Gail Tremblay

In the Inuit Style

Rooted in observation and fueled by a curiosity about the behavior of objects and handicraft processes, Carly Glovinski makes paintings, sculpture and works on paper that often teeter between representation and abstraction. Letting craft techniques like weaving inform her mark making, her work mimics everyday objects and highlights geometric pattern and structure found in textiles, while exploring the resourceful attitudes associated with domestic craft and rural communities that prioritize placemaking in concert with nature. She received her BFA from Boston University in 2003 and is represented by Morgan Lehman Gallery...

'We surround ourselves with elements from nature in the form of manicured lawns, sculpted trees, and our domesticated companions. We bend the natural world to our tastes and create a...

A mixed media piece by Theaster Gates. "Untitled (flooring)" a contemporary found object piece, white cement, debris, flooring by American artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...