Art by Medium: Paper

Edition of 1003 copies. One of the 109 copies realised for the "Bibliophiles de la Nouvelle Revue Française" in Roman Numerals. Copy printed for the Countess Pecci Blunt.Spine partia...

Paris la Nuit. Les Plaisirs de la Capitale, ses bas fonds et ses jardins secrets. Considerations by Louis Aragon on different aspects of Paris, seen from...

Edition of 206 copies including 11 original engravings by Demetrios Galanis and one original frontispiece. Copy on reservede to Librairie Champion. Includes a printsuite and an origi...

Copies including 37 engravings by J.E. Laboureur. The edition includes 12 numbered copies and 400 copies on velin Lafuma-Navarre. Lightly wore on cover and binding.

Edition of 532 copies. Copy on Holland de Rives. Good conditions, lightly wore on binding. Edition including an illustration by Giorgio De Chirico representing the portrait of the au...

Rues et Visages de Paris (Streets and Faces of Paris) is a rare book whose purpose is to introduce the city of Paris in the first page of 20th Century, written by Valery Larbaud and ...

Edition of 507 copies including 66 illustrations by Carlègle, colored "au pochoir". Extremely rare and precious copy on Japon Imperial (one of 37 of the commercial edition), includin...

Copy n. 30/1150, on Hollande paper, with b/w lithographies and suite on BFK Rives paper. Superb copy in perfect conditions. Including the complete suite by Gus Bofa.

Edition of 317 copies including engravings by Chas Laborde. Copy on Vergé de Rives. Perfect Conditions. Partially Uncut.

One of 75 copies on Hollande Van Gelder. Including 8 original etchings by Maurice Asselin. Copy in perfect conditions and partially uncut.

Edition of 336 copies illustrated by A. Dignimont. Copy on velin pur film Lafuma. Frontispecie separeted from binding. Very good condition. 

Original vintage travel poster for Le Mont Revard Grand Hotel PLM 1550m d'Altitude issued by the PLM Paris Lyon Mediterranee railway featuring a stunning design by the notable French...

Text and illustrations by Gus Bofa. Plates and spine partially missing and restored. Inside excellent conditions and partially uncut.

Edition of 215 copies including b/w reproductions of artworks by Charles Pequin and a portrait of the artist by G. Aubert. Copy on papier pur fil. Copy in good conditions. Partially...

Edition of 1060 copies on Navarre verge including a lithograph representing the author on the frontispiece of Edouard Vuillard. Very good conditions and partially uncut.

Edition of 1650 copies. Copy number on Hollande Van Gelder paper. Includes an original litograph by Maurice Barraud on the frontispiece. Seventh volume of the "Ceinture du Monde" col...

Author of the book is Guillaume Apollinaire. Edition of 100 copies including 6 drypoints (a full page engraving on frontispiece and 5 engravings in text). Copy on Vergé de Rives à la...

Editorial soft cover, spine restored. Inside excellent conditions.  Couverture souple originale et dos restauré. A l'intérieur le livre est dans d'excellentes conditions. 

Stylish & dapper watercolour 'decoupage' vignette by 'Fell' 1923 Featuring seven English gents sporting various styles of bespoke apparel Image Sz: 17"H x 12 3/4"W Frame Sz: 23 1/4"H x 18 3/4"W (4/14/1880- 11/1972) Herbert Fell Sharp was a British comic artist/illustrator born in London, United Kingdom in the district of Islington, son of Charles Sharp and Catherine née Fell. He immigrated to United States by 1910 married Ruth Sheriff in 1916 in Westchester, New York. He lived at 31 Poplar Street, Brooklyn and served as a former president to the New Rochelle Art Association in Westchester County, New York, an organization that included J.C. Leyendecker as a prominent member during the 1950's. Sources suggest that Fell Sharp began his career as a comic artist, composing illustrations for the Amalgamated Press comics circa 1900 and "The Jester and Wonder" in 1905. Mr. Sharp possesses an artistic technique that is easy to identify and yet unique. The people featured in his artwork show details of pointed noises. Sharp's career, like his contemporaries, explored a diversity of avenues in which to market his craft. For example, he sketched artwork that consisted of war themes. As you will see, his art signatures feature his middle name on most prints, but sometimes may include middle and last names together coupled with the year of its completion. There are some websites that happen to confuse Sharp's work with Laurence Fellows...

