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Dragonflies - Framed Blue Abstract Painting

2022

Morph II is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and yar...

Morph III is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and ya...

Morph IV is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and yar...

Morph I is an Abstract Expressionism painting made by mixed-media, such as the up-cycled yarn, ink and acrylic paint. I collected the off-cut fabric from the cutting table and yarn...

Judy Rifka, American, 1945 Laborde Head Mixed Media on Canvas (acrylic paint and ink) 1989 Hand signed, titled, and dated verso 30 X 24 inches Provenance: The Estate of Theodore A Bonin. (Ted Bonin was a principal in Alexander and Bonin, a New York gallery known for its diverse slate of conceptual artists. He started at Marlborough gallery London in the 60s, then in partnership with Brooke Alexander. In its stable were a host of esteemed artists: Willie Cole, Rita McBride, John Ahearn, Paul Thek...

Maggie Laporte Banks. Hay Bluff and the Black Mountains. Acrylic, Indian ink and carborundum on a linen canvas. Size: H 53cm x W 73 cm x D 6cm Sold in a wooden white frame. (Please n...

This colourful contemporary abstract is, as the name might suggest, inspired by leaves unfurling and nature bursting back into life in the wake of spring. Catherine Pennington-Meyer is available at Wychwood Art online and in our gallery. Catherine is an award-winning artist who currently lives and works near Munich, in Germany. Her work concentrates primarily on abstract expressionism. Catherine has participated in exhibitions throughout Europe and has quickly established a prestigious international collector base. Catherine says of her art: `I see my painting as a kind of language, translating what I feel or experience to those viewing it. I am innately drawn to create raw, emotive, expressionist pieces, mostly abstracts, which distil a subject down to its feeling. I don`t only want my art to be `beautiful` but for it to reach out and touch the person who is viewing it on an immediate, intuitive level. I want my paintings to speak to their audience in their own visceral language. I am influenced by nature, particularly the multifaceted nature of water, and memories of growing up in particularly beautiful landscapes in North Yorkshire and Scotland. I also find human psychology and science fascinating. But I see compositions everywhere, whether it be flowers in a park, the way smoke curls, books on a library shelf or a street market. Everything is made up of shapes and colours. The world is a constant source influences and inspiration.’ Over time, as her work has developed, she has been increasingly compelled towards abstraction, through which she feels able to communicate an energy which is untethered by the constraints of realism. She enjoys playing with light, depth and movement in her art to give it immediacy and to draw a viewer into the composition. Catherine also enjoys poetry, and her works occasionally have accompanying narratives. Catherine views visual and written art...

Acrylic paint and acrylic ink on canvas, limited edition of 20 - artwork can be shipped in a tube or framed in a crate

Hypermorphing I is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements. ...

Hypermorphing III is an abstract painting. The calligraphy brushstrokes in mixed-media, such as: the black ink and the metallique acrylics merged to perform a metaphorical movements....