Chiharu Shiota

Connected to the Universe by Chiharu Shiota - Abstract, Contemporary Art

*UK BUYERS WILL PAY AN ADDITIONAL 5% IMPORT DUTY ON TOP OF THE ABOVE PRICE Red River Inside my Eyelids by Yayoi Kusama (b. 1929) Ink, pastel, felt pen on paper 55 x 39.8 cm (21 ⁵/₈ ...

La Rivière de Dotahn by Lélia Pissarro (b. 1963) Pastel on paper 12.5 x 19 cm (4 ⁷/₈ x 7 ¹/₂ inches) Signed lower right, Lélia Pissarro Executed in 2020 This work is accompanied by ...

Yellow Meadow by Lélia Pissarro (B. 1963) Pastel and pencil on paper 23 x 14 cm (9 x 5 ½ inches) Signed lower right, Lélia Pissarro Signed, titled and dated on the reverse, 16.III.20...

La Rivière de Lyora by Lélia Pissarro (b. 1963) Pastel on paper 13 x 19 cm (5 ¹/₈ x 7 ¹/₂ inches) Signed lower left, Lélia Pissarro Executed in 2020 This work is accompanied by a ce...

Fleurs by Hugues Pissarro dit Pomié (b. 1935) Oil and pastel on card 26.5 x 17.8 cm (10 ³/₈ x 7 inches) Signed lower left H. Claude Pissarro and dated 1993 lower right This work is ...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Femme au bord de la rivière by Georges Manzana Pissarro (1871-1961) Gouache, pastel and silver paint on paper 29...

James Turrell Site Plan with Projected Section and Survey Net, 1992 mylar, beeswax, emulsion, ink, liquitex, wax pastel 41.5" x 60.5" framed Unique Since the 1960s, James Turrell has experimented with visual perception and the materiality of light. Early in his career, he was associated with the Light and Space movement in Southern California and participated in the Los Angeles County Museum of Art’s landmark 1967-1971 project Art and Technology, which paired artists with emerging industries and technologies of the period. Interested in sensory deprivation and the Ganzfeld effect, his light defined shapes, skyspaces framing the sky, and built environments of horizon-less saturated color provoke a reflexive state that the artist has described as “seeing yourself seeing” – a state in which the viewer is aware of the functioning of their senses and recognizes light as a tangible substance. Since 1979, Turrell has been constructing his magnum opus at the Roden Crater...

"Sisters #2", 2019 by Valerie Hammond 73 x 34.5 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels that are unframed, can be installed with magnets, but framing is recommended. In Valerie Hammond’s series of wax drawings, protection is two-fold: the artist (previously) encases dried flowers and ferns in a thin layer of wax, preserving their fragile tissues long after they’ve been plucked from the ground. In outlining a pair of hands, she also secures a memory, or rather, “the essence of a gesture and the fleeting moment in which it was made.” Centered on limbs lying flat on Japanese paper, the ongoing series dates back to the 1990s, when Hammond made the first tracing “partly in response to the death of a dear friend, whose beautiful hands I often found myself remembering.” She continued by working with family and friends, mainly women and children, to delineate their wrists, palms, and fingers. Today, the series features dozens of works that are comprised of either hands tethered to the dried botanics, which sprout outward in wispy tendrils, or others over layed with thread and glass beads. Although the delicate pieces began as a simple trace, Hammond shares that she soon began to overlay the original drawing with pressed florals, creating encaustic assemblages that “echoed the body’s bones, veins, and circulatory systems.” She continued to experiment with the series by introducing various techniques, including printmaking, Xerox transfers, and finally Photoshop inversions, that distorted the original rendering...

"Sisters #4", 2019 by Valerie Hammond 72 x 35 inches unframed Pigment, Color Pencil, Wax, Glass Beads, and thread on Japanese Rice Paper Coated with Beeswax Vertical, indigo panels ...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...

Michele Landel creates intensely textured and airy collages using burned, quilted, and embroidered fabric, photographs and paper to explore the themes of exposure, absence, and memor...