Skip to main content
  • Want more images or videos?
    Request additional images or videos from the seller
1 of 5

Christo
The Gates, Project for Central Park, New York City by Christo, 1998

1998

$200,000

About

The Gates, Project for Central Park, New York City by Christo (1935-2020) Collage, pencil, enamel paint, photograph by Wolfgang Volz, wax crayon and tape 35.5 x 56 cm (14 x 22 inches) Signed and dated lower left and inscribed on the reverse, Christo 1998 Provenance: Private collection, Germany This work is accompanied by a certificate of authenticity from the Estate of Christo. Artist biography Christo Javacheff was born in 1935 in Gabrova in Communist Bulgaria. Dropping his surname, Christo studied at the Fine Arts Academy in Sofia (1953–56) before defecting to the West, via Prague, in 1957. That year, he spent one semester at the Akademie der Bildenden Künste in Vienna and moved to Paris in 1958 where he met his future wife Moroccan-born Jeanne-Claude de Guillebon (d. 2009) and artistic collaborator. Indebted to Vladimir Tatlin's Constructivist edict "real materials in real space," Christo's first artworks, dating from 1958, consist of appropriated everyday objects such as bottles, cans, furniture, and oil drums wrapped in canvas, bundled in twine, and occasionally overlaid with automobile paint. His first solo exhibition, at Galerie Haro Lauhus in Cologne in June 1961, included his inaugural collaboration with Jeanne-Claude (though she would not publicly acknowledge her role in their creations until 1994) Dockside Packages a collection of draped oil barrels and rolls of industrial paper arranged outside the gallery along a dock. That same year, the couple made their first attempt at exploring their aesthetic vocabulary on a monumental scale with Project for a Wrapped Public Building, in which they proposed shrouding an unspecified parliamentary edifice, the quintessential symbol of public architecture, in fabric tied down with metal cables. Never realized, the project exists in the form of a photographic collage with an explanatory text by the artists. Throughout the 1960s, Christo and Jeanne-Claude outlined proposals for similar projects, often involving iconic buildings, like the École Militaire station of the Paris Métro (1961). They saw their dreams come to fruition in the summer of 1968, when they received permission to carry out three of their undertakings: Wrapped Fountain and Wrapped Medieval Tower (both at Spoleto in Italy) and Wrapped Kunsthalle (at Bern in Switzerland). The following year, they cloaked both the Museum of Contemporary Art in Chicago and a mile-long section of the Australian coastline at Little Bay, north of Sydney. Covered with vast quantities of light-coloured fabric, battened down using elaborate systems of cables, ropes, and knots, these architectural and natural forms werede-familiarised, transformed into ghostly presences that momentarily disrupted their surroundings. Beginning in 1970, the artists executed numerous other projects, all of which became icons of environmental art: Valley Curtain in Colorado (1970–72) a curtain of orange nylon suspended across a valley; Running Fence in California (1972–76) more than twenty-four miles of white nylon fabric snaking across the countryside; Surrounded Islands in Florida (1980–83) around six and a half million square feet of bright pink fabric floating around eleven islands; The Pont Neuf Wrapped in Paris, (1975–85) honey-hued fabric shrouding the city’s oldest bridge; The Umbrellas in Japan and USA (1984–91) a scattering of 3,100 blue and yellow umbrellas in a valley in California and Japan; Wrapped Reichstag in Berlin (1971–95) the celebrated German government building swathed in silver fabric; and The Gates in New York City’s Central Park (1979–2005) more than 7,500 metal frames fitted with saffron fabric panels and arranged along some twenty-three miles of walkway. Due to the staggering cost and increasing complexity of these ventures, in terms of technical know-how as well as the administrative and environmental hurdles the artists were obligated to surmount, realization often took years, even decades. In his solo work, Christo continues to conceive projects, some existing on paper only, in which found objects—from magazines, newspapers, and street signs, to nude female models, telephones, computers, and automobiles—are wrapped in fabric or plastic and then twined. These assemblages embody many of the themes Christo and Jeanne-Claude explored in their artistic partnership, among them the opposition between the familiar and the uncanny, the veiled and the exposed, the built and the natural environments, utility and futility, permanence and ephemerality. Major exhibitions of the artists' work have been organized by the Institute of Contemporary Art in Boston (1979), Museum Ludwig in Cologne (1981), Hiroshima City Museum of Contemporary Art (1990), Martin-Gropius-Bau in Berlin (2001), and the Metropolitan Museum of Art in New York (2004). Jeanne-Claude died in 2009; Christo lives and works in New York City.

