Art by Medium: Oil

Indulto is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 146 × 114 cm (57.5 × 44.9 in). The artwork is signed, sold unframed and comes with...

The work of Mariona Espinet transitions from architectural language to pictorial, a shift that allows her more creative freedom. In this new collection, she seems to go further, alre...

Untitled XLIII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 280 × 200 cm (110.2 × 78.7 in). The artwork is signed, sold unframed and ...

Marinas No. 29, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Todo avanza hacia su final V is a unique oil on canvas painting by contemporary artist Calo Carratalá, dimensions are 140 × 200 cm (55.1 × 78.7 in). The artwork is signed, sold unfr...

Alcedo Atthis is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 146 × 114 cm (57.5 × 44.9 in). The artwork is signed, sold unframed and come...

Turquoise Edition No.12, is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 cm x 30 cm (11.8 × 11.8 in). The artwork is signed, sold unfr...

Untitled XLV is a unique painting made with oil on a free-standing canvas by French artist Elvire Ferle, dimensions are 200 x 140 cm (78.7 × 55.1 in). The artwork is signed, sold un...

In the Sun (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect remind...

Marinas No. 18, oil painting on wood panel by Spanish contemporary artist Calo Carratalá. 22 cm × 35 cm. This landscape painting takes the viewer to the coasts of Tanzania on the Ind...

Objeckt No.7, is a unique oil on vinyl painting by German contemporary artist Doris Marten, dimensions are 30 cm x 50 cm (11.8 × 19.7 in). The artwork is signed, sold unframed and co...

"Fateevo" Oil Painting 47" x 59" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyatka. 2008 – gradu...

"Splash" Oil Painting 47" x 59" inch by Evgeniya Buravleva Evgeniya Buravleva was born in Kirov (Russia) in 1980. 2000 – graduated from the Rylov Art School of Vyatka. 2008 – gradua...

The Event V is abstract painting reminiscent of a landscape by contemporary artist Joachim van der Vlugt. Together with a voluntarily restricted palette of colors and sombre, black a...

Two, painting by contemporary artist Emanuel Schulze. OIl on canvas, 50 cm x 70 cm. The mysterious landscapes of Emanuel Schulze combine architectural shapes and natural surrounds, g...

Robert Motelski's paintings are exceptional visions of nature, visions of space which surrounds us. They tell about being, fate and passing. They depend on the season of year, the ti...

June is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 114 cm x 146 cm ( 57.5 × 44.9 in). The artwork is signed, sold unframed and comes wit...

Oil on cotton canvas, H 40 x W 30 cm. Inspired by a digital phenomenon, the Pink Paintings series revolves around a notion of abstraction. The parallel lines, so characteristic of th...

Untitled LX is an abstract painting by French contemporary artist Ferle. Oil on free-standing canvas, W 140 cm x H 200 cm // W 55 in. x H 78 3/4 in. ”In her work, Ferle creates new s...

Spring (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 80 cm W 120 cm. This series focuses on floral motifs: Poppies, Catalpa flowers or Spindles. Christoph...

Pink Painting (Figure No.1) is a unique oil on cotton canvas painting by German contemporary artist Doris Marten, dimensions are 150 cm x 110 cm (59.1 × 43.3 in). The artwork is sig...

Charles HERMANN-LÉON (born Léon Charles Sigismond HEMRMANN) (Le Havre 1838 - Paris 1908) Portrait of a young woman Oil on canvas H. 54 cm; L. 41 cm Signed and dated upper right - 187...

Aïeul d'Inde (2000) by French contemporary artist Christophe Dupety. Oil on canvas, H 38.2 x W 51.2 in (97 x 130 cm). Unique work sold unframed with a certificate of authenticity. Th...

Benasque 2 (Snow series) is a painting by Spanish contemporary artist Calo Carratalá. Oil on canvas, 160 x 200 cm. This work of art represents a mountainous winter landscape in the P...

The Amour II is a painting by contemporary artist Joachim van der Vlugt. Oil on wood, 110 x 110 cm. This work is signed, sold unframed. This portrait represents a man wearing a gas ...

Cogida (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, which ta...

Sailing from Leticia to Santa Rosa (Jungle series) is a large-scale oil painting by Spanish contemporary artist Calo Carratalá which is in the form of a tondo (diameter: 194 cm). Thi...

