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Ahn Hyun-JuS102204 by Ahn Hyun-Ju - Abstract painting, minimalism, bright colors, stripes2022
2022
$708.63
£533.49
€600
CA$976.19
A$1,093.27
CHF 570.45
MX$13,353.83
NOK 7,257.79
SEK 6,841.34
DKK 4,567.28
About the Item
S102204 is an artwork by contemporary Korean artist Ahn Hyun-Ju, from the series Unfolding Lines.
Ahn Hyun-Ju’s work bears the mark of her training in both painting and sculpture. Experimentation is at the very heart of her approach and is a part of every aspect of her work: supports, shapes, materials, color association… Her abstract paintings, influenced by 1960s and 1970s American minimalism, refute any metaphorical language and all narrative intentions. They are a part of a pure aesthetic quest that the artist qualifies as follows: “What I am trying to do is translate my aesthetic ideas into a pictorial language.”
Ahn Hyun-Ju’s work has been regularly exhibited in Europe since the early 2000s, especially in Germany and France. The artist has been featured five times in the collective exhibition “Die Grosse” at the Kunstpalast Museum in Düsseldorf and in the collective exhibition “Colore non solo”, presented at the 51st Venice Biennale in 2005 and at the Kunsthistorisches Museum in Vienna in 2006.
- Creator:Ahn Hyun-Ju (1969, German)
- Creation Year:2022
- Dimensions:Height: 11.82 in (30 cm)Width: 11.82 in (30 cm)Depth: 1.07 in (2.7 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116507932
Ahn Hyun-Ju
Born in Seoul, Ahn Hyun-Ju has lived and worked in Germany for over twenty years. Her work bears the mark of her training in both painting and sculpture. Her abstract paintings, influenced by 1960s and 1970s American minimalism, refute any metaphorical language and all narrative intentions. Their composition is characterised by the contrast between simple and minimalist geometric shapes with deep, intense colours. Ahn Hyun-Ju has been featured five times in the collective exhibition “Die Grosse” at the Kunstpalast Museum in Düsseldorf and in the collective exhibition “Colore non solo”, presented at the 51st Venice Biennale in 2005 and at the Kunsthistorisches Museum in Vienna in 2006. “How difficult is it to see a thing as a thing itself and recognize the beauty of the being itself? A thing without being a medium of meanings and metaphors which are based in our convention?”
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