Edition of 1000 copies. One of the only 50 copies on Japon Imperial paper, including a suite of 15 woodcut prints on China paper. Includes also original black and white and colored w...

This stunning black and white studio portrait features Greta Garbo for her role in "Love", circa 1927. Greta Garbo was a Swedish-American film actress during the 1920s and 1930s. G...

Original work by Rudyard Kipling, translated in french by Etienne Lamy. Little foxing on the original paperback cover. Language: french. Good conditions. Partially uncut.

Edition of 2300 copies. One of only 70 copies on Pur Fil Lafuma paper. Language: french. Little foxing on cover, copy with beards. Perfect conditions inside.

Edition of 990 copies. Copy on vergé d'Arches, soft editorial cover with some very minor stains. Inside near perfect conditions. Edition tirée à 990 exemplaires. Imprimé sur papier ...

Edition of 215 copies on pur fil Lafuma paper. Includes a portrait of the artist on china paper, engraved and signed by G. Aubert. Includes also reproduction of the artist's works on...

Hans Hofmann Hiddensee, Herbst (Autumn), 1927 Signed with initials and dated lower left; titled on the reverse Oil on paper 18 x 22 inches Provenance: John Adams Fine Art, London Pr...

Original antique travel advertising poster for the Compagnie Franco Roumaine de Navigation Aerienne / French Romanian Company for Air Transport featuring great artwork of a plane fly...

B&W c1920s photo depicting an English school boys' cricket team TSBC in classic rowing blazer attire Photo Sz: 9 1/4"H x 7 1/4"W Frame Sz: 18"H x 16"W

Philippe Petit's 1927 Art Deco poster for Clotilde & Alexandre Sakharoff is a mesmerizing piece of visual art that captures the essence of an era known for its opulence and artistic ...

Step into the enchanting world of vintage poster art, where Robert Falcucci's 1929 masterpiece for Veuve Amiot Grands Vins Mousseux captures a moment of shared elegance and romance. This poster not only celebrates the allure of sparkling wine but also showcases the artistic finesse of its creator, Robert Falcucci. Robert Falcucci, a celebrated French poster artist, was renowned for his ability to infuse his creations with sophistication and timeless charm. His artwork often celebrated life's pleasures, and the 1929 poster...

In the captivating world of vintage poster art, Henri de Laurencin's 1928 original poster for "Automobiliste! Voici la Priceless-Oil, Adoptez-là!" takes us on a journey back in time to an era when automobiles were icons of modernity and adventure. This poster not only promotes a brand of motor oil but also showcases the exceptional talent of its creator, with printing by Ateliers Gaillard in Paris. Henri de Laurencin, a notable French graphic artist during the Art Deco period, was known for his ability to blend elegance with modernity in his works. His creations ranged from posters to illustrations and reflected the aesthetics of the time. The 1928 poster...

Stunning woman nude pencil study by Russian painter G. Debotoiyche (20th Century). The representation is very modernistic, with only a few lines drawn to render the whole movement an...

Original vintage political propaganda poster - I hear they want more - Baldwin (With Apologies to Bovril Ltd.). Design by the notable artist John Gilroy (John Thomas Young Gilroy; 1898-1985) in the style of the Bovril posters...

Original vintage political propaganda poster - The Cheapjack! Walk up, Walk up, Ladies & Gentlemen! Try my Marvellous Socialist Cure-all for Bad trade Swollen unemployment Broken time Agricultural depression Removes superfluous cash while you wait Luxuriant growth of new taxes guaranteed! - featuring a caricature image of Ramsay MacDonald portrayed as a snake oil...

"Montagne Sainte-Geneviève, Paris" - Watercolor Drawing of French Street Scene Vintage sketch of a 1920's Paris street scene by E. (Elizabeth) (Elisa...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 18 x 12 1/2 in. Framed: 39 x 21 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidbit I fou...

This stunning black and white studio portrait features Greta Garbo for her role in "Love, circa 1927. Greta Garbo was a Swedish-American film actress during the 1920s and 1930s. Ga...

