Geert Lemmers

The discovery of heaven 114, Mixed Media on Other

2023

My work is about dealing with the real world and above all using the images that surround us in everyday life. To lure a participant into new and perhaps unexplored area. I paint wha...

My work is about dealing with the real world and above all using the images that surround us in everyday life. To lure a participant into new and perhaps unexplored area. I paint wha...

My work is about dealing with the real world and above all using the images that surround us in everyday life. To lure a participant into new and perhaps unexplored area. I paint wha...

The work is painted on cardboard approx. 2 mm thick. In my pictures I try to combine the visual and the conceptual. For me, drawing is a medium of knowledge which, beyond direct exp...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

"Melanated Queen" is more than just a painting; it's a tribute to the beauty that resides within melanin-rich individuals and an homage to the resilience of African queens throughout history. Odetomi expertly captures the essence of this woman, her features exuding confidence and pride. The warm, earthy tones used to depict her skin convey a sense of strength and natural beauty, while the rose flower ribbon symbolizes femininity and grace. The woman's posture in the painting is a testament to the empowerment of women, especially women of color. Her regal posture and unyielding gaze project an aura of self-assuredness, breaking free from the limiting stereotypes that have plagued the representation of African women in art for centuries. Odetomi's brushstrokes artfully depict the subtle yet powerful transformation of vulnerability into strength, revealing the queen-like qualities present within every woman. Central to the artwork is the rose flower ribbon adorning the woman's hair. The rose has long been associated with love, beauty, and passion, and its presence here infuses the painting with a sense of romance and elegance. Moreover, the rose flower ribbon serves as a symbol of the interconnectedness between nature and the woman's identity. It highlights the harmony she shares with the world around her, as well as her ability to nurture and cultivate beauty in her surroundings. Abayomi Odetomi...

Frame size 81x66 cm.

Karl Zerbe (1903-1972) A mixed-media Painting collage of mod neon colored leaves on canvas with parchment backing. Hand signed "Zerbe" bottom left and dated bottom right 1965-65. Dimensions: Collage: 36 in tall x 24 in wide. Frame: 40 in tall x 28 in wide. Karl Zerbe (1903 – 1972) was a German-born American realist painter and educator. Karl Zerbe was born on September 16, 1903 in Berlin, Germany. The family lived in Paris, France from 1904–1914, where his father was an executive in an electrical supply concern. In 1914 they moved to Frankfurt, Germany where they lived until 1920. Karl Zerbe studied chemistry in 1920 at the Technische Hochschule in Friedberg, Germany. From 1921 until 1923 he lived in Munich, where he studied painting at the Debschitz School, mainly under Josef Eberz. From 1924 until 1926 Karl Zerbe worked and traveled in Italy on a fellowship from the City of Munich. In 1932 his oil painting titled, ‘’Herbstgarten’’ (autumnal garden), of 1929, was acquired by the National-Gallery, Berlin; in 1937, the painting was destroyed by the Nazis as "Degenerate art." Entartete Kunst was what they deemed all the Avant Garde, Modernism Movements. In the visual arts, sucf innovations as Expressionism, Fauvism, Cubism, Dada, Bauhaus, Post Impressionism were disdained. Artists such as Käthe Kollwitz, Otto Dix, George Grosz, Max Beckmann, Max Ernst, Oskar Kokoschka, El Lissitzky, Franz and Marc Chagall were among those who despite having made significant contributions to the German modernist movement were banned even if they were not necessarily Jewish. From 1937 until 1955, Karl Zerbe was the head of the Department of Painting, School of the Museum of Fine Arts, Boston. In 1939 Karl Zerbe became a U.S. citizen and the same year for the first time he used encaustic. He joined the faculty in the Department of Art and Art History at Florida State University in 1955, where he taught until his death. He was grouped together with the Boston artists Kahlil Gibran (bronze sculpture), Jack Levine and Hyman Bloom as a key member of the Boston Expressionist school of painting, and through his teaching influenced a generation of painters,[including, among others, David Aronson, Bernard Chaet, Reed Kay, Arthur Polonsky, Jack Kramer, Barbara Swan, Andrew Kooistra, and Lois Tarlow. Select solo exhibitions 1922: Gurlitt Gallery, Berlin, Germany 1926: Georg Caspari Gallery, Munich, Germany; Kunsthalle, Bremen, Germany; Osthaus Museum, Hagen, Germany 1934: Germanic Museum (now Busch-Reisinger Museum), Harvard University, Cambridge, Massachusetts 1934, 1935, 1936, 1937: Marie Sterner Galleries, New York City 1936, 1938, 1939, 1940: Grace Horne Galleries, Boston, Massachusetts 1941: Vose Galleries, Boston; Buchholz Gallery, New York City 1943: Mount Holyoke College, South Hadley, Massachusetts 1943, 1946, 1948, 1951, 1952: The Downtown Gallery, New York City 1943, 1947: Berkshire Museum, Pittsfield, Massachusetts 1945, 1946: Art Institute of Chicago, Illinois 1946: Detroit Institute of Arts, Detroit, Michigan 1948, 1949: Philadelphia Art Alliance, Pennsylvania 1948, 1955: Boris Mirski Gallery, Boston, Massachusetts 1950: Munson-Williams-Proctor Arts Institute, Utica, New York 1951-1952: Retrospective Exhibition circulated by the Institute of Contemporary Art, Boston, traveled to: Baltimore Museum of Art; Colorado Springs Fine Arts Center; Currier Gallery of Art, Manchester, New Hampshire; Florida Gulf Coast Art...