Items Similar to Grayson Perry, Piggy Bank 2022
Want more images or videos?
Request additional images or videos from the seller
1 of 3
Grayson PerryGrayson Perry, Piggy Bank 20222022
2022
About the Item
Greyson Perry, Piggy Bank, 2022
White ceramic piggy bank painted in blue and glazed, with rubber stopper Unknown edition size
Stamped with artist's logo on the underside New. Sold with original archival box, as issued by the publisher
Produced by the Serpentine Galleries,
Contained within a grey card Serpentine Galleries branded box,
- Creator:Grayson Perry (1960, British)
- Creation Year:2022
- Dimensions:Height: 3.55 in (9 cm)Width: 8.27 in (21 cm)Depth: 3.55 in (9 cm)
- More Editions & Sizes:Unknown editionPrice: $2,261
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Manchester, GB
- Reference Number:1stDibs: LU2261213185542
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2022
147 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Manchester, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Simon Shepherd, Tennis Afro, 2023Located in Manchester, GBSimon Shepherd, Tennis Afro, 2023 Mixed media 35 x 35 cm (13.78 x 13.78 in) Original artwork Brighton-based sculptor Simon Shepherd finds the similarities between two seemingly ...Category
2010s Contemporary Mixed Media
MaterialsRubber, Mixed Media
- The AntidoteBy Mark PettyLocated in Manchester, GBThe Antidote 65x45cm Produced for the ‘Ocean Life Limited Edition' Series. “The Ocean is in my heART…” Art encourages positive change. Reverse 3-colour hand-pulled screen print onto glass, with 23.5ct gold leaf and blended waste plastic resin pour with a holographic backing. 50 plastic waste coffee cup lids...Category
2010s Contemporary Mixed Media
MaterialsGold Leaf
- Grayson Perry, 100% Art Plate, 2020By Grayson PerryLocated in Manchester, GBGrayson Perry, 100% Art Plate, 2020 21 × 21 cm (8 3/10 × 8 3/10 in) Limited edition Porcelain plate which has been stamped on the reverse with Grayson Perry’s Official Stamp ...Category
2010s Contemporary Sculptures
MaterialsPorcelain
- Yoshitomo Nara, Too Young To Die Ashtray, 2002By Yoshitomo NaraLocated in Manchester, GBYoshitomo Nara, Too Young to Die, 2002 Glazed ceramic ashtray printed with the artist's signature and copyright on the underside, from an open edition, published by Cereal Art...Category
2010s Contemporary Mixed Media
MaterialsCeramic
- Vide-Poche AshtrayBy David HockneyLocated in Manchester, GBDavid Hockney Vide-Poche, 2020 Hand-cast, fine bone china ash-tray 6 3/10 × 7 9/10 in 16 × 20 cm Edition of 200 on accompanying pamphlet, housed within the original box.Category
2010s Contemporary Mixed Media
MaterialsCeramic
- Simon Shepherd, Gimme Some SkinLocated in Manchester, GBGimme Some Skin Ceramic sculpture under a glass dome Hand-signed and numbered by the artist Limited edition of 25 Brighton-based sculptor Simon Shepherd finds the similarities...Category
2010s Contemporary Figurative Sculptures
MaterialsCeramic
You May Also Like
- Double Panel Monumental Pink and Purple Dyed and Painted Stretched Rubber CanvasBy Jack DrummerLocated in Buffalo, NYThis two panel stretched and dyed rubber piece was created by American contemporary artist John Drummer in the early 2000's. This work was featured in the exhibition "Jack Drummer" organized by BT&C Gallery and which coincided with the Burchfield Penney Art Center's exhibition "The Effects of Time". This is currently the only work available for acquisition. The Burchfield Penney exhibition that featured these rare pieces was voted one of the best 10 exhibitions that year in ArtForum's 2016 Top Ten by Matthew Higgs, who would later curate an exhibition of Drummers work for White Columns gallery that was reviewed by Art in America in 2017. John E. (aka “Jack”) Drummer (1935-2013) was an itinerant and mercurial figure. Self-taught as an artist, his earliest works from the late 1950s and early 1960s were included in several key exhibitions in Buffalo and New York City, including the first of Allan Kaprow’s legendary ‘New Forms, New Media’ exhibitions that