Leonetto Cappiello, a pioneering figure in the world of poster art, left an indelible mark on advertising through his innovative and captivating designs. Among his exceptional creati...

Mabel E. Johnston Untitled, c. 1920s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

Morel de Tangry's 1920 poster, promoting PLM Railways and Les Fumades, offers a captivating glimpse into early 20th-century travel advertising. The poster invites viewers to experien...

Mabel E. Johnston Untitled, c. 1930s Watercolor and pencil on paper Sight: 12 1/2 x 10 1/2 in. Framed: 21 1/8 x 17 1/4 x 1/2 in. Signed lower right: Mabel E. Johnston The first tidb...

Style of Arthur B. Davies Untitled (Muses), c. 1920 Reverse glass painting 19 x 24 in. Reverse glass painting is a form of art that consists of applying paint to a piece of glass t...

Original vintage German motivational workplace poster issued by the Parker-Holladay company in Berlin featuring an illustration of a worker reading the sports pages of a newspaper in...

Etching on antique cream laid paper with a partial watermark, 9 5/8 x 4 1/4 inches (246 x 109 mm); full margins. Signed and dated "1928" in pencil, lower margin. Inscribed "Street in Porto Maurizio...

Transport yourself to the early 1920s with d'Ezy's original poster for Thé de Chine Compagnie Coloniale, an exquisite piece of art that invites us to explore the world of colonial el...

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Promeneuse sur un chemin by Paulémile Pissarro (1884-1972) Watercolour and pencil on paper 30.5 x 35 cm (1...

In the year 1925, a remarkable Soviet poster captured the essence of an era and the universal appeal of a cinematic legend. This poster, featuring Charli...

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Art Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

Watercolor by Louis BERTHOMME SAINT-ANDRE, France, ca.1925. The nap. With frame: 75x60.5 cm - 29.5x23.8 inches, without frame, just the watercolor: 53x39 cm - 20.9x15.35 inches. Signed lower left "Berthomme St André" (see photo). Louis Berthommé Saint-André is a figurative painter, fresco painter, decorator, illustrator, engraver, ceramist and French lithographer born in 1905. He comes from rural and commercial France: his father ran a wine and grocery business. In his youth, Louis Berthommé Saint-André was injured by a kick, which left him with a stiff leg, preventing him from driving, among other things. The family left Oise to settle in Saintes, where the artist studied at La Recouvrance. He entered as a student architect with Georges Naud, responsible for the historical monuments of Charente then, in 1921, he entered the School of Fine Arts in Paris. Louis Berthommé Saint-André is one of the great representatives of French figurative painting in the 20th century. He was trained at the School of Fine Arts by two very old masters who died during his training: Fernand Cormon (1845-1924) and Jean-Paul Laurens (1838-1921). He retains from their training the taste for well-learnt techniques, but from his first works, he is part of modernity. His constructions show decomposed forms inspired by Cézanne, while maintaining a keen sense of rigour. He never strayed from realism, but his very colourful, sometimes incisive palette and his freedom in representation gave his painting a bite and an acidity that placed Louis Berthommé Saint-André among the great talents of his time. Silver medal at the Salon of French Artists where he exhibited from 1924 to 1929, he won the Abd-el-Tif Prise in 1925 and was then the youngest resident of the villa in Algiers. Friend of Jean Launois, in addition to his recognised portraits, he painted Algiers and the Kasbah. His studies of women recall those of Eugène Delacroix, but if his luminous inspiration is due to the Algerian sun, his touch is more Cézanne than purely orientalist. He left Algeria in 1928, to return there in 1931. Before the war, Berthommé Saint-André exhibited regularly in all the major Salons: from 1928 at the Salon d'Automne, at the Salon des Beaux-Arts (1934 to 1936) at the Salon des Tuileries since 1935. His inspiration is close to surrealism . During the Occupation, he became very "fauve", in reaction to the darkness of the war. He joined the Resistance, and collaborated with Vaincre (Resistance newspaper). After the war, he developed a style close to poetic reality (Brianchon, Legueult, Oudot, Terechkovitch, Cavaillès. Caillard, Limouse, and Planson), without however ever being part of the group so called. He is present at the Salon Comparaison, at the Salon of painters Witnesses of our time, is president of the Salon of drawing and water-based painting. He has exhibited solo internationally, in Europe, the USA and Japan in particular. In 1977, he received just before his death, the grand prise of Painters Witnesses of their Time. He died on October 1, 1977 in Paris. Bibliography - Michel Droit. Berthommé Saint-André. Éditions de la revue moderne, 1981 Wall frescoes Entrance to the Direction, National School of Fine Arts, Paris Lycée Charlemagne, Paris, Notre-Dame and the banks of the Seine, 1952 Staircase of the Staff of Poitiers Personal exhibitions Villa Abd-el-Tif, Alger, 1922 Galerie Armand Drouant, Paris, 1928 Galerie Marcel Bernheim...

