Art by Medium: Screen

Shepard Fairey 11th Hour, 2007 Screenprint on paper24 x 18 in SKU: SF0003bg gallery

Signed to lower right Edition 101/400 "Gang of Four has been a profound inspiration for me because the band demonstrates that great art can powerfully merge pleasure and intellectu...

Be Reasonable, Shepard Fairey x Jamie Reid. 18 inches by 24 inches on white Speckle Tone paper. Numbered Edition of 222/375. Signed by Shepard Fairey. "The Sex Pistols changed my life. When I was a 14-year-old skateboarder...

TECHNICAL INFORMATION: Shepard Fairey Chinese Soldiers 2006 Screenprint 24 x 18 in. Edition 235 of 300 Pencil signed and numbered Condition: This wo...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

YEAR 2020 CLASSIFICATION Limited edition MEDIUM TYPE Print MEDIUM/MATERIALS Crane's Lettra Ecru 110# Fine Art Paper DIMENSIONS 20 × 16 in 50.8 × 40.6 cm EDITIONS Edition 50 of 380 PROVENANCE Comes with Certificate of Authenticity from the Publishers. ADDITIONAL INFO Four-color letterpress with hand-deckled edges. Aardvark publishing chop in lower left corner. Proceeds went to ACLU Immigrant Rights' Initiative. Came with a COA: -Image size... SIGNATURE Four-color letterpress w/ hand-deckled edges. Aardvark publishing chop in lower left corner. Signed & Numbered by the Artist Shepard Fairey. SERIES Welcome Visitor

Obey Paint it Black 2, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof)apart from the standard editi...

A print by Shepard Fairey. “By Any Means Necessary (Yellow)” is a contemporary, popular culture offset print on paper in black, yellow, and white by American street artist Shepard Fa...

YEAR: 2020 Classification: Limited edition Medium/Materials: Silkscreen on Fine Art paper with Silver Metallics Inks Silkscreen / Graffiti and Street Art / Pop and Contemporary Pop / Cultural Commentary Dimesions: 24 × 18 in 61 × 45.7 cm Edition: Edition 360/550 "It is great when music, art, and politics can be combined! I was honored to create a portrait of Snoop Dogg...

Original photo by Naomi Petersen. "I'd always wanted to make a Kurt Cobain tribute portrait, but I did not want to use one of the many well-known photographs as the reference for my...

Edition Details Year: 2015 Class: Art Print Status: Official Run: 195/200 Technique: Screen Print Paper: Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered Shepard Fairey, the artist behind the iconic Obama Hope poster...

This letterpress set in collaboration with photographer Dennis Morris commemorates the 40th anniversary of Bob Marley’s passing. The series represents the amazing breadth of Marley’s...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Shepard Fairey "Raise the Level" Silkscreen Print Contemporary Art Materials: Screen Print On Fine Art Print Size: 24 × 36 in 61 × 91.4 cm Condition: Print is in pristine condition with four sharp corners and has been stored flat since purchase in Los Angeles. Signature: Hand-signed by artist, Signed and Numbered in Pencil by the Artist, Shepard Fairey. Edition 549/550 Publisher: Obey Giant Studio...

Hello My Name Is. 18 x 24 inches. Screenprint on cream Speckletone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 550. From the Artist - "I have been looking ...

"For Peace Guard 2 I used the motif of the flower in the gun, a peace symbol inspired by war protesters putting flowers in the barrels of the National Guard...

Shepard Fairey Jasper Johns (White), 2009 Silkscreen on wove paper 24 × 18 inches Edition 198/450 Pencil signed and numbered 198/450 on the front Unframed Shepard Fairey created this...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Shepard Fairey
 Rise from the Ashes (Red), 2020
 Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered, on verso
 106.5 x 74 cm
 Editio...

Hand Signed & Numbered by the artist himself Shepard Fairey, in pencil dated 2016. Benefit Silkscreen Print from 2016. YEAR: 2016 CLASSIFICATION: Limited edition MEDIUM TYPE: Fine ...

Screenprint on thick cream Speckletone paper with dimensions of 18 x 24 in. Released in 2022 from an edition of 600. Signed and numbered by Shepard Fairey, Glen E. Friedman and HR. ...

Sold out, limited edition. Dimensions 24 x 36 in from an edition of 600. Released in 2023.

"Based on the Peace Dove, a motif I’ve used in several iterations over the years, because as an icon, the dove is internationally recognized as a symbol of peace, making it ideal as ...

Screenprint in two colours with ash from Iraqi Kurdistan on paper
 Signed by the artist and numbered on verso
 106.5 x 74 cm
 Edition of 89 published by Migrate Art Shepard Fairey ...

Shepard Fairey and Ernesto Yerena Power and Glory Skull Red Gold Black Large Format Edition Signed and Numbered by Shepard Fairey and Ernesto Yerena 30" x 40" Print Fine Art Silk Sc...

