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Alejandra Icaza
Mixed Media Abstract Collage

1999

About the Item

Alejandra Icaza Born in Bilbao, Spain in 1966. Lives and works in Madrid. Icaza studied at Saint Martins College in London (1985) and at The New York Studio School of Drawing, Painting and Sculpture in New York (1989). She is the recipient of the painting award of Fundación Barceló, Palma de Mallorca. The artist works with repetition of form, color, and shapes. Trees, animals, abstract patterning, floating elements, portraits, bubbles, and plants are elements of her work, in which different planes collide. Alejandra Icaza has had several gallery and museum exhibitions, including at the Blum & Poe and at the Danziger Projects. Education 1989 The New York Studio School of Drawing, Painting and Sculpture, New York 1988 Maryland Institute College of Art, Maryland 1987 Massana School, Barcelona, Spain 1986 Fellowship with Federic Amat and Andres Nagel, Spain 1985 St. Martin´s School of Art Master degree, London 1984 Camden Centre of Art Bachelor degree, London Solo Exhibitions 2009 Fortes Vilaça Gallery , São Paulo, Brasil Pelaires gallery, Palma de Mallorca, Spain Ana Serratosa Gallery, Valencia, Spain 2007 Seaweed and Octopus, Edward Tyler Nahem Fine Art, New York 2006 Fortes Vilaça Gallery , São Paulo, Brasil Pillar Parra & Romero Gallery Madrid, Spain 2004 Domus Artium Salamanca, Contemporary Art Center, Salamanca, Spain 2003 Eclipse, Pedro Cera Gallery, Lisbon, Portugal 2002 Fortes Vilaça Gallery, São Paulo, Brasil Marta Cervera Gallery, Madrid, Spain 2001 Nicole Klagsbrun Gallery, New York 1999 Violet Breve, Marta Cervera Gallery, Madrid, Spain 1997 Barefoot, Marta Cervera Gallery, Madrid, Spain A través del espejo, Luis Adelantado Gallery, Valencia, Spain 1993 Quintessens Gallery, Utrecht, Holland Inge X Husemann Gallery, Berlin, Germany Basauri Culture Center, Basauri, Spain 1992 Ray Gun Gallery, Valencia, Spain Sephira Gallery, Madrid, Spain 1990 Sea Cliff Photography Gallery, Long Island Group Exhibitions 2005 Painting Identities Pilar Parra Gallery, Madrid, Spain 2004 Bazar de Verão, Fortes Vilaça Gallery, São Paulo, Brazil 2001 Marta Cervera Gallery, Madrid, Spain Nicole Klagsbrun Gallery, New York 1999 Itinerante de Caja Madrid, Eloy Gonzalez Art Certer, Madrid, Spain Nicole Klagsbrun Gallery, New York Área Dos, Rekalde Art Center, Bilbao, Spain 1998 Arte en la Catedral, Rekalde Art Center, Bilbao, Spain Painting, Camargo Vilaça Gallery, São Paulo, Brasil 1997 VI Bienal de Pintura Ciudad de Pamplona, City Hall of Pamplona, Spain IV Bienal de Arte de Alecrín, Vigo Art Center, Galicia, Spain Ederti Gallery Bilbao, Spain Salon de los 16, Edicion XVI, Fine Arts Center, Madrid, Spain Propuesta 96, Fine Arts Center, Madrid, Spain Pump and Cherry, Cokkie Snoei Gallery Rotterdam, Holland ALBUM, Eight Floor Gallery, New York 1995 Territorios Indefinidos, Museo de Elche, Alicante, Spain 1994 Banesto para la Creacion Artistica, Fine Arts Center, Madrid, Spain 1993 Voormalig Museum voor Hedendaagse Kunst, Utrecht, Holland Gerd Harry Lybke Gallery, New York Inge x Husemann Gallery, Berlin, Germany 1992 Brook Gallery, Barcelona, Spain Ibiza Casino, Ibiza, Spain 1991 Serrano 171 Gallery, Madrid, Spain 1990 ART 90, Los Angeles Centre for Contemporary Arts, Glasgow, Scotland 1986 Arts Fellowship, Fine Arts Center, Madrid, Spain
  • Creator:
    Alejandra Icaza (1966, Spanish)
  • Creation Year:
    1999
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 12 in (30.48 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    some waviness to paper.
  • Gallery Location:
    Surfside, FL
  • Reference Number:
    1stDibs: LU38211759212

