Art by Medium: Screen

Screenprint on wood panel. Hand signed and numbered on front and verso by the artist. Edition 1 of 6. Custom framed as pictured. Artwork is in excellent condition. All reasonable...

Bands Osbourne, Ozzy More info Manufacturer Obey Giant Edition Details Year: 2025 Class: Poster Status: Official Release Run: 221/450 Technique: Screen Print on Fine Art Paper Paper:...

TITLE: Shepard Fairey "Only The Finest Poison" Silkscreen Print Contemporary Street Art YEAR: 2023 CLASSIFICATION: Limited edition MEDIUM TYPE: Print MEDIUM/MATERIALS: Fine Art Cream Speckletone Paper with Gold Metallic Inks. CATEGORIES: Silkscreen / Graffiti and Street Art / Outsider Art / Feminist Art and Contemporary Feminist / Cultural Commentary DIMENSIONS: 24 × 18 in 61 × 45.7 cm EDITIONS: Edition of 240/550 PROVENANCE: Comes with a Certificate of Authenticity provided by New Union Gallery...

Hand signed and numbered by the artist in pencil, Shepard Fairey. Has hand-deckled edges. Obey publishing chop in lower left corner. War By Numbers Manufacturer: Obey Giant Edition...

TECHNICAL INFORMATION Shepard Fairey Castro Collage, from This is you God Series (Large Format) 2003 Screenprint 48 x 36 in. Edition 38 of 72 Pencil signed & numbered Conditio...

Defend Dignity Large Format Edition Signed and Numbered by Shepard Fairey 30" x 41" Print Fine Art Silk Screen Edition 22 of 50 Thick Creme Speckle Tone Paper Hand Deckled Edges Embossed Publishing Chop Published by Obey Copy of the "Inauguration Day" Washington Post Special Featuring Shepard's Images Included with Purchase Designed as part of a HUGE nationwide political campaign for the Inauguration Day of President-Elect Trump. Washington DC has severe restrictions on signs and banners, and these images were printed on every newspaper (i.e. Washington Post) on January 20th, as a message from the American People peacefully projecting their disapproval against Apathy, Ignorance, Sexism, Xenophobia, and Racism. These images will have an iconic place in the History of America, about one of the most divisive times in America's Story, taking its place in textbooks and museums for future generations. There will be many of these images on Inauguration Day, and further, many editions printed for both Active Use and Private Collections, but there will be only 50 of the Large Format Prints...

Bias by Numbers (2017) Shepard Fairey’s Bias by Numbers powerfully visualizes systemic inequities embedded within policing, criminal justice, and media narratives. The print present...

"I made this Prophets of Rage“ New Day Rising print to accompany the release of their self-titled album dropping TOMORROW, for which I created the cover. Prophets of Rage make powerf...

I have been a fan of the Ramones since I got into punk rock in 1984. The Ramones always impressed me with their style, blending a sense of humor with aggression and pop melody. I did...

Fine Art Cream Speckletone Paper with Gold Metallic Inks 24 × 18 in 61 × 45.7 cm Edition 98/275 Red Edition: "These 'Bee Geometric' prints remind us how much our planet depends o...

"These two Collage Peace Mandalas are based on fine art pieces I created for my 'Swan Song' show at Galerie Itinerrance in Paris. Peace has been an important theme in my work for man...

I’ve been an admirer at a distance of @janefonda’s acting and activism for the majority of my life. I had the honor of being included in a Zoom discussion with Jane at the beginning ...

A Limited Edition Fine Art print of the mural Shepard Fairey X Sandra Chevrier created to celebrate the 100th anniversary of the passage of the 19th amendment...

"References the language used by the powerful fuel industry lobby to soften political and public resistance to fracking. Fracking is a form of gas extraction which beyond the carbon ...

TECHNICAL INFORMATION Shepard Fairey Japan Stencil 2000 Screenprint 24 x 18 in. Edition 57 of 140 Pencil signed & numbered Condition: This wo...

Shepard FAIREY (Obey Giant) Flowering Eiffel Tower (A Delicate Balance) Original sceen print Handsigned in pencil blind stamp to lower margin Edition 51 from the edition of 89 On v...

Screenprint on cream Speckletone paper with dimensions of 18 x 24 in. Released in 2018 from an edition of 450. Signed and numbered by Shepard Fairey. Also signed by Chuck D and Janet...

