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Christine SoNight and Day 3 (Single 8 x 8 inch monotype collage mounted on wood panel)2020
2020
$200
$25020% Off
£149.37
£186.7120% Off
€173.32
€216.6520% Off
CA$277
CA$346.2520% Off
A$310.52
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CHF 161.93
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About the Item
This mini collage on wood panel were made using hand-printed botanical cyanotypes in blue and yellow. Their sides are painted gold.
Quite small, it measures just 8 x 8 inches x 3/4 “ (20 x 20 cm) .
Each of the cyanotypes that was cut up to assemble one of my collages was a unique monotype made from plants in the artist's garden. Cyanotypes, also known as blueprints or sun prints, are a 19th century alternative photographic process which does not require a camera lens.
The blue print in the collage was made using branches from a beautiful species of Japanese maple tree called a Dancing Peacock Japanese Maple whose large leaves each have 9 points.
The yellow monotypes look like block prints or screen prints began as blue cyanotypes and were turned yellow through a process called "toning." Cyanotypes are a form of 19th century photography also known as sun prints and blueprints.
The acid-free pure cotton watercolor paper is sealed with a very thin coat of rubbed-on cold wax medium. This matte barely perceptible layer protects the paper against dirt, dust and moisture, but does not have the noticeable thick, shiny, glassy look of an encaustic finish.
There is a very slim 3/16 inch border of gold painted wood showing around the image when viewed from the front and the four 3/4 inch side edges are painted gold. This eliminates the need for a frame.
CARE: It is recommended you hang these artworks in a dry room rather than a damp location such as a bathroom.
- Creator:Christine So (1970, American)
- Creation Year:2020
- Dimensions:Height: 8 in (20.32 cm)Width: 16 in (40.64 cm)Depth: 0.75 in (1.91 cm)
- More Editions & Sizes:noPrice: $250
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737215331802
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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