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Christine SoJapanese Maple ( 8 x 8 inch encaustic collage on wood panel)2020
2020
$300
£224.55
€259.47
CA$416
A$465.97
CHF 242.25
MX$5,753.83
NOK 3,086.13
SEK 2,917.46
DKK 1,936.27
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About the Item
This encaustic collage is mounted on a birch wood panel with 3/4 deep natural wood sides. The thick transparent slightly frosty encaustic beeswax coating on the front gives it a cool glassy surface. Encaustic is the art of applying hot melted wax and damar resin which hardens to a glasslike surface.
The image itself is a triple exposure hand-printed cyanotype of oleander branches from my garden. Cyanotypes, also known as blueprints or sun prints, are a 19th century alternative photographic process which can be used to make images with or without a film negative.
This encaustic collage is being sold separately but it is also part of a diptych made from the same image cut in half of the same branches. The last photo shows how it would look as part of a pair of panels rather than a single piece.
- Creator:Christine So (1970, American)
- Creation Year:2020
- Dimensions:Height: 8 in (20.32 cm)Width: 8 in (20.32 cm)Depth: 0.75 in (1.91 cm)
- More Editions & Sizes:noPrice: $300
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737216480602
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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