J.Margulis (Caracas, 1970) began his career as an artist through p...

Work on paper, oil and collage. Unique, 1 of 1 piece. Cerj Lalonde moves smoothly from the canvas to the camera, from computers to installations, producing and showcasing an extraordinarily rich and complex body of work created during the last 30 years. His purpose is to pursue a direct, and, in each case, a different communication with the spectator. It can be said that Lalonde works as a team with himself, not only to develop his artwork, but also to sharpen his personal ideas about contemporary culture, trends... Lalonde is putting a lot of time, energy and thought into his new media and technology productive structure, where he can directly address his issues... His paintings, installations, photographs and web pages, are intended to function each in its own way, as an overt revision and critique of the contemporary art system, as they establish parallel dialogues between the artist, the public, and the curatorial values. "Lalonde, the painter" Cerj Lalonde works his painting with a conceptual approach, as an attempt to restate the validity of painting as a practice per-se. His abstract language ranges from lyric abstractionist pieces to many personal interpretations on art history masterpieces, as specific reflections upon geometric abstract paintings like Malevich´s black square series, or Albers study of color, among others. Lalonde holds many layers as an artist. His years of experience as a painter and thirst for art history and critique have helped him develop into a consciously literate artist. Formally, his domain of techniques ranges from drawing, printing, and primarily acrylic painting by means of a wild contrasting palette. But more than any type of formalism, Lalonde´s work is a strong statement about painting itself and how he approaches abstraction from a conceptual viewpoint. His paintings celebrate the power and meaning of color and texture, the imperative voice of contrast and stridence, and the million of possible solutions for a white canvas. I also see in his artwork a psychoanalytical interpretation of art, and a curiously unintentional approach to oriental philosophy appears throughout his multi sized body of work. In many of his canvas, the presence of the square has been integrated as an element of equilibrium and unity to the soul of the artwork itself. Lalonde is specifically interested in the qualities of painting as a media: “What Painting and only Painting can do”. Of all arts, painting is perhaps the most intimate and personal of art languages. It reaches the viewer at a last phase, in the gallery, or museum, or exhibition space. In the meanwhile, there is a time frame between the moment when the artist finishes his work and it gets shown. This space of time is silence. It can be said that the gap between the act of painting and its way out of the studio has had Lalonde wondering about other strategies of approaching the viewer, the critic, and to challenge the art world as a system. New media's and technology In his body of work related to the Internet, the use of language can be established as the first notable addition where the silent scream that comes from his paintings invades the screen and transforms it into words. We can feel the imperative urge to communicate. Lalonde addresses everyone and no one, and a certain/uncertain dialogue is established between him and the anonymous viewer/Web surfer/browser who reads it. Lalonde has produced multiple web sites. With this media, he has taken over a physical/nonphysical space to express his ideas about the act of seeing, of looking, and getting intoxicated by the gaze, by the sight, by the cognitive look, and the subjective one. Another interesting aspect is the inclusion of his images as an artist in several ways. For example, in SELF PORTRAIT AS A FAMOUS ARTIST he presents himself in all the archetypical attire of the romanticized representation of the artist. Lalonde has reverted all his irony and sarcasm as images that appear as brushstrokes on his Web sites. Another image that frequently appears is the sweet face of a very young woman, who looks at the browser with sweetness and nostalgia. As websites are build through layers, Lalonde has as well, constructed layers of impact, thought, and reflection, by means of the multiplicity of images that appear, ranging from his own paintings, installations, portraits, and text. He is interested in what defines art, who validates artwork, how artist’s success has a strong pull to media and critic dependency. Lalonde points out these issues as loud as a silent scream. Phrases such as the Dominance of Curatorial Ideology, Global Mono Cultural Art Discourse or Hegemony of the Global Curatorial Class are samples of titles that frame parts of his Web visual discourses. In his installations and performances such as THE NO SHOW, and WORKING TO BECOME RICH AND FAMOUS SO YOU CAN LOVE ME FOREVER, Lalonde discusses the notion of the self and identity, the artist as a social figure, and the severe critique of the contemporary art system, and society at large. He questions the validity and the ideology of the curatorial establishment, the marketing methods, and the issues of the self - as he queries the conventional paradigm of the artist. On his Web pages, Lalonde metamorphoses from an anonymous painter in his studio to a more public personae. His gaze looks at the viewer, his open mouth screams and questions the browser constantly, sometimes as an outsider and sometimes from the hypothetical voice of the viewer’s conscience. In SEEING, a photographic installation that can be considered as a milestone in his work, he presents a dark room that has many different sized eyes that are looking at the viewer. An interesting aspect of Lalonde’s digital work is the presence of a perpetual reflection that not only shows the act of seeing itself, but in a more profound way it presents the subconscious mind of the viewer. He inverts his role of an artist and establishes a dialogue with the unconscious of the spectator, both through his installations and digital art work...