Silkscreen Print with Gold Metallic Inks 18 × 24 in 45.7 × 61 cm Edition 93/300 "Refers to the ripped 'One Earth' stamp in the lower right of the print and the fact that we only ha...

"Inspired by Art Deco design and Dark Wave album art. The image has a few avenues for interpretation. I primarily see it as a tribute to idealists who protect the environment, cultiv...

Gears of Justice Screen print on thick cream Speckletone paper Released on February 1, 2024 Signed and dated to lower right Edition 152/550 Published by Obey Giant, Los Angeles 18 x ...

"Inspired by the aesthetics of 'live fast - die young' rock 'n' roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning fossil fuels, b...

"These two Collage Peace Mandalas are based on fine art pieces I created for my 'Swan Song' show at Galerie Itinerrance in Paris. Peace has been an important theme in my work for man...

"This print is a comment on the relationship between corporate greed, fossil fuels, and the warming of the planet and collapsing ecosystems. Standard operating, pushed by players like Standard Oil and its many offshoots, should be redefined as sub-standard. If we want to maintain the standard of health our planet needs to avoid catastrophe, we can't allow big oil to put profits before the planet and profits before people (as well as many other threatened species). Keep in mind that big oil, which is already very profitable, is subsidized by you, the taxpayer, for up to $50 billion per year. In contrast, renewable energy sources are subsidized for only a quarter of that amount. We need to push for change." -Shepard Fairey A portion of proceeds from this print went to Greenpeace USA. Materials: Fine Art Paper with Gold Metallic Inks Size: 24 × 12 in 61 × 30.5 cm Rarity: Limited edition Medium: Print Condition: Print is in pristine condition and has been stored flat since purchase. Signature: Hand-signed by artist, Hand signed and numbered by the artist in pencil, Shepard Fairey. Certificate of authenticity Included (issued by gallery) Publisher: Obey Giant Studio...

Greater than Fear Large Format Edition Signed and Numbered by Shepard Fairey 30" x 41" Print Fine Art Silk Screen Edition 38 of 50 Thick Creme Speckle Tone Paper Hand Deckled Edges Embossed Publishing Chop Copy of the "Inauguration Day" Washington Post Special Featuring Shepard's Images Included with Purchase Designed as part of a HUGE nationwide political campaign for the Inauguration Day of President-Elect Trump. Washington DC has severe restrictions on signs and banners, and these images were printed on every newspaper (i.e. Washington Post) on January 20th, as a message from the American People peacefully projecting their disapproval against Apathy, Ignorance, Sexism, Xenophobia, and Racism. These images will have an iconic place in the History of America, about one of the most divisive times in America's Story, taking its place in textbooks and museums for future generations. There will be many of these images on Inauguration Day, and further, many editions printed for both Active Use and Private Collections, but there will be only 50 of the Large Format Prints...

Joan Jett is one of the most prolific, bad-ass women in music. I was honored when Joan asked me to recreate the cover of her 1981 album "I Love Rock & Roll" for its 33 1/3 Anniversar...

Manufacturer: Obey Giant Edition Details: Status: Official Edition Run: 650 Technique: Screen Print Paper: Fine Art Thick Cream Speckletone with gold metallic inks Size: 18 X 24 Mar...

Manufacturer: Obey Giant Edition Details: Year: 2021 Run: 309/450 Technique: Screen Print Paper: Fine Art Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered by Both ar...

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Fine Art Print Status: Official Released: 01/08/19 Run: 417/450 Technique: Letterpress Paper: Cream Cotton Size: 10 X 13 M...

"These two Collage Peace Mandalas are based on fine art pieces I created for my 'Swan Song' show at Galerie Itinerrance in Paris. Peace has been an important theme in my work for man...

DIMENSIONS 24 × 18 in 61 × 45.7 cm Edition 133 of 250 He gets to know the universe of graphic design very early, at age 14, when he draws images to be printed on t-shirts and skate...

Fairey's 25-year career started in 1989 with his sticker campaign. In addition to his guerrilla street-art presence, the artist has executed more than 50 large-scale painted public murals around the world as of 2015. His works are in the permanent collections of the Museum of Modern Art (MoMA), the Victoria and Albert Museum, the Smithsonian's National Portrait Gallery, the Boston Institute of Contemporary Art, the San Francisco Museum of Modern Art, and many others. Last September, Fairey opened his first painting show in New York since 2010 at the Jacob Lewis Gallery. The exhibition, entitled "On Our Hands," was the gallery's inaugural exhibition of the artist's work as his representing gallery in New York. The show coincided with the artist's most recent monograph release, Covert to Overt (Rizzoli). Debuting this summer, American Civics is the first-ever collaboration between Fairey and the estate of legendary photographer Jim Marshall. Fairey interprets Marshall's iconic photography...

I started my sticker campaign in 1989 and I continue to value the power of a small but mighty source of disruption and expression. When I was younger and had few resources my strateg...

