Clifford Holmes

'On the Nile River', Cairo, Egypt, Society of Western Artists, De Young Museum

Watercolor landscape showing a view of a lake with grasses and trees growing at its edge and reflected in the water, with cloudy skies overhead. Signed lower left, "Marge Stevens" a...

Watercolor landscape showing a view of a tranquil Florida cove with sailboats at rest in the sand, and a man and young boy wearing vermilion shirts approaching the shoreline in the s...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999) and dated 1947. Born in Tacoma, WA on Oct. 23, 1918. Randall was in Salem, OR during the 1930s. He created artwork...

Signed lower right, 'Katherine Wengi' for Katherine Wengi O'Connor (American, 1936-1984); additionally inscribed verso with artist information. This listed Oregon artist was a membe...

Signed lower right, 'Elva Senter' (American, 1891-1973) and painted circa 1975; additionally inscribed verso. Born in Callao, Missouri, Elva Senter moved to Oklahoma with her famil...

Signed lower left, 'D. Badcock' for Douglas Badcock (New Zealander, 1922-2009) and painted circa 1948. Preferring to paint en plein-air, Douglas earned a reputation as one of New Ze...

Abstract watercolor fragment of a sunset over a field by Irene Pattinson (American, 20th Century). Tag on verso reads "Miller Fine Art / The Estate of Irene Pattinson". Unsigned. Acq...

Soft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....

VIEW OF THE BRONX Watercolor American Modern Modernism NYC 20th Century Drawing. Jan Matulka (1890 – 1972) "View of the Bronx," 15 x 20 inches. Watercolor on paper, c. 1920s. Signed lower Right. In 1907, he came to the Bronx, New York where he had a poverty-ridden childhood with a mother who tried to raise a family by herself. From 1908 to 1917, he studied at the National Academy of Design, and in 1917, received the first Pulitzer Traveling Scholarship with which he traveled and painted in the Southwest and Florida. His work from this period showed a turning towards a more abstract style, replacing his earlier realism. In 1919, he first went to Paris and then returned in 1927 on a scholarship from the National Academy. In Paris, he was exposed to Cubism, and his painting after that seemed always to carry that influence. He had his first one-man exhibit in New York City in 1925, and by 1930, he and Davis were experimenting with their version of Cubism. Concurrently for New Masses, a communist magazine, he did satiric illustrations expressing his sympathy for the working classes, and from 1929 to 1931, he taught at the Art Students League where he inspired emerging modernists such as David Smith, Dorothy Dehner, and I Rice...

'Windmill on the Plains' is watercolor and ink on paper painting by Jenne Magafan. Depicting a large windmill on a 1940s Colorado farm scene with sheds and a fencing in the backgroun...

'Second Mesa (Hopi Pueblo, Arizona)' is a watercolor, ink, and charcoal on paper by Bert Van Bork (1928-2014). Signed by the artist in the lower right co...

Gloria Dudfield Tractor at Work 6-10-64 Gouache and Oil Pastel on Paper 36"x32 1/2" Unframed Signed and dated lower right in crayon Very Good Condition - Minor wear consistent with ...