he curated for Martha Jackson’s gallery in 1960. Drummer’s 1962 solo exhibition at the Gordon Gallery, New York received a rapturous review from critic Brian O’Doherty in The New York Times, who praised Drummer for his ability to “make something out of nothing”, describing his work from this time as “screens for the imagination,” a notion that could equally be applied to his later works on view at White Columns in a 2017 solo exhibition. Despite this early success, Drummer would soon leave New York City, returning initially to Buffalo, before moving to New Orleans and then California, before eventually settling in Hawaii. Very little of Drummer’s early work has survived, including almost none of the 300-odd, often large-scale, styrofoam-based sculptures he produced in Hawaii. On returning to his home-town of Buffalo in the early 1980s, Drummer would embark on an extraordinary body of work that would preoccupy him for the next two decades. Drummer’s late work is clearly related to, and expands upon, the histories of minimal, post-minimal and process-orientated art. His approach is empathetic with that of the Italian Arte Povera artists, sharing their interest and investment in ‘poor’ and quotidian materials. Working almost exclusively with ‘found’ materials, and specifically materials that had previously been employed and subsequently discarded in industrial and manufacturing processes, Drummer’s work of the 1980s-early 2000s was largely overlooked and unexhibited during his lifetime. Drummer’s late works employ the rubber ‘blankets’ – used in offset printing to remove excess ink during the printing process – as supports. These ‘ready-made’ supports often revealed aspects of their ‘histories’: their surfaces are typically marked with ghostly images and texts resulting from the printing process. Drummer would then work directly onto and into these ‘pre-prepared’ supports. Drummer’s late works often incorporate impressions taken directly from the surfaces of walls, floors, and fencing, etc. – ‘images’ created by laying the rubber sheets face down onto a desired surface, and then applying pressure from the back of the sheet to create a subsequent negative impression or image of that surface, likely a physically demanding process, akin to making a ‘brass rubbing...Category
1980s Contemporary Mixed Media
MaterialsRubber, Paint, Dye
- Bound Globe 28 (Choke Points)By Gregor TurkLocated in Atlanta, GAKnown for his public art installations, ceramic sculpture, photography, and mixed-media constructions, Gregor Turk often incorporates mapping imagery and cultural markings into his a...Category
21st Century and Contemporary Contemporary Mixed Media
MaterialsMetal
- Choke: Gibraltar – Land (left) Water (right)By Gregor TurkLocated in Atlanta, GAGregor Turk’s new series titled “CONFLUX” features wall-mounted box-like maps of global choke points, strategic locations where passage by land or sea is constricted. Coastlines are ...Category
21st Century and Contemporary Contemporary Mixed Media
MaterialsRubber, Wood
- PRICK - Red, Monochrome Wall Hanging Sculpture w/ Found ObjectsLocated in Signal Mountain, TNThis piece was created using carefully curated materials that were then bound together. The materials used were all discarded and would otherwise have gone to a landfill. I repurpose...Category
2010s Contemporary Mixed Media
MaterialsPlastic, Rubber, Fabric, Yarn
- "Expecting to Fly", Found Object assemblage, reconstructed eggBy Katie VanVlietLocated in Philadelphia, PAThis piece titled "Expecting to Fly" is an original piece by Kate VanVliet and is made from 30 repaired chicken eggs, brass, rubber, steel, plastic, and mica. This piece measures app...Category
21st Century and Contemporary Contemporary Still-life Sculptures
MaterialsSteel, Brass
- Pow!By Keith YoungLocated in Kansas City, MOKeith Young Pow! Collage on Canvas; Rubber, Glue, Wood, Cotton Canvas Year: 2022 Size: 12.25x11.5x3in Signed by hand COA provided Ready to hang Ref.: 924802-1134 -------------------...Category
2010s Contemporary Mixed Media
MaterialsWire