Art by Medium: Wood Panel
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Style: Abstract
Medium: Wood Panel
Swaying notes
Located in Montreal, Quebec
In Christine’s work, precise grid systems give both order and fluidity. Evoking a vast plane of vision and possibility, the field of horizontal and vertical lines are a foundation fo...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Abstract ropes
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Episode
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Mismatch
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Black and White Discs on Green
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Infiltration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Stick Excursion
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Insomnia
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Celebration
By Judith Berry
Located in Montreal, Quebec
I think of my paintings primarily as landscapes. Recently, these landscapes appear to be more manufactured than organic. At first glance the subjects seem to be monumental forms such...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
All, Always, Forever, Never and Only
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant
A recent online story in the German news outlet Deustche Welle post...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Star Gazing Through the Wrong End of the Telescope
By Adam Gunn
Located in Montreal, Quebec
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” – Immanuel Kant
A recent online story in the German news outlet Deustche Welle post...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
The Twisted Tongue Tied Truth
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle
Text by Cameron Skene
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant
A recent online story i...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Kicking Things Up
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle
Text by Cameron Skene
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant
A recent online story i...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
One Damn Thing After Another
By Adam Gunn
Located in Montreal, Quebec
Messages in a Bottle
Text by Cameron Skene
“Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.” - Immanuel Kant
A recent online story i...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
It’s So Quiet You Can Hear Them Breathing
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Beyond Recall
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Our Own Faults, Our Own Failures
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Where These Ways Crossed One Another
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Where These Ways Crossed One Another
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper, a rusted stove—is juxtaposed with the soft glow of a yellow circle. This continues Houston’s ongoing use of colour to question the particulars of perception.
Heritage of All, White with Greed and Iron, and The Spaces we Breath, Houston’s titles read like lines of a haiku. Composed as prose, they are also confrontational, mapping out the cultural and environmental impacts of the extraction of resources in the Arctic. We witness scenes of violent decay, and yet simply carry on, like Business As Usual. In What Nations Come and Go a pale purple oval nearly fills the frame, revealing only in the very far right a simple cabin in front of a rocky incline. A similar imposing cloud of colour, this time blue, dominates the landscape in Mapped, Claimed, and Evaluated.
The north is just as much an idea as it is a place, and is one that looms large in the Canadian imagination. There are few better examples than Glenn Gould...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Break
Located in Montreal, Quebec
Jessica Houston’s most recent works look north. What is north? Where is it? Is it a fixed place, or something else?
Her second solo show at Art Mûr brings together paintings, a sound sculpture, and chine collé prints, all of which reveal a fragile, fluid, and often fractured, north.
An iron ore stone becomes a speaker, playing recordings of interviews and singing, and expanding the physical presence of the stone. The exaggerated textures of the paintings give them, too, a sculptural and documentary feel. They record how actions—breaking and piercing, pushing and pulling—disrupt and transform the paintings’ surfaces. By resembling patterns one finds in the wild—scratches across the surface of a rock, uneven waves that form on melting snow—they unhinge any clear distinction between what is natural and what is made.
Made with a printmaking technique that binds together distinct papers, the chine collé prints begin with photographs Houston took of Baffin Island. She then combines the images with coloured paper, creating traces of the process of extracting and replacing parts of a scene, and an equal awareness of both what is present and absent.
Some are composed of double circles, like looking through binoculars. In Business As Usual, a decaying interior—peeling wallpaper...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
Deep Down
By Adam Gunn
Located in Montreal, Quebec
My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel
$1,200
Cosmic - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Wood Panel
Materials
Concrete
Iniciar - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Wood Panel
Materials
Concrete
Temprança - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Wood Panel
Materials
Concrete
Raons - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Wood Panel
Materials
Concrete
Mediacions - 21st Century, Abstract Art, Cement on Wood, Earth Tones
Located in Barcelona, Catalonia
"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Wood Panel
Materials
Concrete
Untitled (4 Petals) : Encaustic work of art
Located in New York, NY
Encaustic work of art by an acclaimed Maine artist Sara Crisp.
