Art by Medium: Photographic Paper
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17
Medium: Photographic Paper
Artist: Stefanie Schneider
Artist: Tyler Shields
Artist: Ivan Chermayeff
Into Eternity (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Into Eternity (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 893.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Haley and the Birds (29 Palms, CA) - based on a Polaroid Original
Located in Morongo Valley, CA
Haley and the Bird (29 Palms, CA) - 2013
38x37cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print based on a Polaroid.
Certificate and signature label.
Artist inventory ...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Li(e)be (Stage of Consciousness) with Udo Kier - analog, Polaroid, Contemporary
Located in Morongo Valley, CA
L(i)ebe (Stage of Consciousness) -
from the 29 Palms, CA project - 2007
starring Udo Kier
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the origi...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Metal
Someday Soon (Stage of Consciousness) - starring Radha Mitchell
Located in Morongo Valley, CA
Someday Soon (Stage of Consciousness) - 2007
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Invent...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Melancholy (Haley and the Birds)
Located in Morongo Valley, CA
Melancholy (Haley and the Birds) - 2013
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Solitary (Haley and the Birds)
Located in Morongo Valley, CA
Solitary (Haley and the Birds) - 2013
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # ...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Angst (Stage of Consciousness) - starring Radha Mitchell
Located in Morongo Valley, CA
Angst (Stage of Consciousness) - 2007
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and signature label.
Artist Inventory # 7...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Unconscious Mind (29 Palms, CA) - Polaroid, Contemporary, Desert, Dream
Located in Morongo Valley, CA
The Unconscious Mind (29 Palms, CA) - 2021
42x80cm,
Edition of 10 plus 2 Artsist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Artis...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Leaving Town (Sidewinder) - based on a Polaroid
Located in Morongo Valley, CA
Leaving Town (Sidewinder) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs,
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 345...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dream No. 4 (Sidewinder) diptych - Analog, Hand-Print, Mounted, Polaroid
Located in Morongo Valley, CA
Dream No. 4 (Sidewinder) - 2005
24x20cm each,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the 2 original Polaroids.
Signature label and certificate.
Artist Inven...
Category
Early 2000s Outsider Art Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Stevie's new Dress (Sidewinder) - 21st Century, Contemporary, Polaroid, Color
Located in Morongo Valley, CA
Stevie's new Dress (Sidewinder) 2005,
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate.
Artist Inv...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
After the Flood (Till Death do us Part) - Contemporary, Polaroid, Women
Located in Morongo Valley, CA
After the Flood (Till Death do us Part) - diptych - 2005
20x20cm each.
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on 2 Polaroids.
Certificate and Signature labe...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's gonna be ok (Till Death do us Part) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
It's gonna be ok (Till Death do us Part) - 2008
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Certificate and Signature label.
Artist Inve...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's gonna be ok (Till Death do us Part) - 21st Century, Polaroid, Color
Located in Morongo Valley, CA
It's gonna be ok (Till Death do us Part) - 2008
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Certificate and Signature label.
Artist Inve...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
I'm over it (Till Death do us Part) - Polaroid, Figurative
Located in Morongo Valley, CA
I'm over it (Till Death do us Part) - 2008 -
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label,
artist Inven...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
But I Love You (Till Death do us Part) - Polaroid, Figurative
Located in Morongo Valley, CA
But I Love You! (Till Death do us Part) - 2008
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
A...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It Rains on our Love (Till Death do us Part) - Polaroid
Located in Morongo Valley, CA
It rains on our love (Till Death Do Us Part) - 2008
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
artist...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley (Till Death do us Part)
Located in Morongo Valley, CA
Wonder Valley (Till Death do us Part) - 2005
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on a Polaroid,
Certificate and Signature label
artist Inv...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dreamscene on Salt Lake (29 Palms, CA) - Polaroid, Figurative, Landscape, Desert
Located in Morongo Valley, CA
Dreamscene on Salt Lake - 2007
from the 29 Palms, CA project
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist Inventory #968...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Because I am (Stage of Consciousness) - starring Radha Mitchell
Located in Morongo Valley, CA
Because I am (Stage of Consciousness) - 2007
50x130cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the 6 original Polaroids.
Signature label and certificate.
