Jacie Jane D'Agostino

Eye Above III

2020

Drawing / Geometric Abstraction / Mythology and Religion / Bright and Vivid Colors / Black and White Enamel, ink, colored pencil and alcohol ink on paper....

"The Inevitable Desire of Growth" (2023) by street artist and muralist Vero Rivera Delicate, mandala-like abstract geometric pattern in black and metallic gold. Nonobjective hard ed...

"Ajna" by Loren Abbate Original mixed media painting on panel using acrylic, found image collage, holographic iridescent metal foiling & silkscreen, framed in a custom black wood flo...

This piece is an original acrylic paint on canvas measuring, 20" H x 20" W x 1.5" D. It is from Clarence Rich's Maelstrom series.

Mixed Media

An unsigned large scale oil on un-stretched canvas, created in the 1970's. This work is meant to hang pinned to the wall.

A group of figures heads for icy distant mountains. A familiar enough scene of polar explorers hauling their sledges. Yet somehow this does not quite fit the heroic mold. The ice and sky are tinged a movie musical pale blue and their gear is a bit too colorful for the era of man-hauling. And then there’s the sled, piled high not with boxes of supplies but with a jumbled heap of antiquities: Greek Athenas, bits of a coliseum, a ship’s great wheel. In Jessica Houston’s collage “The Long Haul,” the explorers drag history itself into the great beyond, their backs turned from their absurd load. But we take in the entire scene. In her suite of works, Over the Edge of the World, Houston uses oil on wood, ink on paper, and collages of found images, many from National Geographic Magazine, to rearrange the evidence – and thus history’s possibilities. Houston joins visual artists such as Judit Hersko, Katja Aglert, and Isaac Julien...

Eyes Shut Stitching on naturally dyed cloth on cardboard