db Waterman

WHAT A WASTE, Mixed Media on Canvas

2020

This 5 panels abstract original painting is a textural work on bold bright colors, with beautiful details and texture. Each panel has different and original knife strokes and tones. ...

This 4 panels abstract original painting is a textural work on bold bright colors, with beautiful details and texture. The panels are created on different tones of blues and dark rus...

Robert creates paintings notable for their texture, and sculptural presence with layers of impasto paint. His richness of palette and his use of strong colors that he put on linen ca...

Digitally manipulated photography, pigment printing on cotton, hand quilting, gallery-wrapped on stretched canvas :: Mixed Media :: Contemporary :: This pie...

Named after the greek god, also known as Apollo, Febo was the radiant god of the sun. In this painting, he is depicted in his cart, pulled by horses, which was said to drag the sun f...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

Layers of nontraditional materials add texture to this contemporary abstract work in mixed media on paper by Eleanor White. Crushed opal and aquamarine in light blue with dry pigment...

A mixed media piece by Theaster Gates. "Untitled (flooring)" a contemporary found object piece, white cement, debris, flooring by American artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...