Items Similar to `Rover and Rock`, Oslo 2021. - `In;Human Nature` painting glacier original
Want more images or videos?
Request additional images or videos from the seller
1 of 4
Christian Houge`Rover and Rock`, Oslo 2021. - `In;Human Nature` painting glacier original2021
2021
About the Item
Images from soloshow a Buer Gallery, oslo. 2021
`In;Human Nature`2016-2021
Unique Piece
`The need for images that can change us`
– An account of Christian Houges images.
“For example, one could say. A people is a “group of rational beings, bound together in agreement about what they love.” The kind of “people” they are, would be determined from what they “have loved.” If we then have a group of rational beings (animals excluded) who are “bound together in an agreement about what they have loved”, then it makes sense to call them a “people”, no matter what they may have loved. And for better or worse, what it is that they have found in common, through better or worse they are considered as a people”
– Augustin, De civitate Dei – The City of God.
A glacier is melting in the Alps. The consequences, if it completely disappears together with the other glaciers, will be catastrophic: The ocean will rise and livelihood will vanish for many. Yes, the very place we inhabit each and everyone of us, nation, the earth we walk on - the home we seek refuge for safety - will in part be completely gone.
.....In this context, another series by Christian Houge becomes interesting, because it not only sheds light on the national romanticism and the kind of historical movement it is part of, but also because it provides us with a critical look at how we imagine landscapes, and we are reflected in them, in the historical and social sense. In; In;Human Nature, Houge transforms Svartisen - an ideally typical Norwegian landscape - into a topographical wireframe landscape showing shapes and volumes, but also heights, widths and all conceivable dimensions. In this way, he relates more to the landscape presentation that the surveyor's or cartographers' ambitions sought, which, of course, were to turn the landscape into quantifiable forms. Which in turn can be translated into something that can be divided, mastered, colonized and - in the end - refined into resources and raw materials. This grid is placed as a topographical landscape, namely on the Moon, more specifically NASA's images from the lunar landing in 1969.
This double exposure leads us to the essence of what the human urge for conquest springs from: On the one hand, we will conquer new places, peoples, and natural areas to use them as raw materials for the production of goods, on the other hand, the landscape is used as a mirror of the human urge to to surpass oneself as sovereign in the broader sense. When the American flag was planted on the Moon, it was marked as a conquered territory and thus it could also serve as a mirror for humanity - in this case: the excellence of the Americans. When the contours of Svartisen form the background for the first steps on the moon, two imaginary communities are as a result connected and root the human colonial thought in the form of desire for control which has led us into the disability we and the Nature around us have ended up in. It is as the national romantics and its avatars show us, that Nature itself is not that which is important, but how we can transform it into either a surface we can reflect our uniqueness on or a mass that can be transformed into something we can generate money from.
Houge once again radicalises how we think about our relationship towards ourselves and towards the world around us, but this time it is not only the destruction of Nature or the planet itself that he addresses, but also the background for this development: the aforementioned idealization of the landscape as the scene and its attachment to an imagined community. The radicalization lies in how the nation-building's idealization of landscape is reduced to its basic forms. That man's urge to transform everything in his own reflection or transform everything foreign into something familiar, covers, after all, the vulnerability that both the individual human being, animals and nature itself are most deeply defined by. As long as we do not understand this, we will as a consequence overtake everything and everyone, including our own fragility in the whole, immersed in our own reflection, even if we find nothing there but blindness and fantasies about our own invincibility. For we are no better as people, as Humanity, than those we hold dear and cherish, as Augustine says, for if we think only of money or conquest we will be poor in spirit and lose touch with what we care about. Or to put it another way: if we only care about our own reflection, we will never see the one who reflects - yourself - because the reflection replaces the original. But conversely, even such common objects of love as the care Houge shows the glacier I started this text by describing the potential to create community and directions for community that take into account both who we are, what we love and what is worth gravitating towards.