Before the letter - Natalia Gontcharova designed this poster for the Grand Bal des Artistes which was held in the Bullier room, in Paris, February 23, 1923. Its poster reveals the in...

Orpheus and Eurydice is a Pencil Drawing realized by André Leroux in 1927. Good condition on a yellowed paper. Signed and dated on the lower ri...

Image dimensions: 7 ¼ x 10 ½ inches Framed dimensions: 16 ½ x 20 inches To produce his murals, Sargent painted monumental canvases in his studios in London and Boston, adhering them...

Superb poster with radiant colors realized by Leonard Richmond 🇬🇧 (1889-1965) around 1925. This artist was particularly known for his railway posters. During the First World War, Richmond served as the official war artist...

Graphite on paper, signed and dated Image size: 18 x 12 1/2 inches (46 x 32 cm) Mounted and framed The sitter for this portrait, Alfred Hardiman, was an English sculptor. Hardiman and Lyon were friends and met when they both attended the British School at Rome in the early 1920s. Hardiman won a London County Council Scholarship to the Royal College of Art in 1912, and three years later joined the Royal Academy School. After a period as an engineer's draughtsman in the Royal Flying Corps during the First World War, Hardiman resumed his studies and in 1920 was awarded the British Prix de Rome scholarship, spending two years at the British School at Rome. There he developed his style, a blend of naturalism and classicism influenced by Roman and Etruscan art and early fifth century Greek sculpture. Hardiman's best-known (but also most controversial) work is the Earl Haig Memorial on Whitehall in London. More universally admired are the heraldic lions flanking the main entrance to the City Hall, Norwich, a work which fully epitomises his style. He was appointed consultant sculptor to the building, having worked with one of the architects, Stephen Rowland Pierce, on the Haig Memorial. Hardiman also carved three large stone figures for the outside of the council chamber, and worked with other sculptors on the project including James Woodford and Eric Aumonier. Hardiman was elected Associate of the Royal Academy in 1936 and a full Academician in 1944. He became a fellow of the Royal Society of British Sculptors in 1938 and the following year received their silver medal for his statue of Haig. In 1946 he won a gold medal for his bronze fountain figure for the New Council House, College Green, Bristol, which however was never erected. In 1918 he married Violet, daughter of Herbert Clifton White, of London, and had two daughters. He died at Stoke Poges on 17th April 1949. Robert Lyon...

In this drawing, Sylvia Spicuzza presents the viewer with a dark, subtle view of two milkweed pods, bursting forth with cotton. Examples like this show the ability of Spicuzza to draw in a naturalistic style, where most of her work is usually in a highly stylized, graphic mode. The richness and depth of the black charcoal makes for a moody image. 8 x 5 inches, artwork 18 x 14.5 inches, frame Born in 1908, Sylvia Spicuzza was the daughter of noted painter Francesco Spicuzza. Sylvia devoted herself to teaching art to the students of Lake Bluff...

Etching on antique handmade laid paper, 9 5/8 x 4 1/4 inches (246 x 109 mm), full margins. Signed and dated (1928) in pencil, lower margin. Printed by Frederick Reynolds. In very goo...

During the late nineteenth and early twentieth centuries, the White Star Line was one of the leading British shipping companies. It was notably known for having been co-owner of the ...

Etching on cream wove paper 5 7/8 x 3 3/8 inches (150 x 86 mm). Signed and dated in pencil in the lower margin. First state (of 2), before the removal of the inscription in the lowe...