Original Illustration based on photograph by Kevin Cummins. Signed by Shepard Fairey and Kevin Cummins. A portion of the proceeds went to CALM (Campaign Against Living Miserably). "...

Defend Dignity Large Format Edition Signed and Numbered by Shepard Fairey 30" x 41" Print Fine Art Silk Screen Edition 22 of 50 Thick Creme Speckle Tone Paper Hand Deckled Edges Embossed Publishing Chop Published by Obey Copy of the "Inauguration Day" Washington Post Special Featuring Shepard's Images Included with Purchase Designed as part of a HUGE nationwide political campaign for the Inauguration Day of President-Elect Trump. Washington DC has severe restrictions on signs and banners, and these images were printed on every newspaper (i.e. Washington Post) on January 20th, as a message from the American People peacefully projecting their disapproval against Apathy, Ignorance, Sexism, Xenophobia, and Racism. These images will have an iconic place in the History of America, about one of the most divisive times in America's Story, taking its place in textbooks and museums for future generations. There will be many of these images on Inauguration Day, and further, many editions printed for both Active Use and Private Collections, but there will be only 50 of the Large Format Prints...

"I made this art because I'm incredibly inspired by Father Greg Boyle who's spirit and dedication have helped to build an ecosystem that gives opportunities to people who frequently find doors closed elsewhere. Homeboy provides a second chance to people who never had a first chance. In this painting, I wanted to convey Father Greg's vision, as well as the love, trust, and camaraderie that exemplify the culture of Homeboy. The pride people feel at Homeboy is palpable and the art I created is meant to illustrate the power of support, healing, and redemption. When I showed the art to Father Greg, he seemed genuinely moved, but he seemed far more excited to call Cesar, the homeboy he is embracing in the image, into the room to share the art with him. Cesar's reaction to the art was enthusiastic his eyes lit up, and he said: "wow, that looks like it was done by the guy who did the Obama poster...

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest...

Manufacturer Obey Giant Edition Details Year: 2020 Class: Art Print Status: Official Released: 09/22/20 Run: 124/500 Technique: Screen Print Paper: Fine Art Cream Specketone Size: 1...

I’ve enjoyed bringing some of the spray paint textures from my fine art into my screen prints. I like the subtle color shifts and ethereal gradients that can be achieved with spray p...

Obey & Ganas Day of the Dead Calavera Set. 11 x 14 inches. Letterpress print by Aardvark Letterpress. Obey version Signed by Ernesto Yerena and Shepard Fairey. Ganas version signed b...

Edition Details Year: 2020 Class: Art Print Status: Official Run: 67/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbered

Obey Paint it Black 3, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof) apart from the standard edit...

Manufacturer Obey Giant Edition Details Year: 2021 Class: Art Print Status: Official Released: 03/30/21 Run: 387/400 Technique: Screen Print Paper: Cream Specketone Size: 18 X 18 Ma...

Capital Gain - Shepard Fairey Obey Contemporary Print. 18 x 24 inch screen print on French Paper 80# Cream Cordtone. Signed and numbered edition of 450. The U.S. government gives approximately $70 billion in tax breaks and subsidies to the highly profitable oil and gas...

Cut It Up – Do It Yourself (Blue). 18 x 24 inches. Silkscreen on true white Speckle Tone paper. Signed by Shepard Fairey. Numbered edition of 122/500. Released exclusively at Beyond ...

Signed by both Shepard Fairey and Arlene Mejorado. A portion of the proceeds benefited Black Lives Matter and the Immigrant Bail Fund. Photograph by Arlene Mejorado "I had a great experience collaborating with photographer Arlene Mejorado on the Defend Dignity...

TITLE: Shepard Fairey “Unyielding” Aluminum Signed Print Beyond The Streets Obey Giant With C.O.A. YEAR: 2020 CLASSIFICATION: Limited edition 322/350 MEDIUM TYPE: Mixed Media with Screen Printing and wall Mount MEDIUM/MATERIALS: Aluminum Metal Street Sign...

Hand signed by Fairey on bottom right of print and numbered 56/100 on bottom left. Released in Jan 2022. Screenprint printed in colors on heavy Cream Speckle Tone Paper.

Ice-T OG Red. 18 by 24 inches. Screen Print. Signed by Shepard Fairey, Glen E. Friedman, and Ice-T. Edition of 258/300. Shepard Fairey is a major influence...

Hand signed by Fairey on bottom right of print and numbered 56/400 on bottom left. Released in Jan 2022. Screenprint printed in colors on heavy Cream Speckle Tone Paper.

TECHNICAL INFORMATION Shepard Fairey Castro Collage, from This is you God Series (Large Format) 2003 Screenprint 48 x 36 in. Edition 38 of 72 Pencil signed & numbered Conditio...

Edition 397/450 Signed to lower right This is another in my series of images to encourage people to rethink fossil fuel consumption. This one is a bit of a tribute to the Ramones an...