Art by Medium: Screen

This original serigraph poster was designed for an in-store advertising campaign and printed in 1982. It is part of an unnumbered edition featuring collage-style images intended for ...

"Untitled" serigraph of Native Americans and horse with attached color photo by artist Jean Le Gac from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise m...

Montreux Jazz Festival is a vintage poster realized after Keith Haring in 1986. Mixed colored silkscreen print. The artwork was realized in the occasion of the Montreux Jazz Festiv...

Medium: silkscreen. Printed in 1984 for "Ficciones" and published by The Limited Editions Club in an edition of 1500. Size: 8 x 7 3/4 inches (203 x 198 mm). Not signed.

Max Epstein, Canadian (1932 - 2002) - Fishing Hole, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 19 x 28 inches, Size: 23 in. x 35 i...

Max Epstein, Canadian (1932 - 2002) - Growing Tall, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 28 x 18.5 inches, Size: 35 in. x 23...

Screenprint in colors on Wove Paper. Reference Littmann, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, Cantz, Stuttgart, 1997, p.97. Hand num...

Keith Haring Memorial 1990 (Keith Haring Baby, Keith Haring Barking Dog: Original screen-printed folding invitation with double-sided artwork publish...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Unique acrylic painting and silkscreen on canvas. Hand signed and dated by Andy Warhol on verso. Martin Lawrence provenance label on verso. Canvas size 20 x 20 inches. The artwor...

Artist: Mark Kostabi (1960) Title: Merger Year: 1988 Edition: 50, plus proofs. Medium: Silkscreen on Arches paper Size: 39 x 27.5 inches Condition: Excellent Inscription: Signed and ...

Nancy Graves 5745, for the Jewish Museum, 1984 Silkscreen on paper Signed, numbered 5/90 and dated in graphite pencil on the front; bears publishers' blind stamp front left corner 30 1/4 × 40 1/2 inches Unframed Commissioned by the Mr. and Mrs. Albert A. List Graphic Fund for The Jewish Museum, New York Signed, numbered and dated in graphite pencil on the front; bears publishers' blind stamp front left corner. Commissioned by the Mr. and Mrs. Albert A. List New Year's Graphic Fund for The Jewish Museum, New York. During the 1980s, various artists were commissioned to create a print celebrating the Jewish New Year. This is the silkscreen renowned sculptor Nancy Graves created to celebrate the year 5745 of the Jewish Calendar, beginning in September 1984 (Rosh Hashanah). This work was published in a limited edition of 90. The number 90 has special significance in Jewish gamatria (numerology) for several reasons, including the fact that it equals five times life - or Chai. The number for Chai, meaning "Life " s 18, and 18 x 5 = 90. This is a magical number in Judaism. All of the works were published in editions that were multiples of 18, or the Life. In her lifetime, Nancy Graves did not receive the renown or acknowledgement that her ex-husband and former Yale School of Art classmate Richard Serra did, but she is finally getting the recognition she richly deserves. Biography: Nancy Graves (1939 – 1995) is an American artist of international renown. A prolific cross-disciplinary artist, Graves developed a sustained body of sculptures, paintings, drawings, watercolors, and prints. She also produced five avant-garde films and created innovative set designs. Born in Pittsfield Massachusetts, Graves graduated from Vassar College in 1961. She then earned an MFA in painting at Yale University in 1964, where her classmates included Robert Mangold, Rackstraw Downes, Brice Marden, Chuck Close, as well as Richard Serra with whom she was married from 1964 to 1970. Five years after graduating, her career was launched in 1969 when she was the youngest artist — and only the fifth woman — to be selected for a solo presentation at the Whitney Museum of Art. Graves’ work was subsequently featured in hundreds of museum and gallery exhibitions worldwide, including several solo museum exhibitions. She was awarded commissions for large-scale site-specific sculptures and her work is in the permanent collections of major art museums. A frequent lecturer and guest artist, her work was widely documented during her lifetime. In 1991 she married veterinarian Dr. Avery Smith. Graves travelled extensively and was fully engaged with the cultural and intellectual issues of her times. Her brilliant career and life were cut short by her untimely death from cancer at age 54. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps, commingling scientific exactitude with abstraction. Resuming sculpture in the late 1970s, Graves was among the first contemporary artists to experiment with bronze casting. She re-invigorated the traditional lost wax technique by assembling cast found objects into unique improbably balanced sculptures, with bright polychrome surfaces and distinctive patinas. Throughout the 1980s Graves became widely recognized for her increasingly large and graceful open-form sculpture commissions. At the same time, she also expanded her drawing, painting, and printmaking practice and made large gestural watercolors. Then, in the late 1980s she created wall-mounted works that combined her explorations of sculpture, painting, form and color. In these large-scale pieces, she mounted high relief polychrome sculptural elements to the surfaces and edges of painted shaped canvases so that patterned shadows were cast onto the paintings and surrounding wall. By the 1990s Graves was casting in glass, resin, paper, aluminum, and bronze, combining these varied materials and colors into daring sculptures with moving parts. As she proceeded in all the media she mastered, Graves increasingly re interpreted and transmuted forms sourced from her own earlier artwork — rather than from outside research — creating elaborate compositions that form a layered a-temporal archaeology of her own visual production. Nancy Graves’ pioneering art...