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"First Rain at San Miguel de Allende", mixed media, acrylic and collage on canvas, signed lower left, titled, signed and dated 1984 verso, depicting a verdant tropical landscape with a pool with koi fish, in a n abstracted view with in an oak bullnose frame with burlap mat and gold liner, frame size: 53" x 37", canvas size: 48" x 32". Leonard Brooks (Canadian-Mexican artist) was born in Enfield, London, England, in 1911. He emigrated to Toronto, Canada with his parents. after seeing a lecture on Canadian art by Arthur Lismer, in which the Group of Seven painter described his love for the natural beauty surrounding them he decided he was going to become a painter. He took evening art classes at the Toronto Central Technical School (c. 1928); at the Ontario College of Art for six months under Frank Johnston. He then travelled and painted in England, France, Spain and in the United States at Woodstock, New York. On his return to Canada he settled in Toronto and in 1935 married Reva Silverman. He taught drawing, painting and graphic arts at the Northern Vocational School and was active in art circles and participated in most of the major exhibitions in Canada, and the U.S. and in the Canadian Section at the 1936 World's Fair. He began painting activities on the Great Lakes around 1939, visiting various docks and many of the ships that arrived and departed from the Great Lake ports. During World War II he left his teaching post in 1943 to enlist in the Navy (RCNVR) as an Able Seaman (1943). He was promoted to Petty Officer, then to Sub-Lieutenant in August of 1944. In September was appointed Official War Artist. Overseas he went aboard warships to paint the activities of minesweepers, motor torpedo boats off the coast of Normandy, in the Channel, off the East Coast and on the aircraft carrier HMS Puncher in waters off Scotland. On his return to Canada he was promoted to the rank of Lieutenant. Following his army discharge he went to Mexico on a D.V.A. grant to study and decided to take up residence there with his wife Reva. The couple were early members of what became a well known colony of artists in that town, other Canadian artists such as York Wilson, Fred Taylor, Michael Forster and Fred Powell followed him there. He studied under Mexican artist David Alfaro Siqueiros, while his wife Reva pursued photography. Their impressions of Mexico appeared in Canadian Art (Spring, 1950). Critic Rose MacDonald in the Evening Telegram wrote, "Like Siqueiros he paints in the abstract only as an exercise with a view to clarification, believing that this is the purpose of abstract painting . . . ." Since that time his figurative work evolved from abstract, to non-objective, to free-form collage acrylics with rich texture. Some of his paintings have been transposed into large tapestry works by five Mexican weavers under his direction. Leonard and Reva held a joint exhibition of their works in a number of centres including Eaton's Fine Art Galleries, Tor. (1949). Leonard Brooks has worked in a variety of media over the years including oils, acrylics, water colours, casein, duco, polymer, wax, and graphic mediums. He has written a number of books on painting techniques including: Watercolor A Challenge (1957); Oil Painting Traditional and New (1959); Wash Drawing and Casein (1961); Painting and Understanding Abstract Art (1964); Painter's Workshop (1969); Oil Painting, Basic and New Techniques (1971). He has had a lifelong love of music, is an accomplished player of the violin and has given free lessons to local Mexican children. He eventually was encouraged to head the music department at the Bellas Artes in San Miguel and as a result of his activity in music, an annual festival of chamber music is held which attracts players and listeners from around the world. He has held many solo shows during his career and his paintings have been exhibited at the following: Eaton's Fine Art Galleries, Tor.; Roberts Gallery, Tor.; the Cowie Galleries, L.A., Calif.; Childs Gal., Boston, Mass.; Ohio Univ., Athens; Kenyon College; Santa Barbara Museum of Art, San Francisco; San Antonio Biennial Interamericana, Mexico and at the 2nd Annual exhibition at San Miguel (1960) where he won 1st Prize. He is represented in the following collections: LAG, Lond., Ont.; U. Guelph; AGO, Tor.; NGC, Ott.; Can. War Museum, Ott.; Dartmouth College, N.S.; Worcester Art Museum, Mass.; Mus. of Modern Art, Mexico City; Ohio U., Athens; Slosberg Collection, Boston and in many private collections in Canada, Mexico and the United States. His teaching experience includes: Ohio U., Athens; Doon Sch. of Art, Ont.; UBC; Art Inst., San Antonio, Texas; Wells College, Aurora, N.Y. His wife Reva Silverman Brooks, began photographing his work to make a record, then gradually expanded her interest to record the Mexican people and their land. In 1952, Reva Brooks...
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