Rebecca Johnson

Shape, 2019, ink & graphite on paper, nude, floral, figurative, black and white

2019

"In My Garden" (2022) by Rebecca N. Johnson Pastel and gel ink on rice paper Pink, yellow, purple, magenta, yellow, green color palette Female figure, nude portrait of seated woman ...

"Drinking Orchids" (2022) by Rebecca N. Johnson Pigment ink, gel ink and pastel on rice paper Green, pink, yellow color palette Female figure with orchids, sun, flowers, garden Nude ...

"Spring Awakening" (2022) by Rebecca N. Johnson Pigment ink, gel ink and pastel on rice paper Green, pink, yellow, purple, blue color palette Female figure with orchids, sun, flowers...

"Don't Want You" (2020) by SarahGrace Watercolor and Ink on Paper; Blue, White & Black, Contour Sketch, Woman Posing, Face, Pose, Portrait, Nude, Figurative Study, Pastel palette, Self Portrait, Women Artists, Women in Art...

"Blue Nudes I" (2019) by SarahGrace Ink on Paper Drawing, Blue & White, Women Posing, Faces, Poses, Yoga, Dancing, Figurative Study Drawing / Nude / Human Figure / Flora / Figurativ...

"Desire" (2020) by SarahGrace Watercolor and Ink on Paper; Blue, White & Black, Contour Sketch, Woman Posing, Face, Pose, Portrait, Figurative Study Wate...

'Alchemy II' is a figurative contemporary drawing on paper, produced by artist Katherine Filice. Drawing from other works from the series, a figure is...

'Alchemy I' is a figurative contemporary drawing on paper, produced by artist Katherine Filice. A realistic rending of a human face is visually both suspended and supported by a co...

The fourth work in the series "The Unveiling," Katherine Filice's 'Unveiling IV' is a continuation of the artists' sensibility in the production of classical form. However, while the...

In the first of "The Unveiling" series of works, Katherine Filice's signature hatching decorates part of a baroque-style form drawing. The subject matter is reminiscent of classical ...

Based on baroque (1826-1883) lesson plates and some modern-day references, the works of 'The Unveiling' series by Katherine Filice combine the artists...

Attributed to Ross Bleckner (American, b. 1949) Group of 3 Double Sided Drawings Watercolor and graphite on paper All approx. 24 x 18 in. Ross Bleckner grew up in Hewlett, Long Island, New York; drawing all the time without being aware that other artists existed. He was the middle child between two sisters; his father manufactures electronic parts He attended New York University where Sol Lewitt, Chuck Close and others were his teachers. He graduated in 1972, then spent a year at the California Institute of Arts. His contacts in the next few years were very fortuitous; Sol Lewitt and Chuck Close, Carl Andre, David Salle, Julian Schnabel, etc. Bleckner is on the nervous side, beset by self-doubt, insomnia, and gloom. He is unpretentious, although he is bluntly handsome, with olive complexion, and a compact build. He is "10 percent that is superficial and 90 percent that has to do with the depths and that is threatened by living. He is a very complicated individual. He is a very, very morose, deeply feeling, hardworking artist- he takes a lot from within himself - but always, no matter how successful he is, he feels he is going to fall into those depths." 1 Bleckner first exhibited his work in New York in 1974. The following year he was given his first one-man show; he was included in the 1975 Whitney Biennial.. Since about 1985 has addressed many of his paintings to the subject of AIDS- both documenting it as a historical phenomenon and commemorating specific individuals who have died. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Bio sourced from the Archives of askArt. Sources include: Ross Bleckner's Mood Indigo by Lisa Liebmann, in ARTnews, May 1993...