Elfi Schuselka

"Pekabu II"

1983

Elfi Schuselka (Austrian, b. 1940), "Friday Night February 13th", Acrylic on Tarlatan, with foamcore elements, unsigned, with descriptive paper label. 43.75" H x 47" W. Provenance: F...

Elfi Schuselka (Austrian, b. 1940), "Yellow Triangle II", Mixed Media on Mesh, 1983, signed, dated and titled to verso, unframed. 43" H x 45.25" W. Provenance: From the collection of...

Elfi Schuselka (Austrian, b. 1940), "Triangle in Square #4", Acrylic on Tarlatan with foamcore elements, 1981-83, signed, titled, and dated with descriptive label to the verso. 43.25...

Eva Bouzard-Hui (American, 1936-2023) "Evolutions Book Mark", Mixed Media on Paper and Glass, 1994, signed in pencil and dated "94" lower right, label with title and signature to ver...

This painting is part of a series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the ...

Nan Van Ryzin (American, born 1952) "Entwined" 2019 Oil Paint, Mesh, Wire, Mixed Media, Canvas, Stretcher Bars The artist signed the back of the painting. About the Artist: Based in...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

VIEW is part of an on-going series that explores the light and landscape in Tennessee. Hartman creates an image on paper then stretches a silkscreen on top of the image to create the...