Oil on Alu-Dibond, 80 x 200 cm. German artist Doris Marten explores the visual effects created by the harmony between light and color. Lines and the light are the main components of ...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the frame...

Unleashed (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 81 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds...

Wild (2015) by French contemporary artist Christophe Dupety. Oil on canvas, 100 x 100 cm. In this series simply entitled "Nus" (nudes), the artist is superimposing and juxtaposing tw...

Balconies of the sky II is a unique oil on canvas painting by contemporary artist Joachim van der Vlugt, dimensions are 100 × 130 cm (39.4 × 51.2 in). The artwork is signed, sold unf...

Katharina Hormel paints minimalistic every day scenes of life. The people she portrays are out and about going about their daily life, enjoying a walk...

Untitled XLV is an abstract painting by French contemporary artist Ferle. Oil on free-standing canvas. W 200 cm x H 280 cm // W 6 ft 6 x H 9 ft. ”In her work, Ferle creates new spac...

Dogon (2018) by French contemporary artist Christophe Dupety. Oil on canvas, 55 x 46 cm. In his Human Figures series, Christophe Dupety shows us some bodies which aspect reminds more...

This magnificent grand-scale work, offered by Titan Fine Art, formed part of a collection of family pictures and heirlooms of the Rivers Baronets and their descendants for over 325 years, before it was dispersed by the last in the line in 1988. The work was painted by the most technically proficient painter in England after the death of Van Dyck, and the dominant court painter to Charles II and James, Duke of York, Sir Peter Lely. It is no surprise that for years Lely had no serious rivals, was enormously influential and successful, and one of the country’s most important painters – and his work influenced countless artists over generations. The exquisite carved and gilded auricular frame is an astounding work of art in itself. The sitters in this exquisite double portrait are Sir John Rivers, who succeeded as the 3rd Baronet Chafford in 1657 (c.1638 - c. 1679), and his wife, Lady Anne Hewitt (c.1640-c.1689). They are seated in an outdoor setting beside a fountain modelled as a female figure with water issuing into a scallop-shell. The water, the elaborate sculpted fountain with its scallop-edged bowl, and the open shell in her hand are symbols of fertility - as such they make an appropriate allusion to Lady Anne’s potential as wife and mother, recalling Proverbs, chapter 5, verse 18: “Let thye fountain be blessed, and rejoice in the wife of thye youth”. This reference was realised, as Sir John and Lady Anne produced at least six children; their son George (1665-1734) became 4th Baronet of Chafford. The composition, thus, represents a celebration of marriage and was likely commissioned around the time of the betrothal (the marriage took place 26th Feb 1662 or 1663). The statues in the left margin are 'Youth and 'Old Age' and are a typical form of Memento Mori reminding virile young man that even they will lose their youth and grow old. The Rivers family, originally of Kent, traces its history to Sir Bartholomew Rivers, in the reign of Edward IV. The family included several prominent members including several knights, a Commander in the King's Army, a steward of a ducal estate, a Lord-Mayor of London, and an M.P. John Rivers (c.1659-c.1651) was made 1st Baronet of Chafford in 1622 by King James I. The Chafford estate was the family seat and it remained so until the early 1700s with the death of Sir George Rivers, 4th Baronet (1665–1734), whose sons had all died. The Chafford estate was left to his daughters while the baronetcy passed to nephew John Rivers, 5th Baronet (c. 1718–1743), and then Sir John’s brother, Sir Peter Rivers-Gay, 6th Baronet (c. 1721–1790). Upon Sir Peter Rivers Gay's death the estate passed to his eldest son, Sir Thomas Rivers Gay, 7th Baronet (c. 1770–1805). Sir Thomas, dying in 1805 with no children, bequeathed the estate to his mother Dame Martha Rivers Gay, who managed the estate until 1834 when she settled it on the then Sir Henry Rivers, 9th Baronet (c. 1779–1851) her younger son, before dying shortly thereafter in 1835. Sir Henry had married in 1812 to Charlotte Eales, with whom he had 6 sons and 8 daughters. Upon his death in 1851 the estate passed to his eldest surviving son Sir James Francis Rivers, 10th Baronet (1822–1869). Sir James married Catherine Eastcott in 1867 but died childless in 1869, and the estate passed to his only surviving brother Sir Henry Chandos Rivers, 11th Baronet (1834–1870) but he died a year later in 1870 also childless; with no male heir the Baronetcy was therefore extinguished. The estate was bequeathed, in trust, by Sir Henry Chandos Rivers to Thomas Frederick Inman, a solicitor of Bath, who then managed the estate as a trustee on behalf of Sir Henry Chandos Rivers' sister Katherine Rivers (c.1826-1895). It then passed to Katherine River’s daughter, Katherine Wall (born c.1855), who had also inherited Worthy Park House from her father, George Alfred Ellis Wall (1825-1875). Until 1958 our portrait is known to have hung at Worthy Park House. Upon Katherine Wall’s death, the Rivers estate passed to her daughter, Katherine Eleonora Rivers Fryer (1889-1963), who married Colonel James Alexander Butchart 1877-1853. In 1958 the family sold Worthy Park House but our portrait was loaned to Southampton Museum and Art Gallery. After the death of Katherine and Colonel James, the estate was left to their only son, Charles Bruce Rivers Butchart (1917-2005) and upon Charles’ retirement to a nursing home in 1988, and without heirs, our portrait, along with the residual assets of the Rivers estate were sold, thus ending over 325 years of continual family ownership. Lady Anne Rivers is thought to have been born circa 1640. She was the fourth child of the second marriage of Sir Thomas Hewitt (or Hewett) (1606-1662), 1st Baronet of Pishobury, Herts, and his wife Margaret Lytton (died 1689). Sir Thomas was an English landowner and M.P. for Windsor and upon the English Restoration...

