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Debra Smith
Debra Smith "Holding Light, Large Horizontal #4, " - Geometric Textile Artwork

2022

$13,000
£9,982.75
€11,451.79
CA$18,266.53
A$20,457.36
CHF 10,674.31
MX$249,877.80
NOK 135,808.32
SEK 128,015.62
DKK 85,463.29

About the Item

Debra Smith Holding Light, Large Horizontal #4, 2022 pieced vintage silk 65 x 48.5 in. (smi135) This original artwork by Debra Smith consists of black and cream-colored pieces of cut vintage silk, sewn together to form abstract, geometric shapes. Smith’s work is the result of both an intuitive process, formed from years of working with historic textiles, and a mindful practice. Each work is an open expression, constructed in an extraordinary way - with hours of stitching, embedding layer upon layer of material. With the visual sensibilities of a painter, Smith manipulates stripes and forms shapes with a gestural, geometric abstraction. She intuitively pieces found silk fabrics from vintage kimonos and men’s suit linings into a specific and well-developed visual language that relates more fully to drawing and painting than to the nature of textiles.
  • Creator:
  • Creation Year:
    2022
  • Dimensions:
    Height: 65 in (165.1 cm)Width: 48.5 in (123.19 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: smi1351stDibs: LU7110452482

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"I marvel at the fundamental forces of nature, the laws that determine the structure and behavior of matter, the ways and means of how the world looks the way it does. This interest in the science of the natural world led me to read deeply into the physics behind mechanisms of pattern generation. My painting language is based in these wonderments of systems and outcomes and the mathematics that describe them. These new paintings take form with an underlying grid of commercial paint sample cards. This allows me a spontaneous, interchangeable surface to explore color relationships and interactions within given parameters. The layers of acrylic matrix elements come next, all handwork applied line by line. As with numbers in equations, the quantities, sequences, repetitions, and rhythms all contribute to a rich optical blend of color combinations. A given set of colors results in an exponential number of different perceptions. Along with these pure abstractions of form and color come cultural references to histories of art and design with immediate associations to sumptuous textiles and complex architectural mosaics. The evolution of this work is ongoing, it will change and develop as each new mutation moves the morphology forward. These paintings are not illustrations of specific laws that shape the universe and ourselves but an artist’s answer to their implicit resonances. The paintings translate scientific inspirations into a visual, multilayered landscape that in layer after layer enfold one gradient of reality on another." - Peter Stephens
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