Obey Giant Edition Details: Year: 2018 Class: Art Print Status: Official Released: 12/10/18 Run: 409/450 Technique: Screen Print Paper: Fine Art Cream Speckle Tone With Gold Metallic...

Screenprint on cream Speckletone paper with dimensions of 18 x 24 in. Released in 2019 from an edition of 550. Signed and numbered by Shepard Fairey.

"As I develop the work for my 30th anniversary, I'm revisiting some classic images from throughout my career and exploring alternate compositions. I felt that this reconfiguration of...

'Universal Personhood' by Shepard Fairey, 2013 18 x 24 Inches (45,7 x 61 cm) Screen print on cream, speckle tone fine art paper Limited edition of 450 (#388/450) Hand-signed and dat...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

Edition Details: Year: 2016 Class: Art Print Status: Official Released: 11/15/16 Run: 103/300 Technique: Screen Print Paper: Cream Speckle Tone paper with gold metallic Inks. Size: 18 X 24 Markings: Signed & Numbered in pencil by the artist's Shepard Fairey, ICE-T & Glen Friedman...

Manufacturer: Obey Giant Edition Details: Year: 2025 Class: Fine Art Print Status: Official Run: 80/550 Technique: Screen Print Paper: Cream Speckletone 80# with gold metallic inks. ...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 309/450 Technique: Screen Print Paper: Fine Art Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered by Both ar...

Original photo by Naomi Petersen. "I'd always wanted to make a Kurt Cobain tribute portrait, but I did not want to use one of the many well-known photographs as the reference for my...

"A metaphor for the environmental peril we have created and the struggles future generations will face just to navigate climate-related problems like super storms, drought, famine, p...

"RFK is a hero of mine for his positions on racial equality during the Civil Rights movement. His speech after Martin Luther King, Jr.’s assassination is one of the greatest speeches ever delivered. The opportunity to do this RFK mural at a high school that focuses on art and social justice is great for many reasons, especially because it demonstrates to the kids the power of large-scale artwork." -Shepard Fairey...

Edition Details: Year: 2015 Class: Art Print Run: 188/450 Technique: Letterpress on fine art paper with deckled edges Size: 10 X 13 Markings: Signed & Numbered

Punk rock ignited a lot of creative and philosophical things for me, and punk principles continuously remind me that speaking truth to power and questioning authority is paramount in life. The Dead Kennedys, The Clash, Black Flag, and the Circle Jerks are just a few of the groups that referenced injustices such as police brutality and abuse of power in their songs, inspiring me to speak out about the same subjects through my art. I have made a lot of lasting friendships through punk rock and its cultural offshoots. One of those friends is Sean Bonner, who began ordering my prints in the '90s while he was art director for punk label Victory Records. Sean designed the package for the Bad Brains...

Screenprint on thick cream Speckletone paper with dimensions of 18 x 24 in. Released in 2022 from an edition of 500. Signed and numbered by Shepard Fairey & Nicholas Bowers. Shepard...

Hand-deckled edges. "Aims to promote peace, equality, and humanity. I’d like to see a fundamental assumption that ALL people deserve respect and human dignity. This applies to the u...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

"Fan the Flames is about the unfortunate truth that unchecked capitalism and a livable planet will soon be incompatible. Capitalism is predicated on exp...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 151 out of 300 Technique: Screen Print Paper: 80lb Cream French Speckletone Size: 18 X 24 Markings: Signed & Numbered Publis...

"For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

"Fairly self-explanatory, but I’ll share my thoughts. Our planet Earth is often called 'Mother Earth' for reasons that seem obvious to me. Mothers are often the primary caregivers fo...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Screenprint on thick cream Speckletone paper with dimensions of 18 x 24 in. Released in 2022 from an edition of 600. Signed and numbered by Shepard Fairey, Glen E. Friedman and HR. ...

"This Church of Consumption print deals with themes I've addressed pretty consistently over the years material obsession, patterns around social currency and status signifiers, and c...

Silkscreen on White Cotton Fine Art paper with Silver Metallic Inks 20 × 16 in 50.8 × 40.6 cm Edition of 19/50 3 colors with deckled edges Published by Subliminal Projects. A port...

Original Illustration based on photograph by Karen Bystedt. Signed by Shepard Fairey and Karen Bystedt. "I’ve been a fan of Andy Warhol’s art since high school. At first, his works’...