Details

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Customs Duties & Taxes May Apply.
    Ships From: London, United Kingdom
  • Return Policy

    A return for this item may be initiated within 7 days of delivery.

1stDibs Buyer Protection Guaranteed
If your item arrives not as described, we’ll work with you and the seller to make it right. Learn more
About the Seller
5 / 5
Located in London, United Kingdom
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1964
1stDibs seller since 2015
61 sales on 1stDibs
Typical response time: 1 hour
Associations
Society Of London Art Dealers
More From This Seller

You May Also Like

Ponte Sant’Angelo -Christo, Contemporary, 21st Century, Collage, Limited Edition
By Christo
Located in Zug, CH
Ponte Sant’Angelo, Wrapped, Project for Rome - Christo, Contemporary, 21st Century, Collage, Limited Edition Collage on lithograph with acrylic frame Edition of 160 Arab and 90 Roman...
Category

21st Century and Contemporary Realist Mixed Media

Materials

Lithograph, Mixed Media

Ponte Sant’Angelo -Christo, Contemporary, 21st Century, Collage, Limited Edition

Christo
Ponte Sant’Angelo -Christo, Contemporary, 21st Century, Collage, Limited Edition, 1969-2011

$17,936
Melted Emmy III (Original Framed Mixed Media Artwork)
By Mauro Oliveira
Located in LOS ANGELES, CA
**1 WEEK SALE*** *South California enjoys FREE White Glove delivery within 100 miles from Los Angeles. IF you are in the LA area and wishes to see a piece in person, please make an ...
Category

21st Century and Contemporary Abstract Abstract Paintings

Materials

Resin, Tape, Wax Crayon, Mixed Media, Acrylic, Wood Panel

Melted Emmy III (Original Framed Mixed Media Artwork)

Mauro Oliveira
Melted Emmy III (Original Framed Mixed Media Artwork), 2021

$6,965 Sale Price
30% Off
Pointed Reclining Figure
By Henry Moore
Located in San Francisco, CA
Pencil, charcoal, chalk, chinagraph, wax crayon, wash, ballpoint pen and gouache on paper
Category

Late 20th Century Mixed Media

Materials

Chalk, Charcoal, Wax Crayon, Gouache, Ballpoint Pen, Pencil

Pointed Reclining Figure

Henry Moore
Pointed Reclining Figure, 1975, 1980

Price Upon Request
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art ...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Study for Līnea)

Mary Early
Untitled (Study for Līnea), 2020

$1,500
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art ...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Study for Līnea)

Mary Early
Untitled (Study for Līnea), 2020

$1,500
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art ...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Study for Līnea)

Mary Early
Untitled (Study for Līnea), 2020

$1,500
Untitled (Study for Līnea)
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art ...
Category

21st Century and Contemporary Abstract Geometric Mixed Media

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Study for Līnea)

Mary Early
Untitled (Study for Līnea), 2020

$1,500
Untitled (Study for Līnea), 2021
Located in Washington, DC
Poured beeswax work by Mary Early from her "Study for Līnea" series. "The production, or “pouring,” of beeswax elements has become a meditative process that is integral to my art ...
Category

21st Century and Contemporary Abstract Geometric Abstract Paintings

Materials

Wax Crayon, Sumi Ink, Archival Paper, Graphite

Untitled (Study for Līnea), 2021

Mary Early
Untitled (Study for Līnea), 2021, 2021

$2,500

The 1stDibs Promise

Learn More

Expertly Vetted Sellers

Confidence at Checkout

Price-Match Guarantee

Exceptional Support

Buyer Protection

Insured Global Delivery

More Ways To Browse

Contemporary Art City
New York City
New York City Art
Project Project
Project G
Y Project
Framed Art New York
New York City Contemporary
Art 1998
The Gates B
The Gates
New York 1990s
View All Popular Mixed Media Searches