Côte de Beaune (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 31.5 x W 31.5 in (80 x 80 cm). Unique work sold unframed with a ...

Jaipur (2004) by French contemporary artist Christophe Dupety. Oil on canvas, H 51.2 x W 76.8 in (130 x 195 cm). Unique work sold unframed with a certificate of authenticity. The art...

Oil on vinyl, diameter: 30 cm. In this last series Sound and Vision, the line remains the only motif of the compositions, but it is illustrated on a new medium which is none other th...

Pamplona is a unique oil on canvas painting by contemporary artist Christophe Dupety, dimensions are 100 × 100 cm (39.7 × 39.7 in). The artwork is signed, sold unframed and comes wit...

Côte de Nuits (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 28.7 x W 35.4 in (73 x 90 cm). Unique work sold unframed with a certificate of authenticity. Th...

Oil on vinyl mounted on Alu-Dibond, diameter: 60 cm. In this last series Sound and Vision, the line remains the only motif of the compositions, but it is illustrated on a new medium ...

Untitled XXII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 100 cm x 70 cm (39.4 × 27.6 in). The artwork is signed, sold unframed and ...

Elysium II (2020), by contemporary artist Joachim van der Vlugt. Oil on canvas, 130 cm × 180 cm. Challenging the boundaries between figuration and abstraction, the artist creates...

Untitled LXIII is a unique oil on free-standing canvas painting by contemporary artist Ferle, dimensions are 200 cm × 140 cm (78.7 × 55.1 in). The artwork is signed, sold unframed an...

San Fermín (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 115 x W 75 cm // 45.2 in x 29.5 in. Christophe Dupety focuses on the portrayal of the animal, whic...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series GROWING UP. The artwork is sold framed. Dimensions of the framed artwork: 182...

Murcielago (2023) by French contemporary artist Christophe Dupety. Oil on canvas, H 130 x W 81 cm // 51.2 in x 31.9 in. With this series, the artist is addressing the subject of bull...

HMS Glasgow returning from the Falkland Islands - Shipping Scene Warship & other Vessels by British Artist Norman Elford GRA (1931 - 2007) Art measures 29 x 20 inches Frame measur...