Sara Crisp draws inspiration from the delicate balance between the natural and the human-made worlds. Through masterf...
Category
Early 2000s Abstract Art by Medium: Wood Panel
Materials
Mixed Media, Encaustic, Wood Panel, Mica
Untitled
Located in Fairfield, CT
Miesmer began painting in the open air during the summers in Nantucket. Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...
Category
21st Century and Contemporary Abstract Expressionist Art by Medium: Wood Panel
Materials
Acrylic, Wood Panel
Woman on Water
Located in Fairfield, CT
Miesmer began painting in the open air during the summers in Nantucket. Using a pad of Arches paper as an easel and working out of the back of his pickup truck, the quietude and pea...
Category
21st Century and Contemporary Abstract Art by Medium: Wood Panel
Materials
Acrylic, Wood Panel
"Yellow Moon"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Canvas, Resin, Wood Panel, Pigment
Price Upon Request
"Universal Gravitation"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Canvas, Resin, Acrylic, Wood Panel, Pigment
Price Upon Request
"Universal Gravitation II"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Canvas, Resin, Acrylic, Wood Panel, Pigment
Price Upon Request
"Pink Endless"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Canvas, Resin, Acrylic, Wood Panel, Pigment
Price Upon Request
"Blue Endless"
By Quim Bové
Located in Scottsdale, AZ
Quim Bové is a Catalan artist known for his symbolic, abstract paintings executed through his dynamic brush strokes that are reflected across his collections. Much of Quim’s early in...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Canvas, Resin, Acrylic, Wood Panel, Pigment
Price Upon Request
Untitled #1473 - Abstract Oil Painting, Gestural Abstraction, Contemporary Art
By Dick Wray
Located in Houston, TX
This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...
Category
Early 2000s Abstract Expressionist Art by Medium: Wood Panel
Materials
Canvas, Oil, Wood Panel
Subconscious N0796.17
Located in New York, NY
A black and white painting by ink ad Acrylic on wood panel
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and oil ...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel, Ink, Sumi Ink, Acrylic
Price Upon Request
Subconscious N0507.16
Located in New York, NY
A painting on wood panel, 96x72".
Known for his erratic and expressive abstract works, Daniel Diaz-Tai uses various mixed media including sumi ink and...
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Oil, Wood Panel, Ink, Sumi Ink
Price Upon Request
Connections IV
By Kati Vilim
Located in Jersey City, NJ
"Connections IV," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. ...
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Price Upon Request
Connections I
By Kati Vilim
Located in Jersey City, NJ
"Connections I," by Kati Vilim is a blue and yellow - green scale abstract geometric, non-objective, Venetian plaster and acrylic painting on wood panel. K...
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Wood Panel, Plaster, Acrylic
Price Upon Request
Uniformly Coordinated Tectonic Preferences IV
By Kati Vilim
Located in Jersey City, NJ
"Uniformly Coordinated Tectonic Preferences IV," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Canvas, Oil, Wood Panel
Price Upon Request
Uniformly Coordinated Tectonic Preferences II
By Kati Vilim
Located in Jersey City, NJ
"Uniformly Coordinated Tectonic Preferences II," by Kati Vilim is a blue and magenta scale abstract geometric, non-objective, oil painting on canvas over wo...
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Canvas, Oil, Wood Panel
Price Upon Request
Abstract Composition from Waves and Rococo Series
Located in Saint Louis, MO
Jerald Ieans
Abstract Composition from Waves and Rococo Series, 2009
Oil on canvas mounted to panel
37 x 82 inches (94 x 208.3 cm)
Category
21st Century and Contemporary Abstract Art by Medium: Wood Panel
Materials
Canvas, Oil, Wood Panel
Price Upon Request
So Real, abstract geometric red & white large scale painting, oil on canvas 2013
By Kati Vilim
Located in Jersey City, NJ
So Real, 2013, is a large scale oil painting with a bold saturated palette by abstract geometric artist, Kati Vilim. This abstraction is an optical illusio...