Patrick Nagel's Commemorative Poster Series is a collection of fifteen iconic posters, numbered NC01 to NC15, created over a span of four years. These works perfectly capture the sle...

Giancarlo Impiglia, Italian/American (1940 - ) - The Big Band, Year: 1987, Medium: Screenprint, signed and numbered in pencil, Edition: 57/300, Size: 31 ...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 25 x 18 inches. Sheet size 29.5 x 22 inches. Custom framed as pictured. Edition of 300. Artwork is...

Screenprint in colors on Lenox Museum Board. Hand signed, dated and numbered by Keith Haring. Image size 38.75 x 28.5 inches. Edition 21/100 (there were also 15 artist's proofs). P...

Bound volume with complete text and 8 color screenprints. One of 1500 numbered copies. Signed by John Hersey, Robert Penn Warren and Lawrence and numbered ...

Pop Shop VI, set of 4 screen prints in colors on wove paper. Each hand signed and dated on verso by the executor, Julia Gruen. Each hand numbered 146/200 on verso (there are also 2...

Artist: LeRoy Neiman, American (1921 - 2012) Title: Polar Bears Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 214/300 Image Size: ...

Artist: Victor Vasarely (1908-1997) Title: Vertigo Year: 1982 Medium: Silkscreen on Arches paper Edition: 88/325, plus proofs Size: 26.75 x 22.75 inches Condition: Good Inscription: ...

Lillian Shao, Taiwanese/American - Violet Temple, Year: 1986, Medium: Screenprint, signed and numbered in pencil, Size: 27.5 x 30.25 in. (69.85 x 76.84 cm), Frame Size: 32.25 x 4...

If Series: Flower Garden Peter Max, German/American (1937) Date: 1981 Screenprint, signed and dedicated in pencil Edition: A/P Size: 10 in. x 14 in. (25.4 cm x 35.56 cm) Frame Size: ...

Richard Anuszkiewicz Annual Edition, 1987-1988 Limited edition silkscreen on masonite Signed and dated by the artist lower right in pencil Frame Included (floated within a box frame)...

Artist: Larry Zox Medium: Serigraph Title: Niagara Series I Year: 1980 Edition: 75/175 Sheet Size: 26" x 35" Signed: Hand signed in pencil

Hand signed and numbered by the artist. Artwork image size 22 x 27 inches. Custom framed as pictured. Edition of 300. Artwork is in excellent condition. Certificate of Authentici...

Still Life with Sugars Ralph Goings American (1928–2016) Date: 1981 Screenprint, signed and numbered in pencil Edition of AP 34/40 Image Size: 19 x 20 inches Size: 22 in. x 23 in. ...

'Nagel Commemorative Eleven' (NC 11), 1987 Serigraph on 100% cotton archival grade heavyweight rag paper Published by Mirage Editions, a limited run edition, signed in plate Printed ...

A superb impression of this color screenprint on white wove paper. Signed and numbered XC/CCC in pencil by Soulages. Published by the Olympic Games Committee, Lausanne. From the "Off...

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Me...

Artist: Yaacov Agam Title: Untitled Portfolio: Vertical Orchestration Medium: Silkscreen Year: 1980s Edition: 23/54 Sheet Size: 29 5/8" x 8 3/4"...

Andy Mouse is a significant work by Keith Haring, created in 1986 as both a homage to Andy Warhol and a bold commentary on consumer culture. Blending Warhol’s iconic image with Micke...

SEVENTH TORII is an original, hand drawn(not a photo reproduction or digital print), limited edition lithograph with gold silkscreen printed using hand lithography and serigraphy tec...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Artist: Victor Vasarely (1908-1997) Title: Vega Blue Year: Circa 1982 Medium: Silkscreen on Arches paper Edition: 190/300, plus proofs Size: 30 x 22 inches Condition: Good Inscriptio...