...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Renée's Dream - Jules and Jim II - 29 Palms, CA
Located in Morongo Valley, CA
Jules and Jim II (Renée's Dream) from the 29 Palms, CA series - 2007
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signatu...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The existence is disintegrating into the heat of the dessert sirocco - Polaroid
Located in Morongo Valley, CA
The Existence is disintegrating into the Heat of the Desert Sirocco (The Girl behind the White Picket Fence) - 2015
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Valley Vista (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Valley Vista (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 864.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Lonely Hearts (The Girl behind the White Picket Fence) - Polaroid, 21st Century
Located in Morongo Valley, CA
Lonely Hearts (The Girl behind the White Picket Fence) - 2013
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist Inventory No. 16346.
Not mounted.
In Stefanie Schneider's evocative piece "Her Last Call," she presents a poignant scene featuring the talented actor Heather Megan Christie. The composition centers around a captivating image of Christie holding a red rotary phone...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Memory of a Dream (29 Palms, CA) - Polaroid, 21st Century, expired, Contemporary
Located in Morongo Valley, CA
Memory of a Dream (29 Palms, CA) - 2006
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature Label.
Artist inve...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Bride's Kiss - Contemporary, 21st Century, Polaroid, Figurative, Woman
Located in Morongo Valley, CA
The Bride's Kiss (Till Death do us Part) - 2010
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Ar...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Like the Wind (Till Death do us Part) - super-8, analog
Located in Morongo Valley, CA
Like the Wind (Till Death Do Us part) - 2005
20x75cm,
Edition of 10, plus 2 Artist Proofs.
Archival Print based on the Super-8 footage.
Certificate and signature label.
Artist In...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sleeping Beauties II (Till Death do us Part) Contemporary, Woman, Polaroid
Located in Morongo Valley, CA
Sleeping Beauties (Till Death do us Part) - 2005,
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate....
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Rodeo Grounds (Till Death du us Part)
Located in Morongo Valley, CA
Rodeo Grounds (Till Death do us Part) - 2010
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signature label.
Arti...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
I'd really love to stay the Person, who's sure about her Inner Voice
Located in Morongo Valley, CA
I'd really love to stay the Person, who's sure about her Inner Voice (The Girl behind the White Picket Fence) - 2013
20x20cm,
Edition of 10 plus 2 Artist Proof.
Archival C-Print, ...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Every single incident weighs tons (The Girl behind the White Picket Fence)
Located in Morongo Valley, CA
Every single incident weighs tons (The Girl behind the White Picket Fence) - 2013
20x20cm,
Edition of 10 plus 2 Artist Proof.
Archival C-Print, based on the original Polaroid.
Ce...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
For what I've lost (The Girl behind the White Picket Fence) - Polaroid
Located in Morongo Valley, CA
For what I've lost (The Girl behind the White Picket Fence) - 2013
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid,
Certificate and Signature la...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sudden Urge (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Sudden Urge (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 809.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Kiss (Sidewinder) - 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
The Kiss (Sidewinder) - 2005
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Artist Inventory N...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Waiting (The Princess and her Lover) - Polaroid, 21st Contemporary
Located in Morongo Valley, CA
Waiting (The Princess and her Lover) - 2007
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and Certificate.
Artist Inventory...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Enchanted (Dream Scene on Salt Lake), triptych
Located in Morongo Valley, CA
Enchanted (Dream Scene on Salt Lake), triptych, from the 29 Palms, CA Project - 2009
Edition of 10 plus 2 Artist Proofs.
38x37cm, 38x117cm (installed).
3 Archival C-Prints, based ...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Farewell (Haley and the Birds)
Located in Morongo Valley, CA
Farewell (Haley and the Birds) - 2013
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # ...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Hideout (Haley and the Birds)
Located in Morongo Valley, CA
The Hideout (Haley and the Birds) - 2013
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oasis (Sidewinder) - Polaroid, analog
Located in Morongo Valley, CA
Oasis (Sidewinder) - 2005
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate.
Artist Inventory Number ...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
29 Palms Oasis (29 Palms, CA) - Polaroid, analog
Located in Morongo Valley, CA
29 Palms Oasis (29 Palms, CA) - 2013
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate.
