Caro Woods

Tectonic IV

Part of the "Tectonics Series" from U.K. based artist Caro Woods. These 4 mixed media work are available as a set of four. Each Image 6" x 6". Behind glass

Monochrome power . Peter's new output is proof of his talent and status as a rising star. Mixed Media on board 25.5" x 21.5" Image 24" x 20"

Abacus Mixed media on canvas. New work from his new circle series.

Mixed media on canvas. Mixture of acrylic and oil paint, and acrylic spray paint. Unframed Excellent condition. signed

A piece based on the musical work, 'Lark Ascending', by the English composer, Vaughn Williams. Developed from initial charcoal drawings. As a musician and writer, Patricia frequently...

Mixed media on canvas. Mixture of acrylic and oil paint, and acrylic spray paint. Unframed Excellent condition. signed

Digital Print Mounted on Acrylic and Lead, Galvanized Pipe and Caps

Nanotechnology Material, Lead, Galvanized Pipe and Caps on Aluminum Exhibited at the International Art Fair, Zona Maco 2019 in Mexico City. Exhibited at Mana Contemporary at Jersey ...

"Memento Morididdle Movement #90" is an original hand-cut paper sculpture in a found frame by Charles Clary. This piece measures 12in x 10in x 2in. Bio // Charles Clary was born in...

"So It Grows" is an original hand-embroidered piece on paint chip color samples with Swarovski Elements crystal details by American artist Kelly Kozma. The piece ships in the pictur...

This is an original inkless collagraph with hand embroidery by Kelly Kozma. It is shipped in the pictured custom frame measuring 41.75”h x 31.75”w. Please send us a direct message...

Dominance, 2021. Mixed Media: Makalani nut piths, plastic and metal Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...