Items Similar to Nine-O-One, dark colors, monochromatic, moody female figure, maps, text, time
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Audrey AnastasiNine-O-One, dark colors, monochromatic, moody female figure, maps, text, time2019
2019
About the Item
Paper charcoal collage
These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio, furiously tearing and pasting images from magazines, various language newspapers, print publications, and previous drawings.
As a natural progression of Ms.Anastasi's older work, this new iteration of charcoal and pastel portraits of women from life employ overlaid pieces of torn newspaper, magazines, and previous drawings to create complex and emotionally intense figures. Within some of these portraits there are ripped road maps, providing equal presence to the figures each with their own level of dimensionality. The maps serve to pose questions, such as, “Where am I?, Where does this road lead”? Offering answers, “I am central to the narrative. I constructed the environment around me”.
Audrey Anastasi is a feminist artist. Her practice is rooted in painting other women, the human face, and figure through direct observation. Through this technique, Anastasi examines perception and the construction of self-image.
Audrey was born in Baltimore, Maryland. She earned a Master’s Degree in Fine Arts from Pratt Institute, and taught figure drawing, portfolio development, and anatomy for artists at Parsons School of Design for approximately 10 years. Audrey has been featured in Smart Money Magazine, the Lenny Lopate Show (aka: New York and Company) on National Public Radio, the New York Times, New York Daily News, amNY, Pratt Folio, Jewish Week, the arts & entertainment supplements of the Brooklyn Daily Eagle, the Brooklyn Fine Arts magazine, OntheIssuesMagazine and the New York Observer. Audrey lives and works in Brooklyn, New York.
Giancarlo T. Roma writes:
As a medium, collages are defined by the idea of fragmentation -- disparate elements pasted together to form a new whole. In her latest series, Collage, Audrey Anastasi uses this idea to convey the complexity of our inner lives -- that we are not one thing, even to ourselves.
Compositionally, each piece contains two fundamental elements -- a woman, drawn in charcoal, usually in the center of the frame, and bits of media pasted in front of, behind, and around each subject. The women assume a variety of poses -- some are vulnerable, shoulders open, glaring at the viewer; others are guarded, arms crossed, contorting their body to the side; many are lost in thought, staring off into some unknown distance, seemingly unaware of our gaze.
No matter their disposition, though, the women of Collage all appear deep in introspection, and we see them as if we are walking in on them in private moments. They are not just in their own heads, but in the closets, attics, and hiding places of their minds, alternatively focused and wistful in their contemplation.
The other media -- bits of writing, scraps from magazines, fragments of other paintings -- give us clues as to what might be giving them pause, or at least the shape it is taking. Indeed, the most recurring image of the series is that of a map, usually serving as the background to the subjects -- taken together, the images that populate their surroundings function as a kind of map of their inner life.
In “Red Birch,” birch trees -- a previous series of Anastasi’s and another theme that repeats in this one -- create a thicket in front of a woman’s pensive face, as other bits of filigree flicker on the other side, creating a sort of visual static. Toned in sepia like an old, old photograph, the work has the feeling of revisiting an old memory that’s been obfuscated by the passing of time.
Eyelids droopy with reverie, the woman at the center of “Cowgirl” leans her head down towards a hillside pine forest traversed by two horses, as if she’s listening to the sounds of her own projection, perhaps of where she’d rather be. We get the sense we are glimpsing into her own imagination -- a mind-made diorama.
Bright stars and neon galaxies swirl around a seated woman in “Celestial Night,” seeping into parts of her arm, head, and chest. But her body also displays a much more local map -- the New York City subway system, with its own colored lines traversing her body like veins. Space, quite literally, is collapsed in her being. She is here and everywhere at the same time. Aren’t we all.
- Creator:Audrey Anastasi (American)
- Creation Year:2019
- Dimensions:Height: 25 in (63.5 cm)Width: 19 in (48.26 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Brooklyn, NY
- Reference Number:1stDibs: LU133915644802
Audrey Anastasi
Audrey Frank Anastasi has had 20 solo & 200 group shows. Her "ref-u-gee" series will be shown in 2022 at Medgar Evers College in collaboration with the Valentine Museum of Art, Brooklyn. Accompanying the show will be a limited-edition monograph w/ over 180 images and a foreword by Phyllis Braff. Ms. Anastasi's collage series was exhibited at Welancora Gallery, Brooklyn, in May, 2019. In 2018, ten paintings were exhibited in "Painting to Survive," curated by Yale critic Jonathan Weinberg. Book and catalog publications include "Stations of the Cross", SPQR press, BREUCKELEN magazine, “Audrey Frank Anastasi”, catalog essay Cindy Nemser, and "Collage," essay by Giancarlo T. Roma. Public art includes a portrait of Jo Davidson at the Trailside Museum & Zoo, Bear Mountain State Park, NY, and the Stations of the Cross in the auditorium of Our Lady of Angels RC Church, Brooklyn. Her work is in Valentine Museum of Art, Brooklyn, NY, Munson Williams Proctor Art Institute, Utica, NY, Museum Pinacoteca do Estado de São Paulo, Brazil, Pfizer Corporation, NY, Avon Corporation, St. Vincent's Hospital Collection, NYC & MoMA Photography Archives.