Joseph Grippi, American (1924 -2001) - White Cloud, Year: 1984, Medium: Screenprint Monoprint, signed and numbered in pencil, Edition: 4/40, Size: 24 x 28.5 in. (60.96 x 72.39 cm)

Landscape is a mixed colored screen print realized by the Sicilian artist Renato Guttuso. Sheet dimension: 50 x 69 cm. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Ro...

The history between "Art Attack on AIDS" and Keith Haring is rooted in Haring's deep commitment to raising awareness about HIV/AIDS and using art as...

Figures  is a lithograph artwork by the British artist  Henry Moore (Castleford, 1898 - Much Hadham, 1986). Hand-signed on the lower right. Numbered, edition of 50 prints. Origina...

Artist: Larry Zox, American (1937 - 2006) Title: Moro II Year: 1981 Medium: Screenprint, Signed and numbered in Pencil Edition: 185 Size: 42.5 x 30 inches

Hudson - Animar Valley Bill Sullivan, American (1942) Lithograph, signed and numbered in pencil Edition of 200 Size: 38 x 50 in. (96.52 x 127 cm)

Judy Chicago Driving the World to Destruction, 1988 Silkscreen on wove paper Pencil signed, titled, dated and numbered 35/50 on the front Included with this work is an elegant hand ...

Victor Vasarely (1906-1997) - OB-Bleu Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 28 x 22.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

From the "ADS" portfolio. Screen print on lenox museum board Hand signed and numbered by the artist. Edition PP 5/5 (There is a main edition of Edition of 190, 30 AP, 5 PP, 5 EP, 1...

Inspired by Cubism and Futurism, Giancarlo Impiglia’s print of a black tie affair is also reminiscent of Art Deco. With the sharp lines, lean physiques, and minimalistic approach to ...

Kay Ameche, American (1904 - 2005) - Walden Pond in Winter, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 40, Image Size: 17 x 21 inches, Size:...

In this photorealistic print, Ralph Goings focuses on the classic American diner with his depiction of a lone waitress behind the counter. With h...

Twin Sisters Erté, Russian (1892–1990) Date: 1982 Screenprint, signed and numbered in pencil Edition of 350, AP Size: 36 x 48 in. (91.44 x 121.92 cm)

Stunning large screenprint by Tom Wesselmann, titled "Woman with Green Blouse" from 1988, measures an impressive 61 x 75 inches. Published by International Images Inc., Putney, Vermo...

Art Deco 1925 1980 Silkscreen Paper size 33½" × 21"inches Signed in pencil and marked 234/300 Michael Knigin was born in 1942 in Brooklyn, NY. He attended and graduated from Tyler S...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Artist: Mark Sabin Title: Noah's Ark - 1980 Medium: Screenprint on Somerset Paper 34'' x 26'' Edition: Signed in pencil, titled, dated and marked 203/250 image size : 31" x 23.25" inches Mark Sabin is a fantasy painter, blending elements in a juxtaposition that surprises the audience. Sabin is quoted describing his work as "unconscious dictation." Sabin’s paintings are in various collections including the Museum of American Folk Art in New York City. His works have appeared on magazine covers, record jackets, and brochures. The artist is a graduate of the University of Michigan and Columbia University School of Law. He attended New York University...

Screen print on aluminium Sheet. Hand signed. One of the 20 Artist’s Proof, numbered and hand signed. The Italian artist Michelangelo Pistoletto, one of the most important exponent...

Artist: Keith Haring Title: Silence = Death Size: 39 x 39 in. (99.1 x 99.1 cm) Medium: Color Screenprint on Wove Paper Edition: HC 15 of 25 Year: 1989 Notes: Image Size: 33 x 33 in...

Buy now with ShopPay Buy with More payment options Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Ed...

THE INVITATION is an original limited edition color silkscreen/serigraph created by the Belgian born artist Jessica Rice (1941-2016). THE INVITATION is a modern abstract figurative composition featuring a couple portrait...

Artist: Warhol, Andy Title: Mao (Wallpaper) Date: 1974 Medium: Screenprint on wallpaper Unframed Dimensions: 40.125" x 29.5" Framed Dimensions: 45.25" x 34.5" Signature: Unsig...

Marion McClanahan, American (1921 - 1993) - Ladder Girl, Year: circa 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 300, Image Size: 37 x 28 inches, Size: 46...

Lorna Patrick, American - Geraniums, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 295, Image Size: 24 x 26 inches, Size: 32 x 42 in. (81.28 x 106.6...