Artist Invent...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Precious (Stage of Consciousness) - starring Radha Mitchell - Polaroid, analog
Located in Morongo Valley, CA
Precious (Stage of Consciousness) - 2007
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and certificate.
Artist In...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Photographic Paper, C Print, Color, Polaroid, Archival Paper
Renée's Dream - Jules and Jim X - 29 Palms, CA
Located in Morongo Valley, CA
'Jules and Jim X' (Renée's Dream) from the 29 Palms, CA series - 2007
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print based on the Polaroid.
Certificate and signat...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dolls (Till Death do us Part) - 21st Century, Polaroid, Figurative
Located in Morongo Valley, CA
Dolls (Till Death do us Part) - 2016
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C- Print, based on the Polaroid.
Certificate and signature label.
Artist inventory numb...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Girls (Till Death do us Part) - 21st Century, Polaroid, Figurative
Located in Morongo Valley, CA
Girls (Till Death do us Part) - 2016
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C- Print, based on the Polaroid.
Certificate and signature label.
Artist inventory numb...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Games we played (Till Death do us Part) - Contemporary, Polaroid, Women
Located in Morongo Valley, CA
The Games we played (Till Death do us Part) - 2005
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid.
Certificate and Signature label.
...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Shotgun Wedding (Haley and the Birds) - Contemporary, Figurative, Polaroid, girl
Located in Morongo Valley, CA
Shotgun Wedding (Haley and the Birds) - 2013
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Invento...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's written in the Moonlight (Till Death Do Us Part) - Contemporary, Polaroid
Located in Morongo Valley, CA
It's written in the Moonlight (Till Death Do Us Part) - 2005
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and Signa...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wind Swept (Wastelands) - diptych - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Wind Swept (Wastelands) - diptych - 2003
20x20cm each,
Edition of 10 plus 2 Artist Proofs.
2 Archival C-Prints, based on the two original Polaroids.
Artist inventory Number 698. ...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Brilliant Shadow (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Brilliant Shadow (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22720.
Signature labe...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Romina's Wedding Day (29 Palms, CA)
Located in Morongo Valley, CA
Romina's Wedding Day (from the 29 Palms, CA Project) - 2009
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Ce...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Metal
Silver Bullet (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Silver Bullet (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23475.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Listening to Your Heart - Polaroid, Contemporary, Men, 21st Century, Color
Located in Morongo Valley, CA
Listening to Your Heart (The Girl behind the White Picket Fence) - 2013 -
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signat...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Little Darlings (Till Death do us Part)
Located in Morongo Valley, CA
Little Darlings (Till Death do us Part) - 2005,
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print print, based on the original Polaroid.
Certificate and Signature l...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
It's Going to Be OK (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
It's Going to Be OK (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 23890.
Signature l...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Jack's (Sidewinder), analog, 100x98cm
Located in Morongo Valley, CA
Jack's (Sidewinder) 2005
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Artist Inventory 3099.
Not mounted.
Stefanie Schneider lives a...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
On the Road (Till Death do us Part) - 21st Century, Polaroid, Figurative
Located in Morongo Valley, CA
On the Road (Till Death do us Part) - 2016
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C- Print, based on the Polaroid.
Certificate and signature label.
Artist invento...
Category
2010s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Lonely Hearts DJ (The Girl behind the White Picket Fence) - Polaroid
Located in Morongo Valley, CA
The Lonely Hearts DJ (The Girl behind the White Picket Fence) - 2016
40x48cm,
Edition of 10 plus Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 17050.
Not mounted.
Offered is a piece from the movie: The Girl behind the White Picket Fence -
A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer .
-filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder)
Stefanie Schneider
By Caroline Ryder
Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat.
Inside the trailer are period accents—a vintage radio, vintage fridge...
Category
Early 2000s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Santa Monica Pier (Stranger than Paradise) - Analog, Polaroid
Located in Morongo Valley, CA
Santa Monica Pier (Stranger than Paradise) - 1997
20x25cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 104.
Sign...
Category
1990s Contemporary Art by Medium: Photographic Paper
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Photographic Paper art for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, pink, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Heidler & Heeps, Richard Heeps, Andy Warhol, and Alen Opsar. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper art, so small editions measuring 0.4 inches across are also available
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