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2005
1stDibs seller since 2020
84 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Brooklyn, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Red Birch, disrupted realism, nature, woman, muted reds, mysteryBy Audrey AnastasiLocated in Brooklyn, NYPaper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alon...Category
2010s Assemblage Landscape Drawings and Watercolors
MaterialsArchival Paper, Charcoal, Acrylic, Magazine Paper
- Self Portrait #1, colorful gestural abstracted portraitBy Tom BennettLocated in Brooklyn, NYOil on paper About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...Category
2010s American Modern Portrait Drawings and Watercolors
MaterialsMonotype, Oil, Paper
- Power Couple romantic couple subject soft warm pastel color blue gray tonesBy Stephen BassoLocated in Brooklyn, NYPastel on toned archival paper signed and dated bottom left. Portrait of a couple with much history between them. Mounted on archival foam board for future framing optionsCategory
2010s Expressionist Portrait Drawings and Watercolors
MaterialsArchival Paper, Pastel
- Klimt Tattoo, disrupted realism charcoal acrylic on Strathmore paper red, tanBy Audrey AnastasiLocated in Brooklyn, NYCharcoal, acrylic mixed media As a feminist artist, Audrey Anastasi's first commitment is to painting other women, the human face, and figure. Whether working with figurative descri...Category
2010s Neo-Expressionist Portrait Drawings and Watercolors
MaterialsCharcoal, Acrylic, Archival Paper
- Vermeer Tapestry, collage with classical elements, disrupted realismBy Audrey AnastasiLocated in Brooklyn, NYPaper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsArchival Paper, Charcoal, Magazine Paper
- Scripture Tapestry, collage with woman and Biblical quotesBy Audrey AnastasiLocated in Brooklyn, NYPaper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...Category
2010s Contemporary Figurative Drawings and Watercolors
MaterialsFabric, Charcoal, Archival Paper, Magazine Paper
You May Also Like
- TheresaBy Kay BoyceLocated in Belgravia, London, LondonMixed media on paper Paper size: 14 x 12.25 inches Framed size: 23.75 x 21.75 inches Signed lower rightCategory
21st Century and Contemporary Contemporary Mixed Media
MaterialsPaper, Mixed Media
- Portrait - Drawing on Paper by Sebastiano Carta - 1950sBy Sebastiano Carta 1Located in Roma, ITPortrait is an original mixed media drawing on paper realized by Sebastiano Carta. In good conditions except for some diffused foldings. Hand-signed on the lower left margin in pen...Category
1950s Expressionist Mixed Media
MaterialsMixed Media
- Surrealist Mixed Media Artwork, "Isabelle"By Cheryl TallLocated in San Diego, CAThis is an original mixed media artwork by Southern California artist, Cheryl Tall. Its dimensions are 8" x 10" x .75". It is unframed. A certifica...Category
2010s Surrealist Mixed Media
MaterialsMixed Media
- Untitled, Collage. Portrait Mixed Media on wood PannelBy Roberto FonfriaLocated in Miami Beach, FLUntitled, 2020 Mix media Image size: 24 in. H x 17.91 in. W Collage, image transfer on acetate film, nylon cables ties, oil pastel Wood panel One of a Kind...Category
2010s Pop Art Mixed Media
MaterialsCotton, Paper, Mixed Media, Wood Panel, Graphite, Plastic
- Mixed Media Portrait Painting of a ManLocated in Houston, TXA mixed media painting of an older man deep in thought in black and white on a yellow background circa 1990s by Theadius McCall. Signed in lower right ...Category
1990s American Modern Mixed Media
MaterialsMixed Media
- Crying Man CollageBy Ivan ChermayeffLocated in Miami, FLMixed media on paper, 1989, signed 'Ivan Chermayeff' and dated lower right, titled lower left. 29 1/2 x 22 in. (sheet), 32 1/2 x 24 1/2 in. (frame).Category
1980s Modern Mixed Media
MaterialsMixed Media, Laid Paper