Sooner or later, this fantasy will burst, that is if it has not already done so, and so it may be too late - the damage has already been done. Not so much on ourselves, perhaps, but on the world we have navigated in. That is why it is so important to create images that make it possible to penetrate this rather silly mirror image that prevents us from viewing reality outside and inside ourselves and how essential it is to show care. This is where Houge's images have their roots in what we love most: life itself. Both our own and the world we live in. If we manage to recognize how far from ourselves and life the colonial fantasies have taken us, we may be able to save the remains.
-Kjetil Røed
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2021
- Dimensions:Height: 47.25 in (120 cm)Width: 90.56 in (230 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oslo, NO
- Reference Number:1stDibs: LU160028668762
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
About the Seller
No Reviews Yet
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 2000
1stDibs seller since 2021
5 sales on 1stDibs
- ShippingRetrieving quote...Shipping from: Oslo, Norway
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllMount Hadley, Oslo 2021. -from the series `In;Human Nature`-painting glacier
By Christian Houge
Located in Oslo, NO
Images from soloshow a Buer Gallery, oslo. 2021
The need for images that can change us.
– An account of Christian Houges images.
“For example, one could say. A people is a “group of rational beings, bound together in agreement about what they love.” The kind of “people” they are, would be determined from what they “have loved.” If we then have a group of rational beings (animals excluded) who are “bound together in an agreement about what they have loved”, then it makes sense to call them a “people”, no matter what they may have loved. And for better or worse, what it is that they have found in common, through better or worse they are considered as a people”
– Augustin, De civitate Dei – The City of God.
A glacier is melting in the Alps. The consequences, if it completely disappears together with the other glaciers, will be catastrophic: The ocean will rise and livelihood will vanish for many. Yes, the very place we inhabit each and everyone of us, nation, the earth we walk on - the home we seek refuge for safety - will in part be completely gone.
.....In this context, another series by Christian Houge becomes interesting, because it not only sheds light on the national romanticism...
Category
2010s Contemporary Mixed Media
Materials
Acrylic, Pigment, Archival Pigment
`Irwin w/ beacon`, 2021 -`In;Human Nature` painting glacier nasa moon
By Christian Houge
Located in Oslo, NO
Edition of 3.
3 separate pieces make up this installation.
150 cm. x 150 cm. Pigment print mounted on aluminium. Framed in solid oak with museum glass.
, `The need for images that can change us. `
– An account of Christian Houges images.
“For example, one could say. A people is a “group of rational beings, bound together in agreement about what they love.” The kind of “people” they are, would be determined from what they “have loved.” If we then have a group of rational beings (animals excluded) who are “bound together in an agreement about what they have loved”, then it makes sense to call them a “people”, no matter what they may have loved. And for better or worse, what it is that they have found in common, through better or worse they are considered as a people”
– Augustin, De civitate Dei – The City of God.
..............In this context, another series by Christian Houge becomes interesting, because it not only sheds light on the national romanticism and the kind of historical movement it is part of, but also because it provides us with a critical look at how we imagine landscapes, and we are reflected in them, in the historical and social sense. In; In;Human Nature...
Category
2010s Conceptual Mixed Media
Materials
Acrylic, Archival Paper, Archival Pigment
`Untitled 36`. Norway.Shadow Within-wolf nature forest animal
By Christian Houge
Located in Oslo, NO
`Shadow Within`
Norway/USA
2010-2013
70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p.
110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p.
100 cm x 150 cm. Edition 3 + 1 a....
Category
2010s Contemporary Color Photography
Materials
Archival Pigment
`Untitled 22`-Shadow Within-wolf animal nature b/w
By Christian Houge
Located in Oslo, NO
`Shadow Within`
Norway/USA
2010-2013
110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p.
Archival ink cotton paper (archival pigment print)
`Shadow Within`explores Man`s r...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
`Untitled 9`.wolf nature bw animal
By Christian Houge
Located in Oslo, NO
`Shadow Within`
Norway/USA
2010-2013
110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p.