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Canvas, Oil, Wood Panel
Rosebud, 2013, abstract geometric, large scale canvas painting, oil, red, white
By Kati Vilim
Located in Jersey City, NJ
Rosebud, 2013, is a large scale oil painting by abstract geometric artist, Kati Vilim. This abstraction is an optical illusion, with cascading cubical forms in a series of red hues ...
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Canvas, Oil, Wood Panel
Balancing III, 2019, Abstract geometry, non-objective, plaster, black, white
By Kati Vilim
Located in Jersey City, NJ
Balancing III, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Balancing II, 2019, Abstract geometry, non-objective, plaster, black, white gray
By Kati Vilim
Located in Jersey City, NJ
Balancing II, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Balancing IV, 2019, Abstract geometry, non-objective, plaster, black, white gray
By Kati Vilim
Located in Jersey City, NJ
Balancing IV, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Balancing I, 2019, Abstract geometry, non-objective, plaster, black, white gray
By Kati Vilim
Located in Jersey City, NJ
Balancing I, 2019, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, black and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Options IX, 2020, Abstract geometry, non-objective, plaster, gray, green, white
By Kati Vilim
Located in Jersey City, NJ
Options IX, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, green and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Options VIII, 2020, Abstract geometry, non-objective, plaster, gray, blue, white
By Kati Vilim
Located in Jersey City, NJ
Options VIII, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Options VI, 2020, Abstract geometry, non-objective, plaster, gray, blue, white
By Kati Vilim
Located in Jersey City, NJ
Options VI, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Options IV, 2020, Abstract geometry, non-objective, plaster, gray
By Kati Vilim
Located in Jersey City, NJ
Options IV, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, pink and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Options V, 2020, Abstract geometry, non-objective, plaster, gray
By Kati Vilim
Located in Jersey City, NJ
Options V, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, pink and white.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Habitat Fragmentation I, 2020, Abstract geometry, non-objective, plaster, gray
By Kati Vilim
Located in Jersey City, NJ
Habitat Fragmentation I, 2020, Abstract geometry, non-objective, Italian plaster and acrylic on panel. Gray, blue and green.
Category
2010s Abstract Geometric Art by Medium: Wood Panel
Materials
Plaster, Acrylic, Wood Panel
Pisces
By Sandi Neiman
Located in Austin, TX
SANDI NEIMAN (b. 1959)
Title: Pisces
Medium: Mixed Media; Cold Wax and Oil Pigments on canvas
Measurements: 12 x 12 in
Category
21st Century and Contemporary Abstract Art by Medium: Wood Panel
Materials
Wood Panel, Wax
Price Upon Request
A FEW WERE QUITE LOUD
Located in New York, NY
abstract watercolor painting of intertwined tubular forms on a wood panel, varnished.
Category
2010s Abstract Art by Medium: Wood Panel
Materials
Gesso, Varnish, Watercolor, Wood Panel
Price Upon Request
Vectorscape I
Located in New York, NY
Vectorscape I, 2015
oil, oil enamel and acrylic enamel on wood panels
10 x 20 feet (in 12 parts)
Rafael Vargas-Suarez (born 1972), more commonly known as Vargas-Suarez Universal, is a contemporary artist living and working in Brooklyn, New York. Born in Mexico City, Vargas-Suarez was raised in the Houston suburb of Clear Lake City, adjacent to the Johnson Space Center. From 1991 to 1996 he studied astronomy and art history at the University of Texas at Austin[citation needed] and moved to New York City in 1997. He is primarily known for large-scale wall drawings, paintings, drawings, and photographs that draw inspiration from architecture, astronomy, biology, and medicine. His work has been or is currently featured in numerous exhibits, such as the Hudson River Museum in Yonkers, New York, the Jersey City Museum in Jersey City, New Jersey, the Thomas Erben Gallery in New York City, the Galeria Ramis...
Category
21st Century and Contemporary Abstract Geometric Art by Medium: Wood Panel
Materials
Enamel
Price Upon Request
Wood Panel art for sale on 1stDibs.
Find a wide variety of authentic Wood Panel art available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add art created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Melisa Taylor Metzger, Hunt Slonem, Ricky Hunt, and Aimée Farnet Siegel. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Wood Panel art, so small editions measuring 0.01 inches across are also available