Carl Joe Williams After Big Mama Passed, Family Portrait, Calliope Projects 1955 2022 Painting and collage on doors 79 x 60 inches Carl Joseph Williams...

Carl Joe Williams Unc, Charlie “Tree” Milton Eating Red Beans and Rice 2022 Painting and collage on mattress 74 x 52 inches Carl Joseph Williams was b...

Wooden frame painted white and plexiglass protection, Mixed media, collage on glossy photo paper, bears (aluminium alloy and steel , flashed with gold), painted and varnished by hand. Limited and signed edition, number 1 of 10. A designer and graphic artist, both by training and trade, Belgian artist Stéphane Gautier...

Mixed media. Unique piece, 1 of 1. Sylvain Tremblay was born in 1966 in Quebec City, Quebec, Canada. After earning a degree in graphic design, he worked as an illustrator for a nu...

Mixed media. Unique. Joseph is a conceptual artist born in Paris in 1961. In his latest series of creations, the work assigns to the viewer a place, a function and a power, actin...

Ken Anderson (20th century) was active/lived in United States. Ken Anderson is known for Abstract hanging sculpture. *See included images and video

Painted primarily in oil and encaustic with a cement trowel on wood panel and canvas, his work has been exhibited and collected across the US. In the midst of creating these mobile r...

"The paintings are built up in layer upon layer of paint which give the pieces great depth of field. They are created with an arsenal of tools that doesn't settle with convention. As...

'I have been working on eggshells since I was 8 years old, learning the traditional Ukrainian art of pysanky from my mother. This artistic and cultic use of eggs informs my work to this day - as I believe that eggs are events - not simply objects. The shells (while the protective casing for the new life inside) are memories of the primal events that produced the eggs, intended as new life. In order to infuse new life into this ancient folk art, I have manipulated traditional processes with innovative dyeing & brush techniques, and etching, to forge a new visual language to write on this versatile, organic sphere. The facility of the shell for a range of techniques (batiking, scratching, painting, gilding) affords me a great range of visual expression to manifest ideas, events, and fantasies. “Ancient design for a new worldview” has been the mantra underpinning my studio philosophy and praxis. Picking up pieces of broken eggshells and reconstructing them into new images, the work of my studio, seems like an apt metaphor for this moment. This process born out of recycling studio detritus has offered me a new way to construct new worldview's. Bringing forward from the past images, designs, and compositions can visually realign how we see our own world in these times.' -Paul Wirhun

Juliet Martin sculpts fiber memoirs. She combines weaving, writing, and illustration to tell her stories. She uses humor as a sling for heavy subjects. Making a joke to convey a seri...

Artist: Joseph, French Title: Life Is A Show Only Love Is Real Edition: Unique, One-of-a-kind Medium: Rose gold mirrored chrome Dimensions: 52 x 43 x...

Artist: Joël Moens Title: Freedom Edition: 1 of 8 Dimensions: 39.3 x 39.3 in. x 1 / 99 x 99 cm Framed Dimensions: 40.5 x 40.5 x 2 - - About the artist: Joël Moens is a serial creator. Over the course of his lifetime, he has spawned over fifteen different businesses. Nowadays, and almost schizophrenically, he switches between his businessman’s hat and his artist’s hat at the mere click of a mouse, given that this disciple of the philosophy of action devotes his time to digital art. His artistic 'love at first sight' moment was his discovery of and introduction to photo mosaics...

The plate has a smooth, shiny surface with Cephalopod fossils embedded in the brown stone. Measures 19.75 x 12 inches. Good/Fair Condition-signs of wear consistent with age and handl...

With the distinctive medium of post-it notes, Özmenoğlu re-contextualizes everyday objects from something ordinary to a beautiful work of art. The individualized behavior of each pos...

Presenting a magnificent all original figurative collage in paper by artist Jilla Mannana. Ms. Mannana studied fine art in Iran for many years and has just recently decided to lice now in America. Bathing Beauties...

