Brian Midlane

Brian Midlane - 20th Century Mixed Media, Mysterious Beauty

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An engaging collage composition by the British artist Susan Paine. The materials used include magazine cutouts and watercolour. Signed to the lower right-hand corner of the mount. We...

A fine mixed media painting using acrylic, gouache and chalk by the artist Henry E. Foster, depicting a still life of flowers in a vase by a window. Well-presented in a washline card...

A panoramic mixed media European street scene. Presented glazed in a white double mount with a gilt-effect inner edge and a distressed gilt-effect wooden frame. Signed to the lower-r...

A delightful study of fishing boats at low tide in oil with ink details. Signed to the lower right. Presented in a wooden frame with a cotton slip. On paper laid to board.

A dreamlike, surreal mixed media piece, using collage, pen and ink and ink wash, showing a woman, her hair floating around her and her hands elegantly outstretched, floating through ...

A charming contemporary collage of a grand and elaborate facade in Venice under a blue sky. The artist has used a mix of collage, ink and gouache to create this attractive piece. The...

"Wine and Fish" is a framed mixed media on panel work by Dennis Campay, depicting a skillet with fish and vibrant sides alongside a glass of wine. Campay's painterly brushstrokes abs...

Lisa Bartleson is a Northern California - based mixed-media artist whose work is inspired by the Light and Space movement from the 1960’s and 1970’s. Her work has a luminous quality ...

Triple shot of Marilyn Monroe. Gold acrylic paint. Hand pulled enamel screen print and diamond dust on linen. Would ship rolled from artists' studio. About the Artist: Russell...

Cédric Bouteiller is a French multidisciplinary urban artist known for his complex and layered mixed-media works. Born in 1970, he studied Fine Arts ...

Crystal Acrylic, Color Pigments and Aluminium Hand signed and dated by the artist at the back, France 2021

'I am a multidisciplinary artist with a focus on ecofeminism using fiber and mixed media constructions. My materials include hand-dyed commercially fished line and ghost gear, recycled and antique textiles, fabric printed with cyanotype emulsions and found objects. I change the existing surface of recognizable animals by creating a veneer of unexpected color and imagery. This forces the viewer to consider the shape more carefully by visually exploring its new topography. The creation process can be likened to painting with fiber (that has been tinted with hand-mixed dyes) on a three-dimensional canvas. Intense work is spent creating the eyes and ears to convey the emotion of each animal. I look to the work of Joan Mitchell and The Quilters of Gee’s Bend as inspiration for pattern and color, as well as charts, iconography, and satellite imaging.' -Gin Stone...