Bill Zima

Grey Mares Tail: Contemporary Ink on Japanese paper painting

2018

Contemporary medieval atlas inspired work by Texas based artist Michael Macedo Meazell. Created with UV cured inks on aluminum, the work has a unique sheen. The piece features a collage of images from the Catalan Atlas, an early world map created in the late 1370s or the early 1380s, mixed with contemporary images and blocks of color. Signed and dated on the reverse. Currently unframed, but options are available. Artist Biography from the Artist: "I have made art for as long as I can remember. When I was in high school in Beaumont, Texas, I would draw constantly. During high school, I took classes in painting, drawing, and design at the Beaumont Art Studio, Beaumont Art League, and the Art Institute of Houston. During the mid to late 1980s, I studied art, concentrating on design, drawing, sculpture, and painting at Lamar University and the MFAH Glassell School of Art on a scholarship. After leaving school I worked on the installation crew at the Contemporary Arts Museum Houston. That was a great time, because I was working with some talented people who are still making art today – David McGee and Tierney Malone to name a couple. While I was there, I learned museum quality handling of art and installations. I began making art with found materials while attending Lamar University, mostly wall-dependent works and collage from found wood, fabric, paper, and paint. I have always been a scavenger, partly because I never had much money and partly because it is a medium that I identify with. I continue working on assemblage and collage today, incorporating drawing, painting, printmaking, and traditional sculpture techniques into my pieces, often using objects that have a storied history to myself or others. I incorporate objects from others in my own work and for commissioned works of art. I worked at Judy Youens Gallery from 1990-1993, doing whatever needed to be done. She specialized in glass, so I became an expert in handling fragile works of art, which included installing them, building custom crates, and preparing them for shipping. While at the gallery I was also on the Art League and Texas Accountants and Lawyers for the Arts boards. I designed, curated, and installed over 100 exhibitions though the 90s. I studied with a master carpenter from 1994-1999 and learned how to use a variety of hand and power tools, sourcing material, building techniques, as well as repurposing and fixing just about anything. This has served me well. Combining my art and design skills with my new building skills, I designed dozens of home remodels from single rooms and outdoor deck tops and complete homes from the ground up. I still do design work and consultations. I served on the Art League of Houston Board of Directors from 1991-1994, where I was president of the Artist Committee and a member of the Executive Committee. In 1997 I moved into an empty shell of a warehouse and immediately finished out the space with a large studio, kitchen, full bath, and bedroom loft. My Barnes Street Studio was next door to artist Harvey Bott...

Signed and dated, l.r. Ink on paper Contact gallery for price. This work is offered by CLAMP in New York City.

Lovie Olivia “PL Bay” 2023 Signed Medical file folders, squid ink, graphite, glitter, acetate, vellum (Unique) 14 x 11 inches

In BLUE SKIES FOR ANDREW, a piece designed for a show at the Chattanooga airport, Sue Fox pays tribute to the metaphorical expansiveness of doing one’s craft. Drawing inspiration fro...

Jack Smith Do Not Open ‘Til Happy Hour c. 1960s Pen on manila folder 12 x 9.5 inches Contact gallery for price. This work is offered by ClampArt in New York City.

In ALL ONE, Sue Fox makes a prescient statement about the complex racial issues which plague American life. While originally intended to function as an demographically-accurate ethno...

In FUNGI, FOLIAGE, AND TOPAZ, Sue Fox formally drives forward her craft. Drawing inspiration from the Slow Art movement and beginning without an explicit purpose in mind, this work utilizes smaller...

In TODDLER TANTRUM, Sue Fox tests the meditative limit of her artistic work. Intuitively collaging smaller pieces of bright pinks, purples, and yellows, she expresses the thoroughly ...

Anonymous Self Portrait XXXVII 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Th...

Anonymous Self Portrait XXXVI 2018 Signed and dated on label, verso Ink, graphite, and oil paint on double-sided frosted Mylar film mounted to board 55 x 41.5 inches $17,000 Thi...