Georges Ribemont - Dessaignes

Douceur de l' Amour .VIVA DADA .

1921

GAN ( Gösta Adrian -Nilsson ) (1884 -1965 ) " MARIN 1 " Theater decoration is Dada work of Gosta Adrian Nilsson . . 1922 . paint wood and asse...

Jean Cocteau ( 1889 - 1963 ) " Centurion " . " Unic work dadaist " circa 1928 . certifié par Madame Annie Guédras en décembre 2004 . (certificat joint en photo )

Jean Cocteau ( 1889 - 1963 ) " la Dame étonnée " . Mix Media découpage signed by Jean Cocteau . work : 10 x 10 cm Framed: 27 x 25 cm . Collage original , déc...

KARL LAGERFELD ( 1933 -2019 ) Visionnaire# 23 The Emperor's new Clothes ( 1997 ) . numbered of 5000 editions . Magazine / Art portfolio / 1st edition . 36 x 29 cm . Fashion designe...

Regarded as an early exponent of politically committed realism in Spain, he left Francoist Spain for Paris at age 21. He dominated the major post-Franco exhibition of Spanish Art at...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

This year, 2024, the artist Ruth Vidal (1998, Isla de Arousa) launches her latest research into painting and games. These works are based on the references that the artist draws from...

Shusaku Arakawa Still Life, from To and From Rrose Selavy, for Marcel Duchamp, 1967 Limited Edition Silkscreen on velincarton (thin board) paper 10 1/2 × 13 1/4 inches Limited Edition of 60 Hand signed, titled and dated on the front Unframed The entire portfolio, including the present work, is referenced in the Marcel Duchamp catalogue raisonne: Arturo Schwarz The Complete Works of Marcel Duchamp, Abrams, P.532, 344c Eager to share Marcel Duchamp with Japanese audiences, Shuzo Takiguchi - a Japanese-born poet, critic, and artist with ties to Surrealist circles, assembled an international portfolio of graphic works by various artists with strong ties to Duchamp, to accompany the deluxe version of his monograph, "To and From Rrose Sélavy". The present work was created for this portfolio by one of Marcel Duchamp's friends, Shusaku Arakawa. It is signed, dated and titled on the front - and can be exhibited both vertically and horizontally - (see photos). The present work, along with others in the portfolio, was published in Japan and is rarely found stateside. Shusaku Arakawa (荒川 修作 Arakawa Shūsaku, July 6, 1936 – May 18, 2010) who spoke of himself as an “eternal outsider” and “abstractionist of the distant future,” first studied mathematics and medicine at the University of Tokyo, and art at the Musashino Art University. He was a member of Tokyo’s Neo-Dadaism Organizers, a precursor to The Neo-Dada movement. Arakawa’s early works were first displayed in the infamous Yomiuri Independent Exhibition, a watershed event for postwar Japanese avant-garde art. Arakawa arrived in New York in 1961 with fourteen dollars in his pocket and a telephone number for Marcel Duchamp, whom he phoned from the airport and over time formed a close friendship. He started using diagrams within his paintings as philosophical propositions. Jean-Francois Lyotard has said of Arakawa’s work that it “makes us think through the eyes,” and Hans-Georg Gadamer has described it as transforming “the usual constancies of orientation into a strange, enticing game—a game of continually thinking out.” Quoting Paul Celan...