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Aida SubirèTo Break, To Blossom 23/082023
2023
$9,000
£6,801.27
€7,962.19
CA$12,568.27
A$14,140.46
CHF 7,492.17
MX$174,616.82
NOK 91,846.02
SEK 88,251.36
DKK 59,393.18
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About the Item
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fragile — as well as the voluptuous nature of the paper used make Aida an accomplice of a limitless universe in constant transformation.
The spontaneity and magic of nature are the great protagonists of her work. She explores the immensity of time through color and paper, breaking their limits and playing with light and transparencies. The nakedness of the materials, the contemplation of emptiness and the serenity of flowers are Aida's imagery.
- Creator:Aida Subirè (1985, Spanish)
- Creation Year:2023
- Dimensions:Height: 63 in (160.02 cm)Width: 47 in (119.38 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1566212424422
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View AllTo Break, To Blossom 23/09
By Aida Subirè
Located in New York, NY
Aida experiences resilience: she paints, she breaks and she rebuilds. Watercolor, subtle and delicate, turns into great sculpture. The beauty of scars in her work — imperfect and fra...
Category
2010s Contemporary Mixed Media
Materials
Paper, Acrylic, Watercolor
Looking For Tomorrow
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow.
He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle.
Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky
is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us
will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
Category
2010s Contemporary Mixed Media
Materials
Ink, Acrylic, Watercolor, Archival Paper, Handmade Paper
Unforgettable
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years old, he began painting as a hobbyist using 'pure' abstraction. However, he believed his work lacked a solid foundation upon which to grow.
He discovered a book on the origins of the Chinese alphabet, which origins are essentially signs, in 2008 while taking a calligraphy class. The 26 letters of our Latin alphabet are less pictorial than the Chinese characters as we know them now. He discovered that pictorial representation is more prevalent when examining the origins of alphabets—all alphabets, in fact—because there is frequently a similarity between the sign's true meaning and what it is meant to represent. For instance, the symbol for a turtle in the original Chinese script resembles a turtle.
Wittmann loves signs as they leave room for interpretation. For instance, if one writes “the sky
is blue”, one will make for themself a mental representation of a blue sky, even if each one-off us
will probably have some nuance in our own mental representation of that blue sky. On the other hand, a sign can...
Category
2010s Contemporary Mixed Media
Materials
Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper
Innocent
Located in New York, NY
The art of Philip Wittmann is founded on signals. For him, signs serve as a bridge between abstraction, reality and writing, too. When he was 26 years ...
Category
2010s Contemporary Mixed Media
Materials
Ink, Handmade Paper, Acrylic, Watercolor, Archival Paper
Lust
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a aluminum silver frame, glass.
Philip Wittmann work is based on signs. Sign...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Archival Ink, Acrylic, Watercolor, Archival Paper
Self-Esteem
Located in New York, NY
Ink on paper, Acrylic and / or watercolor, signed in the front, framed in a thin blond wood frame, glass.
Philip Wittmann work is based on signs. Sign...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Ink, Acrylic, Watercolor, Archival Paper
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