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Christine SoZen Grass (14" diameter cyanotype mounted on wood panel)2020
2020
$300
£224.55
€259.47
CA$416
A$465.97
CHF 242.25
MX$5,753.83
NOK 3,086.13
SEK 2,917.46
DKK 1,936.27
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About the Item
This is an original cyanotype permanently sealed and mounted on a round wooden panel. It requires no framing.
This monoprint was made using tall grass from my own garden during the shelter-in-place order during the coronavirus pandemic. My garden was the one oasis which hadn’t been changed by the terrible events in the world at large. It allowed me to be thankful for joys as simple as fresh air and sunshine through leaves. The circle is a calm and balanced shape. In Zen Buddhism it represents simplicity and harmony.
Although it may look like an etching or block print, this round print mounted on a wood panel is a cyanotype, technically a cameraless photograph. The traditional single-exposure blueprint is a crisp white silhouette against a solid dark blue background.
The sides are painted dark blue to match and the panel is ready to hang with a wire attached on the back.The papers used in the collage are heavy 100% acid-free watercolor paper which will not yellow with age. The surface is permanently sealed with a transparent, matte layer of gel medium to protect it.
- Creator:Christine So (1970, American)
- Creation Year:2020
- Dimensions:Height: 14 in (35.56 cm)Width: 4 in (10.16 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Oakland, CA
- Reference Number:1stDibs: LU2737216480702
Christine So is an American printmaker, photographer and painter living in the hills across the bay from her hometown, San Francisco. She is best known for her blue and white cyanotype photographs of forests shrouded in fog. The Foggy Woods series is ever-growing as the artist continually hikes these hills which are often foggy at dawn. She explores radically different ways to use this antique photographic medium with and without out a camera. At times her blue prints look like screen prints. At others like abstract watercolors. Besides printing photographs from negatives, botanicals using entire branches, altering the chemical recipe to obtain novel colors, and creating abstract cyanotypes of deliberate patterns, she also paints images using the light-sensitive solution and prints a pattern within them. These last works she calls “cyanotype paintings”. The multiple-day process depends on being able to see while painting in a dark room so as to not expose the light-sensitive painted silhouette before it’s time. She named her series of botanical paintings which have a fine blue and white pattern “Delft Garden” after the Dutch painted porcelain. Clients include: Timothée Chalamet, Starbucks, Mayo Clinic (Jacksonville), Jumaira Resort, Lux Habitat Sotheby’s International (Dubai), Wyndham Worldmark Hotels, Kimpton Hotel Monaco (Salt Lake City) , Mazars Accounting, Limelight Hotel Mammoth (California), MD Anderson Hospital (Houston), Oncology Center, Houston Methodist Hospital.
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