Measures approximately 3.5 x 2.75 inches. Good Condition.

Painting measures 28 X 36 inches. There is a sulpture quality to the suitcase, it has texture to the piece. It subtly recalls the european Holocaust, travel and displacement. Provenance: Ginsburg collection; purchased from Galerie Art Temoin, Paris, France. Alain Kleinmann was born in Paris, France 1953. Known for his Paintings, sculptures and etchings. His very particular style uses collage, incrustations and cast bas relief. His mastery of glazing and varnishing techniques dominated by sepia colours have guaranteed him resounding success. Alain Kleinmann has already proven himself one of the most interesting European artists of his generation. He has carefully forged his own language of signs, a unique visual vocabulary in which Rembrandt and the artists of the European past fuse with the innovations of the post-war masters such as Francis Bacon, Larry Rivers and Robert Rauschenberg. His works have been exhibited at numerous international galleries and museums. He has received almost a dozen medals and is a member of eight different salons.In recent years, Kleinmann has assimilated the sepia-based tones of Rembrandt's paintings – archetypes within the European tradition of the quest for a soul in a surface of paint – to his own complex operations, creating a series of paintings he calls "Fragments of Memory." Whereas in his photo-realist close-ups all was revealed – his works treat questions of time and memory, of lives unknown in their intensity but alluded to by traces, gestures and fragments of images or words, all perceived like outdated documents through the patina of age. Kleinmann transcends the limits of static imagery in a picture frame by digging within the life of the materials at hand – notably paper, the prime purveyor of identity in the Information Age. Paper, after all, takes on a life of its own as it goes through time: the process of its deterioration. It starts out neutral and pristine and gains character as it vanishes. His background in semiotics stands Kleinmann in good stead as he manipulates a variety of visual languages: photos, drawings, rubber stamps, tickets, numbers, handwritten phrases or letters, pages from prayerbooks, personal correspondence and official documents. His textures come from materials that have lived and suffered, that have already received the imprint of human intervention: cardboard with its facing torn off, revealing its inner ribs and backing; paper that has been rumpled and then flattened again; paper with its skin scraped raw or mechanically imprinted with a meaningless pattern; paper that has buckled or wrinkled in the process of being adhered to another surface; and finally, photographs, hidden behind gauze or paraffin, recessed, partly revealed; they recede in time as they are obscured from view, as if their precision had been swallowed in the half-life of generational memory. All of these elements, so diverse and individualized, are harmonized in the final composition by the artist's hand. For him, there is no spirituality without specific individuals who cultivate their inner life. As he says, "The dimension of things is right here. For me, true spirituality comes in the act of embracing true materiality, and not by averting one's gaze." Museum of Contemporary art, Santiago de Chile, Chile Mid century modern Jewish art...

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

> The mirror that everyone will talk about. Unique, one of a kind. Biography of the artist Joseph: Since 1985, Joseph has been present on the art scene, influenced by all the popu...

Four 30" x 30" Panels Colors are blue, green, gold, brown, black. Madonna Phillip's original art technique in glass and mixed media developed after studying with a master stained gla...

Keith Young Sleeping Medium: Mixed Media, Graphite, Rice Paper, Tissue Paper, Prints, Cut-Outs, Wall Paper, Shizen Screen Printed Paper Year: 2021 Size: 16x20 Signed and dated by han...

Three dimensional mixed media collage by Houston, Texas artist Paul Horn. Colorful collage of magazine cutouts of dolls, cereal boxes, pl...

Three dimensional mixed media collage by Houston, Texas artist Paul Horn. Colorful magazine cutouts of dolls, cereal boxes, plants, and pop culture arranged ...

Pop Art. Mixed Media sketch on paper. Floats on white matte and framed with white frame. A celebration of America via the Flag. Vintage feel. Background from artists vintage ...

Nails and thread on wood in Plexiglass Nemo Jantzen is a multi-media artist from The Netherlands. The spectacular pieces of these series consist of nails and threads on white wood t...

Thai people believe that every part of the Buddha is sacred and that in the past the Buddha left his footprints for us to follow. Artist Details: Vichoke Mukdamanee "Buddha Footprint...

Jennie Haddad (1906-1996) Dallas Artist Image Size: 40.5 x 26 Frame Size: 49 x 34.5 Medium: Mixed Media on paper. "Patch Work" Biography Signed and Estate Stamp Jennie Haddad (1906-1...