'Peace Woman Kennwood' by Shepard Fairey, 2008 18 x 24 inches (45,7 x 61 cm) Screen print on cream, speckletone fine art paper. Rare Kenwood Vineyard limited edition of 200 (137 /200...

These Flower Power prints are a symbolic urge for a concerted effort to transition off of fossil fuels and to sustainable energy sources. Life, as we know it on Earth, will depend on...

Signed to lower right Edition 227/450 Published by Obey Giant, Los Angeles "The Drink Crude Oil print uses torn ad posters as a metaphor for the competing f...

Diptych Screen Print Set – Signed & Numbered Limited Edition Golden Future for Some Shepard Fairey Screen print on Cream Speckle Tone fine art paper Metallic gold ink Limited editio...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Shepard Fairey limited edition silkscreen box set created in collaboration with Amplifier! This set includes ten 12"x12" signed and numbered screen prints featuring the Revolutionary Love series made from many of Shepard’s most famous symbols, in a foil embossed box and a certificate of authentication. Numbered 84/250 on the outside of the box. Each of the ten prints are also all matching numbered 84/250. Signed and Numbered by the artist in pencil, Shepard Fairey. Medium: Print Condition: Prints are in great condition and have been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist, Shepard Fairey in pencil. Dated 2021 Certificate of authenticity: Included (issued by authorized authenticating body) Frame: Not included Series: Revolution Publisher: Obey Giant Studio's Los Angeles California. Each print is individually signed and numbered by the Artist, Shepard Fairey in pencil. Each print also features the same number 84 as it's a complete set. Please and thank...

With my ICONS art show happening this weekend, it made sense to celebrate the musical and philosophical icon Joe Strummer, lead singer and lyricist of the Clash who are my all-time f...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

"These two Collage Peace Mandalas are based on fine art pieces I created for my 'Swan Song' show at Galerie Itinerrance in Paris. Peace has been an important theme in my work for man...

Shepard Fairey 11th Hour, 2007 Screenprint on paper24 x 18 in SKU: SF0003bg gallery

This image is based on a photo by Daniel Kramer, who shot Dylan regularly during his rapid mid-60s ascent to stardom and audience projection of Dylan as the voice of a generation… a ...

'Arab Woman Gold' by Shepard Fairey, 2007 18 x 24 inches (45 x 61 cm) Screen Print on Fine Art Paper. Limited edition of 300 (AP) Hand-signed and dat...

Manufacturer: Obey Giant Edition Details: Year: 2014 Class: Art Print Status: Official Released: 08/12/14 Run: 98/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbere...

Manufacturer: Obey Giant Edition Details Year: 2024 Class: Art Print Status: Official Released: 11/15/24 Run: 26/175 Technique: Letterpress on fine cream cotton paper. Size: 11 X 14 ...

My work primarily revolves around concepts of and aspirations for justice. Whether it be environmental justice, racial justice, economic justice, gender equality, etc., the themes in my art often address injustices in a number of areas. Justice is a subjective, and in some ways, an abstract concept, but I think we all know in our conscience when something is wrong, unfair, immoral, or unjust. I witness convoluted logic every day from people attempting to defend (or ironically justify) injustice. These “Cultivate Justice” prints...

Greater than Fear Large Format Edition Signed and Numbered by Shepard Fairey 30" x 41" Print Fine Art Silk Screen Edition 38 of 50 Thick Creme Speckle Tone Paper Hand Deckled Edges Embossed Publishing Chop Copy of the "Inauguration Day" Washington Post Special Featuring Shepard's Images Included with Purchase Designed as part of a HUGE nationwide political campaign for the Inauguration Day of President-Elect Trump. Washington DC has severe restrictions on signs and banners, and these images were printed on every newspaper (i.e. Washington Post) on January 20th, as a message from the American People peacefully projecting their disapproval against Apathy, Ignorance, Sexism, Xenophobia, and Racism. These images will have an iconic place in the History of America, about one of the most divisive times in America's Story, taking its place in textbooks and museums for future generations. There will be many of these images on Inauguration Day, and further, many editions printed for both Active Use and Private Collections, but there will be only 50 of the Large Format Prints...

"I've been a fan of Tom Petty since I first heard 'Refugee' and 'Don't Do Me Like That' on the radio as a nine-year-old kid. I was lucky enough to work with Tom on several projects b...