
Sabat - Limoges Porcelain Blue and Gold
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(after) Salvador DaliSabat - Limoges Porcelain Blue and Gold1968
1968
About the Item
- Creator:(after) Salvador Dali (1904 - 1989, Spanish)
- Creation Year:1968
- Dimensions:Height: 0.79 in (2 cm)Width: 10.24 in (26 cm)Depth: 10.24 in (26 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Collonge Bellerive, Geneve, CH
- Reference Number:1stDibs: LU16122565491
(after) Salvador Dali
Salvador Dali (1904 – 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship and the striking and bizarre images in his work. Born in Figueres, Catalonia, Dali received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age, he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, The Persistence of Memory, was completed in August 1931, and is one of the most famous Surrealist paintings. Dali lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism and recent scientific developments. Dali's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. Some trends in Dali's work that would continue throughout his life were already evident in the 1920s. Dali was influenced by many styles of art, ranging from the most academically classic, to the most cutting-edge avant-garde. His classical influences included Raphael, Bronzino, Francisco de Zurbaran, Vermeer and Velazquez. Exhibitions of his works attracted much attention and a mixture of praise and puzzled debate from critic
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By (after) Salvador Dali
Located in Collonge Bellerive, Geneve, CH
Limoges porcelain in "Bleu de Sèvres" and gold.
Artist: Salvador Dali
Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968.
"Silhouette de Faust" drawn by...
Category
1960s Modern Mixed Media
Materials
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Faust - Limoges Porcelain Blue and Gold
By (after) Salvador Dali
Located in Collonge Bellerive, Geneve, CH
Limoges porcelain in "Bleu de Sèvres" and gold.
Artist: Salvador Dali
Exclusive limited edition to 2000 copies "Raynaud & Co. Limoges", France, 1968.
"Faust" drawn by Salvador Dalí. Print signed.
Plate Signed in the back of the plate
Dimensions: Diameter: 26 cm
Edited by Salins Earthenware
Sold in its original box
The company "Raynaud-Limoges" specialized in the production of porcelain products in small runs, among the company's customers - crowned people and representatives of the old aristocratic families of Europe.
Dali - the Prodigy Child without an Exam.
Salvador Dali was born as the son of a prestigious notary in the small town of Figueras in Northern Spain. His talent as an artist showed at an early age and Salvador Felipe Jacinto Dali received his first drawing lessons when he was ten years old. His art teachers were a then well known Spanish impressionist painter, Ramon Pichot and later an art professor at the Municipal Drawing School. In 1923 his father bought his son his first printing press.
Dali began to study art at the Royal Academy of Art in Madrid. He was expelled twice and never took the final examinations. His opinion was that he was more qualified than those who should have examined him.
In 1928 Dali went to Paris where he met the Spanish painters Pablo Picasso and Joan Miro. He established himself as the principal figure of a group of surrealist artists grouped around Andre Breton, who was something like the theoretical "schoolmaster" of surrealism. Years later Breton turned away from Dali accusing him of support of fascism, excessive self-presentation and financial greediness.
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