Indistinctly signed and dated In the first quarter of the 17th century a new form of flower painting was developed in Flemish painting, which, recreated by a large group of artists and workshops, would achieve considerable success throughout the century in much of Europe: the garland of flowers surrounding a central figure. Brueghel de Velurs was the initiator of this type of composition, however, it was his pupil, Daniel Seghers, who was the dominant figure in this specialised production and the creator of a prototype that would serve as a model for the numerous artists who followed in his wake. It seems undeniable that the artist of the present painting had seen the Garlands of Flowers Surrounding a Medallion Depicting the Triumph of Love by Daniel Seghers and Domenico Zampieri (now in the Musée du Louvre in Paris). In our painting, the present floral wreath encircles a carved cartouche within which sits Saint Dorothy of Caesarea and the attribute which often accompanies her in art, a basket of roses. The extremely delicate flowers have been rendered in meticulous detail, so that every species can be identified from exotic tulips to roses, irises and forget-me-nots; this obvious attention to naturalism is inherited from the Flemish manner. Each flower is so precise and refined that they are an individual study in their own right. The still-lifes are from the hand of Jan Anton van den Baren, with the central figures by another accomplished hand. Van den Baren’s arrangement of flowers would have delighted connoisseurs in both Flanders and in Vienna, where the impossibility of their all blooming at the same time of year would have been understood as a further statement of the wonder and beauty of the divine. Van den Baren worked first in Brussels, where he collaborated with Erasmus Quellinus II for the figures in his works, before moving with Archduke Leopold Wilhelm, his patron, to Vienna in 1656, where he instead worked with fellow Flemish émigré painter Nikolaus van Hoy. The iconography relates to an eighth century legend where she was presented a basket of roses by a child. In addition to the brilliance of his handling of still-lifes Van den Baren played an important art historical role as Director of Archduke Leopold Wilhelm’s Picture Gallery in Vienna, then one of the greatest collections in the world and the core of what was to become the present collection of the Kunsthistorisches Museum, Vienna. Van der Baren compiled an inventory of the collection in 1659, and his predecessor as Director of the Archduke’s Picture Gallery (when it was still housed in Flanders), David Teniers, depicted van der Baren (third from right) in his celebrated Archduke Leopold Willem in his gallery at Brussels, conserved at the Kunsthistorisches Museum. It is a shining example of the Flemish Baroque and is a very rare object indeed, considering there are only 14 paintings accepted as authentic works by this artist. We are grateful to Fred Meijer for confirming the attribution to Johannes Antonius van der Baren. A feature of this painting is its outstanding carved and gilded frame with a plethora of flowers and foliage. Titan Fine Art

Set of 4 paintings from the 'Marinas' series by Spanish contemporary artist Calo Carratalá. Oil paintings on wood panel, 22 cm × 35 cm each. Dimensi...

Benasque 1 is a unique oil on canvas painting by Spanish contemporary artist Calo Carratalá, dimensions are 156 × 214 cm (61.4 × 84.3 in). The artwork is signed, sold unframed and c...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO ASTRONAUTS NEED ART? The artwork is sold framed. Dimensions of the fram...

"Iris Field" by Denis Ribas is a captivating original French Impressionism landscape painting that transports viewers to a world of tex...

Lilac, garden, flowers, violet,Ukraine Very important work Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dneprodzerzinsk and later he attended the School of Fine Arts in Kiev. 1956-62: he attended the Academy of Fine Art of Saint Petersburg. 1960: he began his activity taking part in many exhibitions in Russia and abroad. 1973: member of the Union of the Artists. 1980: exhibitions in Austria, Hungary, Japan...

Oil on canvas painting by Croatian artist Zoran Šimunović from the series DO DOLLS HAVE EMOTIONS? The artwork is sold framed. Dimensions of the framed ...

English painter (20th century) - Vase of flowers. 61 x 48 cm without frame, 76.5 x 66.5 cm with frame. Ancient oil painting on hardboard, in carved and lacquered wooden frame. - W...

This exquisite work is an accomplished example of the type of portrait in vogue in England during the third quarter of the 17th century. There was a large demand for paintings in England and the demand for portraits was greatest. Many artists worked in this lucrative field, even artists who initially trained in the more respected field of history painting, such as Peter Lely, turned their attention to portraiture to meet this demand. Moreover, it was not uncommon for the British, even for men, to present a gift of one’s portrait to a friend - portraits were first and foremost a memento. Woman at court often vied with one another in displays of rich and fashionable clothing. The drapery was either painted from the customer’s own clothes or was perhaps a creation using fabrics loosely tacked together in the studio. This was a common practice of Lely and his studio props included swathes of fabric and pieces of cloth. The sitter’s sumptuous attire and gauze scarf, fastened by a large diamond brooch, is of the finest material and is representative of wealth. Pearls were an obligatory accompaniment since at least the 1630s and they are worn in abundance – in her hair, on her attire, as a necklace, and as pear-shaped earrings called unions d’excellence, reflecting the difficulty of finding perfectly matched pearls of such large size. They could range up to 20 millimetres in diameter. Her hairstyle help date the painting to the early 1660’s. Peter Lely, the son of a Dutch...