100 cm x 150 cm. Edition 3 + 1 a.p.
Archival ink cotton paper (archival pigment prin...
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
`Untitled 1`, Norway 2012- Shadow Within-wolf animal nature color
By Christian Houge
Located in Oslo, NO
`Shadow Within`
Norway/USA
2010-2013
70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p.
110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p.
100 cm x 150 cm. Edition 3 + 1 a....
Category
2010s Contemporary Black and White Photography
Materials
Archival Pigment
You May Also Like
Lewis Hamilton II, Portrait on canvas Intervened
By Hunter & Gatti
Located in Miami Beach, FL
Lewis Hamilton II, 2017 by Hunter & Gatti
From The series, I will make you a star
Acrylic paint, Oil pastel pigment print on canvas.
Size: 74 H x 52 W in.
Mixed Media
Signed front...
Category
2010s Contemporary Mixed Media
Materials
Acrylic, Black and White, Archival Pigment
Jon Kortajarena, Photography on canvas Intervened by the artists
By Hunter & Gatti
Located in Miami Beach, FL
Jon Kortajarena, 2017 by Hunter & Gatti
From The series, I will make you a star
Acrylic paint, Oil pastel pigment print on canvas.
Size: 74 H x 52 W in.
Mixed Media
Signed front a...
Category
2010s Contemporary Mixed Media
Materials
Acrylic, Black and White, Archival Pigment
Pharrell Williams, Third Eye, Photography on canvas Intervened by the artists
By Hunter & Gatti
Located in Miami Beach, FL
Pharrell Williams, Third Eye, 2017 by Hunter & Gatti
From The series, I will make you a star
Acrylic paint, Oil pastel pigment print on canvas.
Size: 74 H x 52 W in.
Mixed Media
Si...
Category
2010s Contemporary Mixed Media
Materials
Acrylic, Black and White, Archival Pigment
Untitled IV. From The Balance Series
By Salvatore Arnone
Located in Miami Beach, FL
Untitled IV, 2022 by Salvatore Arnone
From the Balance series
Photography, acrylic and pastel on paper
Image size: 50 in. H x 35 in. W
Edition of 3 + 1AP
Unframed
With Balance the a...
Category
2010s Contemporary Figurative Photography
Materials
Acrylic, Mixed Media, Pastel, Paper, Archival Pigment
Set of 9 portraits of Pharrell Williams, LIVE FOREVER series. Mixed media
By Hunter & Gatti
Located in Miami Beach, FL
Set of 9 portraits of Pharrell of the LIVE FOREVER series. Intervene by the artists
Acrylic and oil pastel on Pigment Print
Individual size:
Image size: 30.5 inc x H x 23.5. W
Frame...
Category
2010s Contemporary Portrait Photography
Materials
Oil Pastel, Acrylic, Black and White, Archival Pigment
The Radiants, Le Fauteuil de l'oubli & Head, Pharrell. LIVE FOREVER Mixed media
By Hunter & Gatti
Located in Miami Beach, FL
The Radiants, Le Fauteuil de l'oubli & Head, (Triptcyh) 2020, by Hunter & Gatti
Acrylic and oil pastel on Pigment Print
Overall Image size: Image size: 76 cm. H x 183 cm. W
Individua...
Category
2010s Contemporary Portrait Photography
Materials
Oil Pastel, Acrylic, Black and White, Archival Pigment
Recently Viewed
View AllMore Ways To Browse
Human Bound
Glacier Painting
Moon Rock
Money God
Blind Contour
Norwegian Mirror
Sovereign Case
Excellence Saves
Sovereign Changer
Marc Chagall Signed
Russian Photography
Dancing In The Dark
Green Landscape Photography
Japanese Ship Art
Vintage Advertisement Art
Madrid Oil Painting
19th Century English Oil Painting
Pennsylvania Artwork